Sculpture

This publication brings together the 50 unique life-cast portraits of the artist's work, Imagines; inspired by ancient Roman life-casts of the same name. Each life-cast portrait is presented as a postcard; the reverse of which, written in Edmier's own hand, provides interesting details about the individual casts. The set of postcards is presented in a hard-back “stone” box-envelop, with white debossed text.

The first monographic publication dedicated to one of the foremost artists of his generation and a key figure in the development of Bucharest's artistic community in the early 2000s.

This catalogue is conceived as a continuation and circulation of Saraceno's eponymous sound project: The artist uses spider webs as musical instruments embodying the incredible structural properties of the spider's silk, but also the spider's sophisticated mode of communication through vibrations. Saraceno recorded jam sessions between arachnids and musicians, included in this publication, as well as documentation, essays, and a manifesto.

This catalogue / artist's book inaugurates a new series dedicated to the site-specific installations exhibited in the nave of the CAPC. The eponymous project by artist Leonor Antunes is a sculptural ensemble influenced by textile and architectural works, thus recalling the commercial past of the nave as well as the cultural legacy of modernism. The publication features an interview with the artist and a text by textile artist Anni Albers.

First comprehensive monograph dedicated to minimalist pioneer and postcolonial artist Rasheed Araeen. The publication gives an overview of 60 years of career, encompassing Araeen's visual art, writing, editing, and curatorial work. It includes scholarly essays, surveys, and documentation spanning every aspects of the artist's oeuvre, from his early works to his political engagement to today's ongoing Homecoming series.

Sam Anderson's body of work examines the existential conditions of human life on the basis of her own biography and stories from her social milieu. This catalogue documents her first solo shows at SculptureCenter in New York and the Kölnischer Kunstverein in Cologne. It features both new and older works, including sculptures, installations and video works.

The third volume of a five-chapter publication series, this catalogue celebrates a new iteration of the artist's color spectrum series that congregates his art, the architecture of the Cincinnati Contemporary Arts Center, and the public as collaborators in an all-encompassing experience.

The fourth of a five-chapter publication series by Ugo Rondinone, this catalogue documents the iteration of Ugo Rondinone's Vocabulary of solitude at the Berkeley Art Museum and Pacific Film Archive in the summer of 2017.

The complete Landscape Paintings.

The complete Horizon Paintings.

The complete Sun Paintings.

Artist Michael Fliri investigates concepts such as metamorphosis, mutation and disguise: the protagonists in his work—often Fliri himself—time and again undergo a process of change or transformation. This catalogue offers an extended overview of his practice and underscores his significance on the international art scene.

Publication documenting an eponymous video work by the Palestinian artist, in which she follows the matrix of hierarchies and relationships involved in an agricultural transaction of seeds between a Norwegian town the Bekaa Valley in Lebanon. This book includes an essay by historian Shela Sheikh and a text by the artist tracing the reflections that led her to her project.

Monographic catalogue presenting a series of sculptures and a set of photographs by the Belgian artist. The two media enter in close dialogue with each other, thus exploring the potentialities of image and space. With a text by Michel Gauthier.

Published in conjunction with the eponymous exhibition at the Galerie Perrotin in Paris, this monograph features historical works by Julio Le Parc, as well as his most recent paintings, showing an undeniable interest in the study of light and movement. The publication also contains a text by Hans Ulrich Obrist, an interview by Jerôme Sans and a chronology written by the artist.

Oompah, Tom-tom, Tootle-too & Toot narrates the story of four members of an orchestra who animatedly chat during a break backstage at the Henry Le Bœuf concert hall in Brussels. Through gossip, arguments, and existential crises, they shake the axioms and notions of community, authenticity and happiness. The dialogues by Lili Reynaud-Dewar are illustrated by Kristien Daem's photographs of Gaillard & Claude's sculptures.

This publication documents a site-specific work by Giovanni Anselmo at the Carlo Scarpa space of the Querini Stampalia Foundation, in the framework of the Venice Biennale.The project takes the form of a route of trajectories and directions, weights and energies which represent five moments in which a meaning is implied: the visitors become participants. It is a work in progress because it is lived and lives through the viewer.

Conceived as a "bio-monograph", this catalogue offers a unique insight into the life and work of the French artist, sculptor and ceramist Valentine Schlegel (1925-2021). It features a large iconography, archives, and texts by sculptor and Schlegel specialist Hélène Bertin (new expanded edition with English texts).

Published for the Estonian Pavilion at the 57th Venice Biennale, Katja Novitskova's catalogue addresses emerging potentialities between visual culture, big-data-driven processes, and ecology.

The fourth volume of Rémy Zaugg's complete writings (1973-1980): a collection of texts on Donald Judd and minimalist sculpture.

This collaborative journey between Brazilian artist Ernesto Neto and members from the Huni Kuin indigenous communities brings to the fore the concept of “ancestral futures” and extends the concerns that have been evident in Neto's oeuvre over the past 20 years: a celebration of the sensuality of being, the unity of bodies and nature, and a longing for spiritual vision.

Documenting a six-month residence at Fogo Island Arts, Tones highlights the diversity of Leciejewski's practice—with works including collages, photographs, and found-objects sculptures—while bringing to the fore the artist's views on nature.

The Rough Law of Gardens documents Olaf Holzapfel and Nahum Tevet's eponymous joint exhibition and explores the intergenerational differences between two unique artists. Both artists' work rejects the global logic of growth and traverses the bounds of sculpture and painting: each of their practices involves ideas to do with materiality, learning, and memory.

In this new book time and space, which are fundamental aspects of Arena's work, are encapsulated in six horizons, six roads and ten landscapes. Essays by Mario Fortunato and Andrea Viliani, together with statements written by Arena himself on each work here published, examine in depth the practice of one of the most interesting artists in the Italian and International artistic scenes.

First survey monograph: hovering between painting, sculpture, and installation, Comte's works are based on references to popular culture—including cartoons as well as vernacular handicrafts—nature, heraldic symbols, and art historical movements (Op art, Pop art, Neo-Geo, Concrete art).

Study book made by artist George Trakas in response to a commission issued by inhabitants of the Lamelouze commune in the southern French region of Gard, north of Alès (as part of the “New Patrons” program, initiated and supported by the Fondation de France).

Stemming from a project dedicated to the city of Genoa and in particular to its relationship with the sea, this photographic artist's book extends the site-specific glass sculpture designed by Perrone inside Villa del Principe's Hall of the Shipwreck.

A biographical essay on the Baroque Brazilian architect and sculptor from the 18th century, Aleijadinho.

This monograph dedicated to Wyatt Kahn encompasses his painting production from 2011 to 2017, and introduces his recent exploration of photography.

Magali Reus' recent series and new sculptures.

First major monograph dedicated to the British artist, bringing together visual documentation, texts addressing the artist's multifarious practice over recent years, and a comprehensive chronology spanning his twenty-year career.

Sculpture in a Digital World: “Digital Fabrications”; “Assembling the Post-Fordist Social Factory”; “Sculptors And Technology: Beyond The Digital”; Null Object: Gustav Metzger Thinks About Nothing by London Fieldworks; Jesse Colin Jackson's Marching Cubes; the 3D Additivist Cookbook; interviews with Grégory Chatonsky & Dominique Sirois, Erika Lincoln; the 6th edition of La Littorale; reviews and selected publications…

Inspired by Beirut's urbanism and cultural history, Rechmaoui's sculptures and installations reflect themes of urbanization and contemporary social and behavioral demographics. Including documentation, essays, and interviews, this illustrated monograph takes a look back at twenty years of work by one of the most important post­war contemporary artists from Lebanon and the region.

Catalogue documenting the Canadian artist's most important works to date and a specially commissionned installation. Her steel structures and ceramic works represent menacing hybrid-species engaged in a role play of predator and prey. Includes an essay by Golberg, texts by critics and curators, and a conversation between art historian Leah Pires and neuroscientist Sara Constantino.

A story of the Grévin wax museum in Paris from 1881 to 1921.

This large-format artist's book (40 x 40 cm open) brings together graphic works by Claudia Comte. Mathematically structured like a Cartesian coordinate system, the publication folds and unfolds so that it can be read in four different ways. The book becomes a geometric play space in which to discover the many facets of Comte's visual identity.

Featuring new and previous works by Sophie Dubosc, this catalogue gives a complete overview of her aesthetic reflection. Working primarily with three-dimensional forms, sculpture, raw materials, and reflecting on historical issues, the French artist's complex practice is covered by two essays, and a full-color photographic documentation section.

Monograph gathering most of the artists's recent works—ceramic and faience sculptures, watercolors and gouaches, drawings, collages, and installations—divided into three thematic chapters. The publication includes an interview of several voices (with special guest Mathieu Mercier), and a text by Annabela Tournon.

Most comprehensive monograph on the work of Nina Beier to date, Cash for Gold brings together eight essays drawing on the Danish's artistic practice and her investigation on the status of images in our contemporary reality.

Third publication in the framework of the “Transphère” Exhibition cycle, this catalogue documents a work by Rei Naito, a Japanese artist who has built an international reputation with her minimalist and conceptual creations. The installation Émotions de croire (The emotion of belief) is a moving reflection on the atomic bomb, and a place of mourning and hope.

Anniversary issue concerned with performance acts in relation to the body as sculpture. Featuring essays on immobility in 1990s performance art, the deadpan inertia of the sculpture-body, immobility in the works of Gathie Falk and Megan Rooney, dialogue between the works of Kimsooja and Emma Hamilton, the relationship berween the human body and the object, the “cadaverous sculptures”, an interview with Sylvie Tourangeau, “Event” section, exhibitions and books reviews…

This monographic publication delivers an in-depth exploration of Liz Magor's sculpture and installations produced over the course of 40 years.

First monograph.

Expanding its mapping of landmark exhibitions and curatorial history from the 1960s to today, the “Archives” series dedicates its fifth DVD to Sonsbeek, an art manifestation held in 1971 and 1986 in and around Arnhem (Netherlands). Mainly showcasing large installations and sculptures in natural surroundings, these two events are crucial to the history of outdoor exhibitions, shifting the boundaries of traditional sculpture.

An artist's book / catalogue exploring the new role of the image in a world modeled by visual artifacts.

This first comprehensive monograph details over ten years of work by Brazilian, New York-based artist, Valeska Soares.

Creating Bob: a food truck with a living, warm and hospitable public purpose, set close to Lille-Europe Train Station and commissioned as part of the “New Patrons” program.

The illustrated chronicle of the personal and aesthetic journey of Brazilian artist Maria Bonomi (reference monograph).

Reference monograph: the illustrated chronicle of the personal and aesthetic journey of Brazilian artist Maria Bonomi, with an original xylograph, numbered and signed, entitled The Key.

Espace is a magazine dedicated to all art forms associated with spatiality. Its 114th issue focuses on the representation of the face in the arts. Contents include an opening text by Jacques Py, “The Native Mask as an Object to Read Identity” by Alexia Pinto Ferretti, “The Double-dealing of the Contemporary Face” by Marion Zilio, “Biometrics, Identity, and the Potential Of the Visage” by Vincent Marquis, “The Face: the Other Of the Portrait?” by André-Louis Paré, “Events” and “Public Artworks” Sections, exhibition reports and book reviews.