Denmark

An audio collage based on an archive of carpentry and hardware recordings from Mads Emil Nielsen's "SoundTales" project, released on limited edition CD with three printed drawings by French, Amsterdam-based visual artist Julie Dassaud.

Four pieces based on drum/cymbal + synthesizer recordings by Mads Emil Nielsen.

Taking as a starting point the description of an exhibition project, the British artist reflects on the creative process, serendipity, and writing as an exploratory tool in conceiving and creating a work.

New monograph.

After the infamous split in the Situationist International in 1962, the Danish artist J. V. Martin was unexpectedly put in charge of the group's Scandinavian section. This book is the first presentation of Martin's strange trajectory within the SI, in which he would remain a member until the group's dissolution in 1972.

The first survey of the Swiss and Danish duo's works from 2010 to 2014.

Artist's book (each book contains 4 different types of paper handmade by the artist).

Artist's book designed by Åbäke, based on Danish artist Marie Lund's first institutional solo exhibition.

Reference monograph.

Framework is a series of graphic scores and recordings by Copenhagen-based musician Mads Emil Nielsen. Framework 1 consists of 14 hand-drawn graphic scores, printed in risograph, with simple instructions and a recording for each score.

An introduction to the painting based artwork of Danish artist Mette Winckelmann.

First publication devoted to the young Danish artist's work.

First monograph on the complex and evocative oeuvre of Copenhagen-based, American artist Yvette Brackman.

Seven seminal works by Simon Starling and Superflex in a dialogical setting.

Most of Gitte Villesen's works made since 1994.

This monograph documents the new developments (collages, drawings, posters, sculptural works) that have taken place in Kolding's work in recent years, and includes texts by Lars Bang Larsen and Jacob Proctor.

An artists' book conceived as a flip book: a photographic essay that takes us through spaces of international airports.

Reference monograph.

An artist book accompanying the Danish artist's first comprehensive solo exhibition at the Frankfurter Kunstverein and the Kunstverein Hannover.

First monograph.

First monograph dedicated to the Danish artist.

In all of his works the Danish artist demonstrates an interest in an expanded notion of ecology, one that encompasses cultural history and sociopolitics as well as natural resources.

First monograph dedicated to the Danish artist.

Conceived as a textbook with images rather than an exhibition catalogue, the book reflects on the diversity of fundamentalisms, a phenomenon that is not confined to particular cultures or modes of thought; its intention is to explore the concept in its many forms and multiple origins.

Artist's publication featuring a briefcase with 18 folded prints: introductory note, posters reproduction, streetview photographs, selection of texts on previous projects in Denmark, Los Angeles and Geneva, posters' translations and an essay by geographer Doreen Massey.

Documentation on selected works by Jens Haaning and texts.

Over five hours of video and audio documenting the three-day Intermedia event organized by Fluxus artist Eric Andersen in 1996, involving parachute jumps, helicopters, mountain climbing, live sheep and over 100 singers walking on water.

This publication documents Eliasson's Green light project —an artistic workshop for refugees, asylum seekers, migrants, and NGOs, whose goal is to fabricate lamps for fundraising education. It provides testimonies, stories, and memories by Green light participants, founders, and organizers, as well as essays by art historians and theorists.

A collection of texts in which a number of art historians and other professionals reflect on the artists' practice.

The "Mnemosyne" of sexual identity.

Five artists' books and one general catalogue document the works of Eva Koch, Joachim Koester, Peter Land, Ann Lislegaard, and Gitte Villesen.

Haaning's project consists in a wall calendar similar in format and lay-out to the colorful ones you can buy in bookstores an shops. Instead of using popular images, it presents photographs of refugees, either alone or in small groups.