Contemporary art

Liam Gillick's project for the German Pavilion at the Venice Biennale 2009.

An artist book documenting a selection of Gréaud's works, with a special contribution by Daniel Birnbaum.

Nakano Sakaue documents a series of photographs realized by Olaf Holzapfel during a residency in Tokyo. The artist has depicted a kind of residue from the city's buildings: neon lights, images, and street signs, which are featured as so many promises for orientation.

Using non-linear heuristic methods and experimental webs of information to draw links between the cities of Utrecht, and Slab City, California, USA, this book brings together speculative proposals that ask basic questions about public space, conceived as a physical and conversational sphere.

This comprehensive catalogue documents for the first time Klaus Weber's oeuvre and reveals a recurring sense of limit-experiences: accidents, organism mutations, altered states, incursions from the outside.

“Fare una scenata” was the first group show at Fondazione Morra Greco in Naples. It featured the work of nine international artists who are either commissioned new work, or asked to adapt existing work specifically to the picture-gallery and basement spaces of this newly established foundation located in an old palazzo in the heart of Naples.

For many years now, Helke Bayrle has documented the activities of the Portikus. The result is a unique collection of artist portraits. Portikus Under Construction presents the last decade, edited backstage material that the viewer of the finished exhibitions never sees.

A Rabelaisian happening by the French artist, some other gigantic works and a text by Pascal Beausse.

A transcription of conceptual artist's blog, a digital diary of a journey in the USA.

Limited edition, with an signed original photograph by the artist.

First publication dedicated to Dutch artist (artist's book).

Catalogue / artist's book: disguised in a post-modern hunter, Pii invites us to think about drift feeding practices and the place of nature in the contemporary world.

Limited edition in a boxed set with the original photo print.

Special offer for the purchase of the 3 conferences on DVD in the series.

New monograph: a walk within a series of recent works by French artist.

Edward Steichen's The Bitter Years exhibition (1961, MoMA New York) offers the starting point for Great expectations. Just like Steichen photographed the aftermaths of the Great Depression, this catalogue gathers contemporary photographs to look at today's Bitter years (catalogue).

A collection of texts devoted to drawing.

Spy Numbers / Pascal Broccolichi / Matt O'dell / François Forme / Louis Kaplan / Ken Gonzales-Day / exhibition guide and a selection of books, music, movies, games and events around Spy Numbers...

Resistance and integration in the era of globalization: special issue on the occasion of the Bienal de La Habana in Cuba.

Futurism special issue.

The 15th Rencontre internationale d'art performance (RIAP) in Quebec: sound performance, poetry, action art.

First monograph on Swiss artist.

First monograph.

Anthology of Yona Friedman's drawings published from 1975 to 1992 in more than thirty countries and in twenty languages. This last volume focuses on the artist's researches on language, interpretation and improvisation within the urban environment.

A sound piece recorded during two residencies at Cneai, Chatou, in 2007 & 2008—featuring illustrations by the artists and two essays by curators Sylvie Boulanger and Daniel Kurjakovic.

Artist's book / comprehensive monograph gathering the works of Gérard Collin-Thiébaut—commented and illustrated by the artist—from its first scribbles as a child until 2009. The first volume focuses on his works from 1961 to 1969.

In La vie d'artiste, the reading of photo-stories is altered by the addition of a contrasting narration about contemporary art so that each phrase becomes an absurd, humorous slogan.

The third issue of Page Sucker—the 32-page magazine featuring photographs collected over the Internet via a single keyword. This issue's keyword is “lobster”.

The fourth issue of Page Sucker—the 32-page magazine featuring photographs collected over the Internet via a single keyword. This issue's keyword is “fist”.

An essay / manifesto to reconsider the objectivity of the sensations provided by artworks, and to reconsider contemporary art in itself rather than as a genre, alongside modern and classical art.

Conceived by the artist, an exhaustive monograph on Laurent Grasso's body of work, with texts, interview, documents and 300 color illustrations.

New monograph, conceived in close collaboration with Bertrand Lavier, with the most recent works (ceramics, ethnic scultpures) in front of some more ancient pieces.

Monograph (available in English edition).

New monograph, conceived in close collaboration with Bertrand Lavier, with the most recent works (ceramics, ethnic scultpures) in front of some more ancient pieces (also available in bilingual English / French edition).

First monograph devoted to the work of French artist/photographer: an uncanny typological inventory of social representations of mankind (and especially women), questioning the status of contemporary photograph, between documentary, constructed fiction and visual art.

A complete overview of a pioneer in the field of interactive electronic and musical sculpture's work, with numerous illustrations, texts, and an audio CD with musical installations recordings.

An attempt to renew questions about art and business, in the context of the global rise of the culture and knowledge industries.

A modernized translation of Dante's Inferno.

This catalogue features 187 artistic projects, including 60 previously unseen works (new expanded edition of a 2003 catalogue).

This special issue brings together literary narratives on Europe and outer space, written by thirty authors from the European Union. Each short story is published both in original version and French version.

This artist's book proposes to construct a “mental space” through a narrative—mixing ravers, science-fiction and comic strips—presented through illuminations in the style of old children's books.

This artist's book proposes to construct a “mental space” through a narrative—mixing ravers, science-fiction and comic strips—presented through illuminations in the style of old children's books.

An essay on the the appearance of the image.

This exhibition catalogue gathers together the visual works—collages, drawings and installations—of three major French experimental poets.

Publication gathering a series of early works from 1962 by French artist Jean-Luc Parant. These 176 hieroglyphs consist of 88 drawings to read, and 88 texts to look at.

A face-to-face between two of the most significant figures in contemporary photography.

This study on the fabrication of Posthumanity questions us on the limits of the human, its boundaries and its possibilities in our “biotech” era. It examines the fundamental distinction between natural and artificial, nature and technology, human and machine, body and flesh.

This study on the fabrication of Posthumanity questions us on the limits of the human, its boundaries and its possibilities in our “biotech” era. It examines the fundamental distinction between natural and artificial, nature and technology, human and machine, body and flesh.