Finland

The culmination of the American artist's assemblage project.

Black Truffle label's first release from Swedish-Finnish sound artist and electro-acoustic composer Marja Ahti: four lengthy pieces, partly inspired by the image of the senses and mind as membranes allowing for the passage between inner and outer spaces, sensation and its causes, creating a world.

A rested development is a collaborative sound and moving image work that used chance as a process to develop a sequence of autonomous elements that intersect and diverge in their unfoldings.

A musical work born of residencies for two musicians and a dancer in three natural parks in France, tuned to these three geographies as open-air studios, in dialogue with the mineral, plant and animal environment.

First English translation of the 1918 pamphlet against the prison camps by the Finnish land owner Hjalmar Linder (1862-1921), which will lead to his class disgrace and death.

This comprehensive publication focuses on the artwork and activism of Helsinki-based visual artist and researcher of Swiss and Haitian heritage Sasha Huber.

A wonderful sophomore collaborative work pieced together over two years of changing seasons, ideas, moods, and feelings.

The catalogue of ARS22, the tenth edition in the series of major international contemporary art exhibitions originally launched in 1961 in Helsinki.

Part children book, part exhibition catalogue, Fake Star is a book about an exhibit in a National Pavilion in the Paris World Exposition 1900.

A sensual and abstract album by the Finnish composer Marja Ahti, one of the most interesting electroacoustic musicians our time.

A collection of texts by the artist and quotations through which Jaana Laakkonen develops reflections on her own practice and on the challenges of her work.

Changes in Direction – A Journal provides multivocal and transnational African-European statements to current decoloniality debates from different perspectives.

The meeting of Vladislav Delay's electronics and Sly and Robbie's Jamaican rhythm section.

The meeting of Vladislav Delay's electronics and Sly and Robbie's Jamaican rhythm section.

In October 2013, Charlemagne Palestine, Mika Vainio and Eric Thielemans got together for the first time, meeting each other at Les Ateliers Claus in Brussels, for a 4 day residency and 2 live performances. The music of the residency takes, edited by Thielemans, mixed and mastered by Frederic Allstadt, is now released on Matière Mémoire and Godbear, Charlemagne Palestine's archival music label.

This catalogue explores how miracle making—making the impossible possible—is reflected in artistic practices today. It includes commissioned essays and poetry by the Miracle Workers Collective and writers close to the collective (catalogue of the exhibition at the Finnish Pavilion at the 58th Venice Biennale).

First monograph.

An essay that extends Ingemo Engström and Gerhard Theuring's movie.

This manual accompanies the installation The Aalto Natives realised for the Finnish Pavilion at the 57th Venice Biennale by artists Nathaniel Mellors and Erkka Nissinen. It reveals the full story of Geb and Atum, two terraforming mythical creatures who are floating through space in a vessel shaped not unlike the structure of the Aalto Pavilion.

Minna Henriksson's artist book Works on Paper is a graphic story with forty linocuts on the political history of the paper industry in Finland.

Finnish media theorist discusses slow violence & environmental crisis through the prism of art, design, and technological practices.

A single extended work presenting the pipe organ and electric violin as a unified timbral force, producing exquisite and hypnotic sensorial phenomena over 50 minutes.

A photographic documentation from a field research on folk athletic contests in male rural Finland in the beginning of the 20th century.

Long-range acoustic hallucinations for violin (Anthony Pateras) and piano (Erkki Veltheim).

A double exhibition, a mirroring situation or a splitting divergent show between Helsinki and Brussels.

Eight and a half solutions for the Nordic country.

First monograph.

First monograph of the futuristic artist / film-maker / documentarist.

First monograph of the Finnish painter: a series of troubling family scenes whose deviance shines through under a veneer of normality, obscure and disturbing images that appear like reminiscences of a childhood marked by drama and war, never far from the living room.

Pilvi Takala's project for the Finnish Pavilion at the 2022 Venice Biennale.

Bringing together art, science, and humanities, and focusing on environmental phenomena that directly influence our lives, the project for the 58th Venice Biennale by Ane Graff, Ingela Ihrman, and artist duo Nabbteeri is themed around the complex and varied relations between the human and nonhuman, in an age when climate change and mass extinction are threatening the future of life on Earth.

Haaning's project consists in a wall calendar similar in format and lay-out to the colorful ones you can buy in bookstores an shops. Instead of using popular images, it presents photographs of refugees, either alone or in small groups.