Norway

The River is Elsewhere is a story in pictures from the last years of log driving on the Glomma River in Norway. The book is both a work of art and a manual, an "ABC" of log driving.

Conceived as a catalogue and an artist's book, the publication offers a deeper insight into the eponymous 2022 exhibition staged at Indipendenza Roma, and explores tensions that can be generated between artworks and their surrounding architectural context, raising questions of taste, value, function and decoration.

Christina Kubisch's Stromsänger finds this legendary sound artist at the top of her game mixing electromagnetic wave recordings with a score for six voices, creating powerful results. Stromsänger is based on a collaboration with the Norwegian vocal ensemble Trondheim Voices and on a special experience while researching and recording electromagnetic waves in the city of Trondheim.

Composed by Jim O'Rourke and pieced together by Jim together with longtime collaborator and trumpeter Eivind Lønning at Jim and Eiko Ishibashi's home in the Japanese mountains, this engrossing new album blows brass wails and tense fanfares across O'Rourke's manipulated Kyma tapestries for a deep, captivating trip into the aether.

A glimpse into the garden—where worry, a lonely bird and others live—of EF+MRA, a collaborative drawing project that Norwegian artists Espen Friberg and Marianne Røthe Arnesen started together in 2014.

A comprehensive insight into the images of landscape by the Ethiopian-born artist Robel Temesgen.

Fredrik Værslev: The Garden Paintings is the first publication dedicated solely to one specific body of work in the artist's practice. It includes essays by Martha Kirszenbaum and Erlend Hammer, and gives a comprehensive and chronological account of the works from the series, showing their stylistic development as well as their exhibition history.

Hannah Ryggen Triennale 2022 presents artists and works that can varyingly be seen in the light of Swedish-born Norwegian feminist textile artist Hannah Ryggen's legacy (1894–1970).

A sound piece by choreographer and performer Mette Edvardsen in collaboration with her daughter, Iben, based on the performance of the same name.

An artistic research project led between 2019 and 2022, investigating how 3-D electroacoustic composition and sound-art can evoke and provoke a new awareness of our outdoor sound environment.

Simone Hoffmann's films invites us to rediscover one of the world's most important contemporary artists in the context of her retrospective exhibition at the Musée d'Art Moderne in Paris in 2023.

The inner life of objects according to Erlend Peder Kvam.

The special 8th edition concluding the editorial discursive space for the Bergen Assembly triennial, conceived by Saâdane Afif, constitutes the real catalogue of the exhibitions, with extensive visual documentation and texts by different authors, on some 300 pages.

Art critical essays focusing on artworks that, in various ways, convey a sense of unheroic "trouble."

The seventh and last issue of the editorial discursive space for the Bergen Assembly triennial, conceived by Saâdane Afif is dedicated to the character of an Acrobats ("who are two but together as one," as Thomas Clerc says in his play, The Heptahedron).

The sixth issue of the editorial discursive space for the Bergen Assembly triennial, conceived by Saâdane Afif, is dedicated to the figure of the coalman.

A lavish, riveting and monumental collection of works and exhibition from 2007–2021, accompanied by newly commissioned texts, on 500 pages (new edition).

Persistence of Sound publishes the new solo record by Natasha Barrett, known internationally for her intense explorations of the movement of sounds through space.

The fifth issue of the editorial discursive space for the Bergen Assembly triennial, conceived by Saâdane Afif, is dedicated to the figure of the tourist.

The fourth issue of the editorial discursive space for the Bergen Assembly triennial, conceived by Saâdane Afif, is dedicated to the figure of the Fortune Teller.

A colorful and lively journey through Tyra Tingleff's artistic practice.

The third issue of the editorial discursive space for the Bergen Assembly triennial, conceived by Saâdane Afif, is dedicated to the manifold figure of the Bonimenteur, which is approached differently by the seven contributors.

New monograph.

The second issue of the editorial discursive space for the Bergen Assembly triennial, conceived by Saâdane Afif, is dedicated to the manifold figure of the Moped Rider, which is approached differently by the seven contributors.

Retrospective monograph.

The first issue of the editorial discursive space for the Bergen Assembly triennial, conceived by Saâdane Afif, explores the identity, role and position of the Professor (contributions by Uli Aigner, Lili Reynaud-Dewar, Jörg Heiser, Christian Nyampeta, Vivian Slee and Marjorie Senechal).

The fiscal cliff according to Erlend Peder Kvam.

A split LP from two leading voices in electroacoustic music.

A rich selection of archival material along with critical essays and the series of paintings and spatial intervention that Fredrik Værslev especially produced for his exhibition at the Kunstnerforbundet in Oslo.

Dieter Roelstraete deciphers the series of national flags painted by Norwegian artist Fredrik Værslev.

A book about art, publishing and collaboration.

Artist's book / catalogue

This catalogue presents the artist's Sail Paintings series—32 hybrid compositions reminiscent of a boat's sail. This monumental publication (30 x 40 cm) is designed as a graphic extension to the project.

Colorful characters express themselves through humorous signs.

A selection of recent works by one of the central figures in today's Norwegian painting.

This comprehensive monograph offers an overview of the artist's oeuvre from the last decade. It brings together essays which explore Værslev's relationship to the history of painting and suburban architecture and culture, as well as his artistic process.

This publication accompanies Torbjørn Rødland's touring exhibition “Fifth Honeymoon,” featuring thirty new photographs and a new video work, his first in eleven years, as well as newly commissioned essays by the American writer and cultural theorist Sianne Ngai and artist colleague Matias Faldbakken.

Oslo Pilot is a two-year research-based project that has laid the groundwork for the Oslo Biennial's first edition in May 2019. It aims to explore art in public spaces and spheres. This publication gathers a collection of commissioned and previously published essays on the subject, and includes a selected transcription of the eponymous symposium.

The first survey of text works by artist Ane Hjort Guttu. Written between 2003 and 2018, the texts range from public statements, poetic short prose, film scripts and reflections on the role of the artist to essays on art for children and the link between light and wealth.

Facsimile edition of a 1971 small sketchbook by a major painter of the lyrical abstraction, made during one of his many travels in Norway.

First French translation of this much noted collection by the London-based writer and performer.

This book forms part of Liv Bugge's artwork To accept theirs, to make it mine, to wish it for myself developed and produced under the auspices of Public Art Norway (KORO) in connection with the construction of new cell blocks at Eidsberg and Ullersmo Prisons.

Beam Splitter (Audrey Chen and Henrik Munkeby Nørstebø) is a duo for amplified voice and trombone. Its debut album is one part, a timbral collage of carefully extracted sound material and in another, a longer moment taken from an intimate room below the din.

This issue surveys the second edition of the Dirty Ear Forum at Bergen Academy of Art and Design in Norway, centered around the sound as the basis for a new discursive paradigm.

A new artist publication coming in two different versions, revolving around Værslev's new series of “sunset” paintings.

The birth and life of video art.

Reality Bites is the first monograph dedicated to the work of Fredrik Værslev, analyzed through rich visual content and texts by Matias Faldbakken, Alberto Salvadori and Caroline Soyez-Petithomme, as well as a conversation between the artist and Josh Smith.

Appearing after the Reader, this second volume covering the 8th Momentum Nordic Biennial features images from all artists participating in the exhibition, both in the pages of the publication and via a memory stick, incorporated in the spine.

This richly illustrated edition presents the ten-year performance career of Bergen visual artist Agnes Nedregård, looking at her practice from a diversity of perspectives and media.