Serbia

A critical introduction to the life and work of Yugoslav modernist and conceptual art's foremost exponent Ješa Denegri.

The catalogue of the Serbian Pavilion at the 60th International Art Exhibition of La Biennale di Venezia, 2024.

This book presents a wide selection of works from Prvački's daily watercolor practice that began during the Covid19 pandemic. It guides us through the inner and outer landscapes of the recent years we traversed as we grappled with the complex emotions of a world turned upside down.

A "post-episode" of a series of curatorial projects based on the Kontakt Collection and dedicated to the artist Mladen Stilinović.

First monograph.

An extension of Vladimir Nikolić's project for the Serbian Pavilion at the Venice Biennale 2022, this book explores publishing as an incubator for different forms of editorial, artistic and curatorial practices.

The prospects of revolutionary feminism, from Želimir Žilnik's canonical film.

The catalogue of the 2021 Belgrade Biennale, exploring the space of dream as a metaphorical space of freedom, capable of re-reading categories, rules, and the most common certainties.

A clothbound companion to Marina Abramovic's tribute to Maria Callas, a performance that recreates the iconic opera diva's famous onstage death scenes.

An insight into the radical film praxis and extensive oeuvre of Serbian filmmaker Želimir Žilnik.

Project monograph by the Serbian artist revolving around a precious edition of Marcel Proust's collected works translated by Croatian poet Tin Ujević.

Spells is the first collection of Irena Haiduk's writing, gathering her texts and limited-edition publications since 2007.

A comprehensive survey of mangelos' art across all mediums, this book includes three essays which renew the interpretation of his art and its context. It offers a particular focus on his early work and notebooks, which are extensively reproduced for the first time.

First monograph on Serbian born London based artist Djordje Ozbolt's painting, including an essay by Irish art critic and curator Caoimhín Mac Giolla Léith, as well as a conversation with Gregor Muir, Director of the Institute of Contemporary Arts in London.

A compilation of black-and-white preparatory drawings and collages recounting the barbarity of the world.

Exploring the socialist ruins.