Contemporary art

Reference monograph: a complete overview of the production of French artist Camille Henrot, awarded Silver Lion of the 55th Venice Biennale, over nearly 10 years, with about 400 images, two essays and an interview.

Artist's book (an enlarged 2nd edition of Yang's long out of print Grid Bloc from 2000).

Symmetrical portraits of female characters and unidentified creatures cut in black paper.

Artists' book history.

New monograph.

Reference monograph (available in English edition).

Art as the result of a thinking process (a vast survey of recent debates around art schools and their methods).

Contemporary art and the “colonial present.”

First monograph.

Ulf Linde summarizes his decades of investigation into the geometry of Duchamp's works.

Avant-garde in Italy between 1968 and 1976.

Olivia Clavel's long-awaited return to comics, with the new adventures of Télé, the screen-face character and Clavel's alter-ego created in 1976.

First anthology of Rosemary Trockel's collages, which are a key for a difracted and non-academic view on the whole work of this German artist known internationaly (German / English edition).

New York drawings.

A previously unpublished text by Gilles Deleuze on Francis Bacon, with a set of contemporary readings of his Deleuze's writings on art, by philosophers and theoreticians of the various disciplines addressed (literature, cinema, music, art history...).

Comprehensive monograph.

A sprawling series of buildings designed by the artist in the northern Yucatán in Mexico: a pivotal work by Jorge Pardo, his most recent and expansive Gesamtkunstwerk to date.

Variations on the theme of masculine desire: three short comic stories from Ebisu's off-the-wall universe.

Interviews.

Thematic monograph.

A selection of Nathalie du Pasquier's oil paintings made between 2001 and 2012.

Ten paintings and three sculptures by American artist Allison Schulnik.

An extension of the exhibition "Ecstatic Alphabets/Heaps of Language," curated by Laura Hoptman at the Museum of Modern Art, New York.

Painting's traits and reception in cultural and socioeconomic discourse.

256 watercolours on sheets of graph paper.

The first issue of the critical magazine published by the Ecole nationale supérieure des beaux-arts de Lyon is dedicated to George Maciunas.

The work of Raymond Roussel as a point of departure for an oblique and transversal reading of 20th century art.

Interviews with Flag / Aubry-Broquard, Lætitia Gendre, Thomas Mailaender & Dominique Théâte, Benjamin Marra, Moolinex, Lord Jon Ray, Shoboshobo, David Shrigley, Fabio Viscogliosi.

Artist's book (newspaper).

Artist's book gathering a selection of outstanding photographic strips that capture the subtle beauty of ephemera. The use of black and white strengthens the contemplative essence of the photographs, in between naturalism and abstraction.

The catalogue of the Ostend exhibition, a reference publication on Dada and Surrealism around the figure of E.L.T. Mesens, a pillar of the surrealist movement in Belgium.

First publication dedicated to Isou's extensive work with hypergraphics.

Special issue dedicated to painting.

In Hito Steyerl's writing we begin to see how, even if the hopes and desires for coherent collective political projects have been displaced onto images and screens, it is precisely here that we must look frankly at the technology that seals them in.

What, today, can be understood as a critical modality of spatial practice?

A curatorial turn in contemporary cultural practice and discourse.

The transcript of the under-oath deposition of Richard Prince, sued for copyright violation.

Artist's book.

The journey of the MuMo, a mobile contemporary art museum in the form of a container traveling by boat and truck to meet the children on the roads of France and Africa.

The Zurich works.

Christopher Wool's stained glass windows for the Prieuré of La Charité sur Loire, France.

Contributions by Elein Fleiss, Pascale Gatzen, Susan Cianciolo, Ryoko Aoki, Takehito Koganezawa, Aoi Nagae, Erika Kobayashi, Ryoko Aoki, Kei Takemura, Yukinori Maeda, Gerda Steiner & Jorg Lenzlinger...

Nonprofit collective organizations in the 1960s-1970s.

Artist's book based on Steven Harrington's series of Totem drawings.

How ongoing transformations in social housing are reflected in the aspirations and practices of artists.

The performative dimension of the curatorial.

What is “work” today and what is its relation to art.