Appropriation art

Baudevin's interviews about contemporary music.

Six-volume reprint of the "FILE Megazine" issues.

The first catalogue of Gitte Schäfer's work, between monograph and artist's book.

First monograph on Swiss young sculptor: a renewal of appropriationist discourse.

First monograph on Swiss young sculptor: a renewal of appropriationist discourse (also available in English edition).

Artist's book: drawings in very large format with a dust jacket-cum-poster, an anthropological reading of American popular culture.

An imaginary encounter between Robert Smithson and Andy Warhol, talking about entropy, glamour, science-fiction, cinema, and the art of their times.

Conditions, procedures, framing and circulation of art works.

A text by Trevor Smith, 50 pages of illustrations, a biography, a bibliography.

Reference monograph.

Comprehensive monograph on the US artist.

Two studies on the link between language, art and reality in Marcel Duchamp's work.

Baudevin's interviews about contemporary music (also in English edition).

A new approach of Duchamp's keywords.

An anthology of the artist's important essays, published between 1978 and today in the pages of Artforum, Flash Art and Lawson's own magazine Real Life.

This artist's book is part of the Snowi project, a digital bank image of more than 1500 images drawn in the style of press cartoonist Willem by artist Edouard Boyer. Boyer's interest in issues such as authenticity and property in art is the starting point of this project opened to diverse protagonists.

A journalistic treatment of drawings made by Edouard Boyer in the style of press illustrator Willem.

Marcel Duchamp met Lydie Sarazin-Levassor at the end of March 1927. On 7 June, they were married. Francis Picabia acted as a witness and the ceremony was filmed by Man Ray. On 25 January 1928, they divorced. Lydie Sarazin-Levassor tells the story of their marriage, presents us with “her” Marcel, and relates her encounters with Jacques Doucet, Constantin Brancusi, Henri-Pierre Roché, Man Ray and Kiki de Montparnasse, Jean Cocteau, the Ballets Russes, the Duchamp family, Jean Crotti, Mary Rumsey, Katherine Dreier and Robert Desnos, and describes the atmosphere at the Villons' (in Puteaux, just outside Paris), the Picabias' (at Mougins, in the South of France) and the Sarazin-Levassors' (in Étretat, on the Normandy coast).

Marcel Duchamp “laid bare” by Marc Décimo who talks about the creative process in this essay on the father of conceptual art.

An artistic and literary journey through the soul of a dead and disembodied student, lost in the memories and infrastructure of a Californian High school.

An artistic and literary journey through the soul of a dead and disembodied student, lost in the memories and infrastructure of a Californian High school.

Reference monograph.

An essay on Duchamp's readings, and a systematic chart of his personnal library.

Retrospective catalogue featuring a chronology of the artist's works, an introduction by Yves Aupetitallot and Lionel Bovier, texts by Mike Kelley, John Miller, and Nancy Spector, and an interview with the artist by Robert Nickas

Photography signed by Richard Prince, 25 copies limited edition. Natalie Portman portrait.

Poem by Sherrie Levine; texts by Susanne Anna, Christian Bernard, Michel Assenmaker, Erich Franz and Susan Kandel.

An artist's book focusing on the question of copy (reproductions of Huysmans and Degas' works).

By intermingling elements of traditional painting and new pictorial material, Richter's work leads to a more open notion of the “image” (monograph).

By intermingling elements of traditional painting and new pictorial material, Richter's work leads to a more open notion of the “image” (monograph).

Six great pop standards remembered: five pop songs are dissected by the duo of Helmut Schmidt and Jan Jelinek's sampler, stretched, compressed, and re-collaged. In this way, their identity is lost. What remains is a vague concreteness: flashes of déjà vu and remote echoes that evoke the original.

An essay on the modes of re-enactments, appropriation or reinterpretations of artists' books.

Catalogue.

This publication provides an in-depth exploration of the artists joint project Olt, focusing on a 1967 promotional campaign by the French oil company Elf. The book highlights Mosset and Sauvage's common interest in graphic design and roadside art, and features a text by Jill Gasparina on the circle as a symbol of visual modernity, as well as an interview with the two artists.

Designed by the founder of Conceptual Art, this elegant and precious artist's book—and exhibition catalogue—serves as a visual analysis of the conceptual structures that interrogate the nature of color, form, space, and time, where the works and writings of Post-war artists such as Castellani, Fontana, Manzoni, and Klein, converse with Kosuth's statements, and the theoretical as well as personal account of curator Cornelia Lauf.

This catalogue traces the trajectory of Warhol's influence on the work of Wool and Guyton. The innovative print processes deployed by the artists operate as conceptual fibers unifying the diversity of paintings oscillating between abstraction and representation. With an essay by Glenn O'Brien.

A compilation of restaurants receipts collected between Rome and Berlin on which the British conceptual artist reproduced images of works by other artists (Luciano Fabro, Donald Judd, Andy Warhol, Jenny Holzer, André Cadere, Maurizio Cattelan…). Far from being innocent, this appropriationist gesture reflects on the art world economics while displaying a panorama of art history, stretching from the 1960s to the present day.

Artist's book.

Both an artist's book and Kader Attia's reference monograph, “RepaiR” consists of interviews and texts around Attia's oeuvre, documented through about 1000 b/w reproductions, and the notion of repair, by 13 academics and researchers working in various disciplines. The book also reveals the artist's research and creation process, with a selection of archive texts and images.

A new reappropriation of Ed Ruscha's Various Small Fires and Milk (signed and numbered artist's book).

A “fictionalized adaptation” taken from the audio of Seth Price's Digital Video Effect: “Spills.”

Artist Stéphane Blanquet re-draws a collection of (mostly) vintage pornographic pictures. These disturbing diptychs constitute an essential catalog of sexual fantasies and oddities.

The transcript of the under-oath deposition of Richard Prince, sued for copyright violation.

The annotated facsimile of the original Portuguese edition of Aimé Césaire's fundamental anticolonial text from 1950, banned during the Portuguese dictatorship (but clandestinely published by Filipa César's father in 1971).

Artist's book: Wade Guyton brings his conception of painting and its reproducibility to the book format.

Artist's book.

First monograph, including an essay by Michael Newman as well as Price's own critical take on his practice.

Artist's book.

Artist's book (also available in English edition).

The first book bringing together Mike Kelley's autobiographic works since 1995, and offering an overview of the development of Kelley's practice.