Queer art / Gender studies

Artist's book (available in English edition).

Artists' book.

26 drawings by Mathias Augustyniak (M/M Paris).

Forty years of Anglo-American feminist theory in art history (an anthology of reference texts by Laura Cottingham, Gen Doy, Lisa E. Farrington, Lisa Gail Collins, Judith Halberstam, Amelia Jones, Lucy R. Lippard, Linda Nochlin, Rozsika Parker, Griselda Pollock, Abigail Solomon-Godeau).

Comprehensive monograph.

2nd issue of the adult art magazine (limited edition).

30 copies limited edition accompanied by a signed color photographic print of Molinier's fetish doll by Philippe Bonan.

An essay on Jean Genet and the gender performance.

The method and genesis of Pierre Molinier's oeuvre with more than 800 pictures, mostly unpublished, numerous documents, manuscripts and letters, a complete chronology, a critical biography, and a text by Jean-Luc Mercié.

50 copies limited edition accompanied by a signed color photographic print of Molinier's fetish doll by artist photographer Gilles Berquet.

Six-volume reprint of the "FILE Megazine" issues.

This interview with G&G, filmed in 2000 by the curator Hans Ulrich Obrist, concentrates on the hysteria of the archive and the collection.

Gathering more than 100 portraits of women by Walter Pfeiffer, most of them being published for the first time, this books shows a new facette to Walter Pfeiffer's rich oeuvre.

Comprehensive monograph on the US artist.

Writings and drawings.

Art and glamour as spaces for transformation of the self.

Collection of texts (Alexis Vaillant, Daniel Soutif, Jean-Marc Avrilla, Marc Blondeau, Daniel Bosser, Carine Campo, Laura Carpenter, Simone de Cosi, Sylvie Couderc, Lidewij Edelkoort, Bernard Edelman, Jean-Louis Froment, Michel Gransard, Stéphane Mallarmé, Christoph Sattler, Estelle Schwartz, Philippe Thomas, Michel Tournereau, Georges Verney-Carron).

Original gelatin silver print (circa 1968) by Pierre Molinier, on sealed Kodak Kodura paper.

Out of the Grid presents a critical selection of 100 Italian zines from 1978 to 2006 that display a broad spectrum of social, political, aesthetic, and technological changes in the use of language and communication strategies across the territory of self publishing.

The story of Jesus, or that of a fin-de-siècle anarchist, by the sapphic poet Renée Vivien (1877-1909), accompanied by a new piece by Nurse With Wound on CD.

A large retrospective of the Swiss cult photographer's work over two decades.

A collection of photographs from the archives of the icon of underground and alternative Parisian nights Dora Diamant.

A collection of photographs from the archives of the icon of underground and alternative Parisian nights Dora Diamant.

A collection of photographs from the archives of the icon of underground and alternative Parisian nights Dora Diamant.

A collection of photographs from the archives of the icon of underground and alternative Parisian nights Dora Diamant.

The re-issue of Rene Ricard's second volume of poetry, originally published in 1989, is a vibrant testament to 1980s New York.

A history of feminist gesture and performance since the 1960s and 1970s in California through an interview conducted by Carole Douillard with art critic Amelia Jones and two pioneering American artists, Barbara T. Smith and Susan Lacy.

Julius Eastman's Four Pianos (1979-80), performed by Melaine Dalibert, Stephane Ginsburgh, Nicols Horvath and Wilhem Latchoumia.

What happens when feminist and queer care ethics are put into curating practice? What happens when the notion of care based on the politics of relatedness, interdependence, reciprocity, and response-ability informs the practices of curating?

Retrospective monograph of the Greek painter Yannis Tsarouchis (1910-1989).

Julius Eastman's Four Pianos (1979-80), performed by Melaine Dalibert, Stephane Ginsburgh, Nicols Horvath and Wilhem Latchoumia.

This publication brings together photographs taken by Marion Scemama during a trip through the American desert with David Wojnarowicz, shortly before his death. It features documents from Scemama's personal archives and notes from Wojnarowicz's diary, along with texts by Thibault Boulvain and Elisabeth Lebovici.

A photo book by Jacopo Benassi that brings together images in which the artist portrays and documents his own intimacy over a 25-year period, from the day he announced his homosexuality: a human journey comprising meetings that have left an indelible sign on his personal story as an artist. 

Julius Eastman's major yet long-forgotten ensemble piece from 1974, dense and hypnotic, played by Ensemble 0.

A conversation about performance, genre and cinema in the subversive work of Brice Dellsperger.

Two attuned location-based pieces that sit somewhere between conceptual composition and magical realism.

Monographic catalogue: for more than a decade, Israeli installation and performance artist Naama Tsabar subverts the gender roles associated with art and music, with a particular emphasis on rock'n'roll.

A study by Elisabeth Lebovici on the late contemporary artist and IFP co-founder Philippe Thomas. Lebovici's essay examines Thomas's strategy to cede and fictionalize authorship through the multiple lenses of gender, reproduction, subjects' multiplicity, and the artist's tragic disappearance.

Rene Ricard 1979-1980 is the first collection of American poet and artist Rene Ricard's poetry, first published by the Dia Art Foundation in 1979. This new edition presents, in a new format, both the original book design reproduced as a facsimile and the first French translation of Ricard's poems.

First English edition of a colossal volume on Pasolini's cinematographic oeuvre, first published in the 1980s in Italy: 2.000 film stills ranged under the categories of “bodies” and “places”, with analysis and a compilation of texts by Pasolini. A Pasolinian publication in terms of both content and form, as well as an indispensable tool for research. The book contains also the original text in Italian.

For two years, Laurence Rasti photographed Iranian homosexual refugees who transit through the city of Denizli in Turkey, waiting to join a host country where to live their sexuality freely. The resulting photographic series explores the sensitive concepts of identity and gender, while juxtaposing the gravity of the situation with lighter and hopeful moments.

In (a, b, c) Ulises Carrión presents one if his early linguistic exercises in English, originally handwritten in green ink in 1972. The author observes and explores the structure of the sonnet. He develops fourteen interrelated sequences, which he uses as a key to codify a narrative. The text of each poem follows the schematic order of its title.

Publication reproducing one of Carrión's early linguistic exercises in English language, in which the conceptual artist dissects names of musical instruments to make sound appear.

Facsimile of the seminal magazine created by Ulises Carrión and Cres, originally published in 1979. In this photographic book—one of very few of Carrion's entire practice—the author is very critical about his own affiliation with the mail art movement. The book presents a series a photographs of his calling card filing box, which the author juxtaposes with witty and poignant captions.

Rrr reproduces typewritten pages written by conceptual artist Ulises Carrión in 1972. In his early linguistic exercises, Carrión played with the notion of learning by sounds and poetry. By creating his own onomatopoeia and sequences of repetition, he expresses his playful attitude towards poetry.

Queer theory as a critical tool against the very idea of identity in art.

A collection of 70 penis drawings inspired by the borough of Manhattan. Made in one day in 1978, this early work forms a singular, ecclectic and playful guided tour of the city—including drawings and series such as Phallic buildings form 7th Ave., Drawing Penises in front of Tiffanys, Penis with doors – Carnegie music hall, The best place to draw penises, Self portrait at home…

Foregrounds, Distances aims not only to offer the first comprehensive overview of Hohn's work, but also to contribute to a history of painting-based practices, which occupy a marginal place in the established narratives of the art of the 1980s and 1990s.