Contemporary art

A glossy and luxurious exhibition catalogue including an illustration board with 24 bittersweet photographs.

Grégoire Bergeret collected 1.000 images from his vast personal database to build this ambitious first monograph: an erratic and abundant selection of documents introducing Bergeret's artistic practice.

The first monograph dedicated to Fortino's performances and videos takes the form of a 160 pages volume which constitutes a synthesis of the work and research conducted by the artist at ESAAA art school, Annecy, and beyond.

This artist's book features the research notes of a video work based on a sign language interpretation by a deaf performer of a Geneva College Orchestra's live performance.

First monograph: thirty-four watercolors summarizing Lionel Renck's three years research at ESAAA art school.

An historical-critical recontextualization of the artist's figure with an important tool of documentation on his work from 1973 to 1979.

Drawing from a namesake installation, No More Sleep No More engages in a reflexion on the chronopolitics of sleep under neoliberalism.

An embracive and well-documented overview of three works by Stan Douglas covering the emergence of political and multicultural emancipation projects during the Seventies, from Portugal's 1974 revolution and the end of colonialism, to the emergence of multicultural music such as jazz-rock, funk, disco, and afrobeat.

An unconventional autobiography based on the American artist's sales catalogue of personal belongings on eBay.

Publication gathering five conference performances, written in French and English, by the Franco-Korean duo of artists and researchers Ju Hyun Lee and Ludovic Burel, whose works combine installations, performances, and publications.

In Mohammed Laouli's Golf project, residents of a poor neighbourhood nearby Rabat are invited by the artist to play golf in their own streets, thus subverting the signs of power.

New formula of the French multidisciplinary cultural magazine.

An intimate portrait gallery of Ari Marcopoulos' brother (artist's book).

Katja Eydel's photographic body of work.

Catalogue.

Reference monograph.

The third issue in the Poetic Series takes its title Fear of Language from the work of emerging Slovenian poet Katja Perat, featured alongside poetry by Judith Goldman and excerpts from Eileen Myles's forthcoming memoir, Afterglow. Artwork is provided by Willem de Rooij.

At the same time an artist's book and a brief historical investigation, Thomas Huber's The Shop Sign reports the birth of a painting, relates the fate of another one, and questions the art market, the transit of works of art and the links between artists, dealers and collectors, all the while Huber plays with interpictoriality the way others would use intertextuality.

Artist's book.

First monograph.

A survey of the Scottish painter's most recent body of work.

Based on a travelling exhibition, this small monograph includes an essay by Alex Farquharson, a conversation with Adam Szymczyk, and an essay by Harry Burke.

A collaborative artist's book with Véronique Verstraete and eight associated authors.

A film by Gilles Coudert that takes a close look at Ange Leccia's work, interweaving the exploration of Leccia's exhibition “Logical Song” (2013) at the MAC/VAL – Val-de-Marne Contemporary Art Museum with perspectives from a series of interviews (with 3 films by the artist).

Catalogue.

Reference monograph.

First monograph.

New monograph.

An in-depth critical examination of the Piotr Uklański's ongoing series of abstract “blood” and “ink drop” paintings.

Artist's book based on a complex project linking Vernasca, Ethiopia and Jamaica according to two points of view, placing certain critical moments in Italy's colonial history in relation to the symbolism of Rastafarian tradition.

Marc Brunier-Mestas' engravings portray a dark universe where death lurks on each scenes. Skeletons lead a macabre dance in a gloomy yet erotic and sometimes jocular atmosphere.

Third volume of the anthology (1975-2000), focusing on photography, film, video, and new media.

A questionnaire (interviews with international artists, architects, and curators of the contemporary art world, such as John Baldessari, Suzanne Cotter, Bice Curiger, Chris Dercon, Charles Esche, Liam Gillick, Jacques Herzog, Thomas Hirschhorn, Rem Koolhaas, Hans Ulrich Obrist, Thierry Raspail, Beatrix Ruf, etc.).

Czech artists of the 1960s–1970s.

Limited edition (20 copies) of Roberto Cuoghi's artist book, accompanied by an offset printing in colors + selective varnish laminated on Dibond (27 x 40 cm), numbered and signed by the artist.

An adventure exploring drifts in translation (artist's book).

A reflection on translation phenomena in the arts.

The illustrated catalog raisonné of works from the collection of the Espace de l'Art Concret (Gottfried Honegger and Sybil Albers donation) in Mouans-Sartoux.

Video art history.

Peter Hutchinson's writings.

Reference monograph / catalogue raisonné.

Comprehensive monograph: a focused look at the artist's graphic work from 1964 to 2004.

A collection of Philipp Keel's works on paper – drawings, watercolors, collages and silkscreen prints (2002-2014).

Interviews with Fabrice Hyber, Tadashi Kawamata, Anne & Patrick Poirier, Daniel Buren, Miguel Chevalier, Marie-Ange Guilleminot, Jean-Marc Chapoulie, Kimsooja, François Ede, Guy Lelong, Hans-Walter Müller and Francesco Careri.

A book about a fictional architecture office in a modernist social housing complex in Brussels, where real architects and locals worked together to make scale models: a reflection on scale models as spaces of negotiation, on maquettes as places where the desire of the architect is visible without the compromises of reality.

The origins of the writing of the history known as the history of modern art (catalogue).

Ten encounters between artists and young audiences between 2011 and 2013.

First monograph.

Artist's book.