South Africa

Publication based on an exhibition of work by Nigerian-British photographer Akinbode Akinbiyi and South African artist Abrie Fourie both based in Berlin, and curatorial collaboration between Musée de la Musique Georges Ouédraogo, Ouagadougou, and Der Projektraum Scharaun, Berlin. The curatorial emphasis turns the focus to the idea of sound in photography.

An expanded edition of Ballen’s debut photobook—a charming homage to the spirit of boyhood around the world.

First monograph devoted to the postcolonial feminist approach of the Berlin-based South African artist.

Four artist's posters.

Shot in South Africa in 1992, Moyra Davey's Gold Dumps and Ant Hills is a series of black-and-white photographs of mounds left behind by two types of excavation—one human and one animal. For Davey, the pairings of gold dumps and ant hills “invite not only our imagined associations but, as South African landscapes, our received, politically charged associations as well.” The photographs are presented here in book form for the first time.

Notebook from the South African artist featuring fountain pen's drawings and writings with inserted typescripts.

Limited edition of the notebook from the South African artist featuring fountain pen's drawings and writings with inserted typescripts, and an original work, numbered and signed, printed on various formats (1920's coal mining register, books pages, card stock).

New monograph.

Guy Reid's singular lime wood sculptures.

Limited edition of the artist's book by William Kentridge (ink and brush drawings and collages on books pages), with an original lithograph.

Some 45 narratives by children presented in the form of a monologue. Edited from numerous interviews and conversations recorded on playgrounds in South Africa, Peter Friedl creates a hybrid genre that is both fictionalised speech and serious counter-voice.

36 studies from 1998 to 2002.

This publication emerges from Uriel Orlow's Theatrum Botanicum (2015–18), a multi-faceted project encompassing film, sound, photography, and installation, which looks to the botanical world as a stage for politics, in South Africa and Europe. It brings together documents on the project, and a series of commissioned essays.

Editor in chief, Kendell Geers subverts the code of the magazine and appropriates BC as a subversive hacker, saturating the pages of FUCK, sexes and crucifixions.

Artist's book (ink and brush drawings and collages on books pages).

The first full length survey of the work of Kendell Geers.