Contemporary art

This first comprehensive survey of Joseph Kosuth's work with public media centers on his pioneering project The Second Investigation (1968–74).

The first monograph on the Hong Kong artist.

The first collection by award-winning performance artist/poet Justin Chin.

Published several years after the fact, "Exposure" is a catalogue for Patricia L. Boyd's solo exhibition "Hold" at Kunstverein München in 2021.

A comprehensive visual study of the presence of the hand in history and culture.

A much-needed mapping of the Indian art scene.

Renewing our understanding of Ruscha's art.

Renewing our understanding of Ruscha's art.

A massive anthology of photographs made by Ari Marcopoulos between 2009 and 2018, featuring an introduction text by the artist as well as an essay by art critic, curator, and New York figure Bob Nickas..

This intimate publication documents an iconic art space of the 20th century, the Warsaw apartment and studio of Polish artists Henryk Stazewski (1894–1988) and Edward Krasinski (1925–2004)—a lively artistic and social space shared by multiple artists.

New monograph, based on Saskia Holmkvist's film Margaret (Back Translation), weaving together staged scenes, documentary elements and archival footage, exploring the recent history of Belfast through a series of tonally diverse scenes, by turns comic, elegiac and speculative.

Weekly Planner I & II by Silje Iversen Kristiansen is two individual pocket-books filled with drawings. The drawings records in a fragmented way her subjective experience of life in time and space. Each book covers the span of a year, always starting in May and ending in April. In addition to the drawings, the books contain a text by Jan Verwoert that reflects upon the subject at hand.

This edition by Walter and Jan Verwoert pairs an 7" record featuring 6 pieces of sound poetry with facsimiles of the 6 collages used as scores for the recordings.

A book at the intersection of vernacular photography, archival material, and contemporary art, in which Marine Armandin transforms a collection of anonymous images into a unique work of art. By assembling photographs found on online resale platforms and creating new combinations, she brings forth unexpected narratives imbued with a very special kind of poetry.

This extensive monographic publication offers a comprehensive examination of Rómulo Macció's painting, situating his work within the development of modern and contemporary Latin American art.

A comprehensive study of the multifaceted practice of Argentine artist Edgardo Antonio Vigo (1928–1997)—sculptor, printmaker, poet, mail artist, performance artist, typographer, designer, etc.—focusing on his publishing activities in the 1960s and 1970s, set against an extremely repressive political backdrop marked by instability, coups d’état, and violence.

Drawing on a material, cultural and social history of art, Hugo Daniel proposes to understand the recognition and redefinition of drawing by the avant-garde in the 1950s and 1960s, between the questioning of artists, the evolution of critics and the projects of gallery owners and curators, to show how drawing is understood as a complex reality, in act.

An overview of the early days of video art in Europe, drawing on a network of some fifty researchers.