Contemporary art

Reference monograph.

Reference monograph: an overview of Paulina Olowska's work, with an interview with Adam Szymczyk and an essay by Jan Verwoert.

Artist's book.

A conversation between two artists, conducted in the form of spontaneous reflections on the images with which they confront each other.

Guy Reid's singular lime wood sculptures.

Contemporary forms of humanism and universalism as they circulate and are produced in art and photography.

Catalogue of the exhibition inspired by G. K. Chesterton's The Man Who Was Thursday (works by Robert Crumb, Jeremy Deller, James Ensor, Gilbert & George, Rodney Graham, Mike Kelley, Joachim Koester, Bruce Nauman, Tony Oursler, Félix Vallotton, Lawrence Weiner...).

The first in-depth study of the reception of “French Theory” by American artists since the early 1960's.

New monograph / artist's book with which Latifa Echakhch proposes an immersion into her visual world, around a series of exhibition views and personal notes and comments.

The catalogue of the Italian Pavilion at the 55th Venice Biennale (works by Francesco Arena, Massimo Bartolini, Gianfranco Baruchello, Elisabetta Benassi, Flavio Favelli, Luigi Ghirri, Piero Golia, Francesca Grilli, Marcello Maloberti, Fabio Mauri, Giulio Paolini, Marco Tirelli, Luca Vitone, Sislej Xhafa).

The catalogue of a cycle of exhibitions that took place over the course of four years, from a reflection on the notion of the “mediation” of artworks (withDavid Lamelas, Benoit Maire, Dominique Petitgand, Giasco Bertoli, Robert Breer, Esther Ferrer, Felix Gonzalez-Torres, Ben Kinmont, Jirí Kovanda, Martha Rosler...).

Issue dedicated to John Baldessari.

Fully illustrated retrospective monograph based on Kimsooja's project presented at the Korean Pavilion of the 55th Venice Biennale in 2013, with numerous newly commissioned and re-published texts.

A tribute to Gianni Piacentino's art and to his sense of independence with works spanning 1966 to the present.

Limited edition of Kimsooja's monograph, accompanied by a Korean Bottari and a screenprinted bag.

A singular digital catalogue, designed in close collaboration with the artist, that allows to understand how Roe Ethridge thinks, edits and organizes his images.

John Rajchman / François Cusset / Paul Sztulman with Jean-François Chevrier / Stefan Germer / Ingrid Luche / Nicolas Ceccaldi / Tom McDonough / Clara Schulmann / André Rottmann on John Knight / Clément Auriel / Wade Guyton.

First monograph.

Comprehensive monograph.

New revised edition. Kawamata's main in situ installations all over the world, a complete documentation on the Carton Worshop, Tree Huts and Field Works projects, with numerous illustrations and three essays.

Artist's book based on James Joyce's Ulysses.

An album of photographic documentation of Cezary Bodzianowski's ephemeral ‘events' gently disrupting the course of everyday life, with essays by Catherine Wood, Jarosław Suchan, and Susanne Titz.

Reference monograph.

Reference monograph (available in English edition).

Ericka Beckman's Super-8 Piaget trilogy: We Imitate; We Break Up (1978); The Broken Rule (1979); and Out of Hand (1980).

A summer of art.

Artist's book.

Et la Chine s'est éveillée... / Marie-Agnès Charpin / Jeanne Susplugas / De la peinture, dans tous les sens... / Let's Talk (Again) About Painting / Christian Jaccard / Sylvain Ameil / Ça ne fait que commencer... / Les Ateliers du Plessix-Madeuc.

Artist's book.

Artist's book.

A confrontation between contemporary art, Aboriginal imaginary and prehistoric legacy (with works conceived especially for the project by fifty international artists).

This issue of the magazine of Palais de Tokyo underlines the importance of the recently defined curator figure and sheds light upon current exhibition practices he developed (360 pages, including a special issue of the American journal on curatorial practices and exhibition making The Exhibitionist)

A transversal survey of various forms and practices of contemporary poetry (experimental, performative, digital, sound poetry, etc.), on the occasion of the magazine's 35th year anniversary.

Lorenzo Benedetti on Lucy R. Lippard, Vincent Honoré and Krist Gruijthuijsen, Jean-Max Colard, Stefan Brüggemann, Raimar Stange on Poul Gernes, Will Rogan, Sean Edwards, Ann Cathrin November Høibo, Niels Trannois et Alexis Vaillant, Sara Barker, Gabriele De Santis, G. Küng...

New monograph.

Konrad Smoleński, an active participant in both the independent music scene and the visual art scene, combines punk rock aesthetics with the precision and elegance typical for minimalism. This book reflects on the artist's practice in the context of his most challenging and conceptually complete effort to date.

Volume #6 explores the production spaces and other soundscapes, through the works of Marie Cool Fabio Balducci, Martin Kersels, Raymond Gervais, Janet Cardiff & George Bures Miller or Dan Peterman, Marcel Broodthaers' performance at Speakers' Corner, and Audio Arts magazine. With special interventions by Arnaud Maguet and Cocktail Designers.

A series of interviews with 27 international artists/musicians, centered on the relation of sound to space.

Herminie Hanin (a figure of art brut, “fou littéraire” with a tendency to paranoia, inventor of the plane trap) inaugurates the series “Les Hétéroclites” (“Heterogeneous”), created by Marc Décimo to explore the relations between literature, art, insanity and creation.

First monograph, with three essays and an interview.

Disturbing public space.

“Animal Spirits: Fables in the Parlance of Our Times” is an artist's book by Michael Stevenson and Jan Verwoert which expands upon the themes of this earlier document and re-examines them more specifically in the light of our current times.

The 3rd drawing novel in Ingo Giezendanner's travelling book trilogy.

Lene Berg's films and video works.

This new artist book by Ruth Buchanan charts three narratives associated with the life of the Staatsbibliothek Berlin, which acts as an example of the tension between what is contained in libraries and how it is contained.

An overview of the 2012 curatorial year at MINI/Goethe-Institut Curatorial Residencies Ludlow 38, focused on different concepts of translation.

First anthology of Rosemary Trockel's collages, which are a key for a difracted and non-academic view on the whole work of this German artist known internationaly (English / French edition).