Contemporary art

Details from Heaven and Hell is the new chapter of Matt Mullican's cosmology, whose first models dates from 1973, and has evolved over the years and materialized in various media and performances.

Martial Raysse's reference monograph: a comprehensive, luxurious and lavishly illustrated publication recounting Raysse's multiple pictorial metamorphosis since 1957.

Martial Raysse's reference monograph, with an original lithograph, numbered and signed.

Umberto Eco's open work theory, David Hammons, Bret Easton Ellis and Alex Israel's collaborative text paintings, individuality and community in Mélanie Matranga's environmental art, Bill Kouligas's Berlin-based record label PAN, åyr art collective, Martine Syms's inquiries into representations of blackness, a late-in-life interview with William N. Copley, reviews…

An anti-method of meeting that reaffirms the uncertain outcome of gathering moments.

This catalogue provides a set of photographs and drawings by the artist, as well as documents and installation views that reflect the obsessions of Carreyn, from the female body and pop occultism to symbolism and surrealism.

The catalogue of Daito Manabe & Motoi Ishibashi's first exhibition in France. On this occasion they created an installation using LED lights and smartphones—a new work combining the real and the virtual, the seen and the unseen. This volume also gives an overall comprehension of Manabe and Ishibashi's practice: together they merge art and technology in projects that are at the cutting edge of innovation.

This lavish publication presents Nestlé's corporate art collection, located in Vevey and nestled in the landmark building created by Jean Tschumi in the late 1950s.

Shirana Shahbazi's photo-project Tehran North is a subjective road movie captured from a car driving through the Iranian capital at night, offering a black and white kaleidoscopic vision of Tehran's urban landscape (artist's book).

Luxembourg underground: this artist's book offers a vertical journey through the city's subsoil structure.

The catalogue raisonné of the artist's books published by Bernard Villers's publishing house Le Nouveau Remorqueur (2003-2015).

A pocket, non illustrated mid-career catalogue raisonné of a practice now spanning over two decades.

Facsimile edition of an artist book by Marcel Broodthaers based on a verse from Baudelaire's poem La Beauté.

With its title echoing to Gilles Deleuze works The Movement Image and The Time Image, The Image-Matter, between philosophy, contemporary art and science, offers tools to create new mental images to understand this new vision of the world shaped by nanotechnologies and help us to do the necessary metamorphosis of our imaginary.

With its title echoing to Gilles Deleuze works The Movement Image and The Time Image, The Image-Matter, between philosophy, contemporary art and science, offers tools to create new mental images to understand this new vision of the world shaped by nanotechnologies and help us to do the necessary metamorphosis of our imaginary.

This magazine-style artist's book by European contemporary artist Nicole Tran Ba Vang parodies the stereotypes and prejudices of advertising and fashion, exploring the fantasies of a consumer society.

This magazine-style artist's book by European contemporary artist Nicole Tran Ba Vang parodies the stereotypes and prejudices of advertising and fashion, exploring the fantasies of a consumer society.

This publication explores the painting practice of New York-based, Italian-born artist Matteo Callegari.

Slide Shows is a three-volume box set, with over 1.500 original drawings and texts in which Friedman gives his own personal understanding of the multiple ways of thinking the world through a series of “cartoons.”

The emergence of the new digital technologies and social media has transformed the very concept of the mass gathering. The present volume brings together a collection of studies that analyze this transformation and seize the opportunity to reevaluate the cultural and medial historiography of the masses.

Special Trans-and Posthumanism Issue: curator's key by Anselm Franke, 1992's “Post Human” group show, Hans Scheirl's Dandy Dust, eating the future: a roundtable, how to become an alien, portraits of Ian Cheng, Stelarc and Hannah Perry, Bernhard Willhem on the perfect body of the future, Transformers: an essay by Bryan Droitcour, Elisa Ambrogio's music videos, Guyotat's Eden Eden Eden…

Richard Serra, Mary Heilmann and Terry Winters on Ellsworth Kelly, Thomas Eggerer on Monika Baer, Douglas Crimp talks with Thomas Beard about “Queer Cinema before Stonewall,” Maggie Lee on her video Mommy, sex and art from Fragonard to Manet, Claire Bishop on Peter Fischli & David Weiss, and exhibition reviews from Los Angeles, London, Düsseldorf, Paris, Beirut, Hong Kong, Rio de Janeiro, and more.

Art Basel's 2015 official annual publication.

A series of paintings by Swiss artist Emil Michael Klein.

Five immersive audiovisual works that combine digitally generated visuals by Kurokawa and sound explorations by Thanasis Kaproulias (working under the moniker Novi_sad). An impressive body of work which explores the aesthetics of data and the visual representation of economic crisis.

Reissue of CoBrA co-founder's masterpiece of musique concrete.

Reissue of CoBrA co-founder's masterpiece of musique concrete.

Dorothy Iannone tells her Fluxus Story in a Berlin recording from 1979.

Part four in the Selten Gehörte Musik reissue series, with a recording by Günter Brus, Hermann Nitsch, Dieter Roth, and Gerhard Rühm originally published as a 3LP-Box by Hansjörg Mayer in 1975. Apart from the group session this edition also includes a duo piano session by Dieter Roth and Hermann Nitsch recorded in Stuttgart in November 1975.

Special issue devoted to the theme of the drawing rituals.

Nicolaus Schafhausen interviews Goshka Macuga, Sam Thorne talks with Cally Spooner and Marguerite Humeau, Carol Bove and Tauba Auerbach exchange emails regarding work and life, Tara McDowell and Céline Condorelli in conversation, John Menick on A.I. and beauty, Rebecca Warren and Albert Oehlen, an essay on belly dancing by Martha Kirszenbaum, Joana Hadjithomas & Khalil Joreige, Sondra Perry...

The publishing project Ennesima interprets and investigates the multiple, extensive thematic content covered in the eponymous curatorial project of seven exhibitions spanning over fifty years of contemporary art in Italy, since the beginning of the sixties to the present day.

For nearly thirty years, Elio Montanari has been photographing artists at work—either producing or installing their artworks in the context of major exhibitions and international events. The photographs reproduced within this publication capture with full spontaneity the working process involving artists, assistants, curators and peers.

A photographic documentation from a field research on folk athletic contests in male rural Finland in the beginning of the 20th century.

The colorful and impertinent hijacking of a luxurious big size Taschen book celebrating Queen Elizabeth's jubilee.

A photographic portrait of Kampala's bustling nightlife.

The genesis and documentation of a video and mapping project on the detrimental effects of foreign authorities' actions in past and present Mexico.

The starting point of this publication and of the work it accompanies is travel, and more specifically, the wave of new perceptions that travel brings and the transformation that it causes. Artist Guan Xiao compares the volatility of this process with the fluctuation of the weather.

The great Brazilian critic Mário Pedrosa (1900-1981)'s farewell to art criticism, written to his countrymen in the manner of Montesquieu's Persian Letters.

Tracing the Parisian exile of Korean modernists painters Lee Ungno and Han Mook, this catalogue highlights the work and life of two artists who built an innovative work at the crossroads of Western and Eastern traditions.

From image to object: ten essays on English Pop Art and the New Brutalism in architecture.

An examination of the relationship between Antoine Bourdelle and Alberto Giacometti, thus also exploring the more general history of heritage and artistic education under modernity.

French artist Jean Dubuffet and French art historian Hubert Damisch shared a long friendship between 1961—the year Damisch published his first essay on Dubuffet—and 1985—when the latter died. Entrée en matière gathers together all the texts written by Damisch on Dubuffet as well as a selection of their correspondence.

The groundbreaking work of Masaki Fujihata presented as an immersive intermedia experience through augmented reality technology (retrospective monograph under the form of a ring binder, with a dedicated AR application).

This catalogue compiles individual collections from artists and considers the act of collecting as a portrait of its collector and also as an artistic method—as a process rather than an end result.

This catalogue documents the encounter between Eliasson's sensorial artworks and the baroquean atmosphere of Prince Eugene's Winter Palace in Vienna.

With this volume, Shahryar Nashat recalls the life and death of an iconic art object—a green dodecahedron called La Shape—operating in many of the artist's works since 2011.

Barthélémy Toguo's address to the African Ministers of Culture for a better recognition of art and African artists on the Continent.