Contemporary art

Fourth and final volume of the anthology (1975-2000), focusing on painting, sculpture, installation, and architecture.

A collection of monographic texts and essays by the artist.

A collective publication on Jean Genet and the arts.

The place of films and moving images in the field of contemporary art.

Featuring: Jeremy Rifkin, Sabine Rabourdin, Mounir Fatmi, Tidiane N'diaye, Arthur H & Loulou Picasso, Messieurs Delmotte, Tobie Nathan, Jean-Paul Curnier, Anaïs Nony, N.-.D.-des-Landes, Zapata an the state of Chiapas, Papuan people, original comics from Camille Lavaud, Martes Bathori, Philippe Lardy...

New monograph, with thirty emblematic paintings, a text by the artist, and an essay by Francesco Manacorda.

Thirty-seven texts by Tom Burr.

Released in parallel of an exhibition at Kunstverein München, this USB card gathers a collection of electronic works by Dexter Sinister produced from 2008 to 2015.

Following on from the duo's continual playful and dystopic depiction of the human condition, Fine Arts brings together the collection of over ninety watercolors inspired by images found on the Internet.

This publication describes the making of a multiple-screen video installation made by Mario Pfeifer while living on Navarino Island, Chile. This anthropological film looks at the life of the descendants of the area's indigenous Yaghan people, and portrays a nation and community that is violently undergoing cultural and religious, social, political and economic transformation.

Designed by the artist in collaboration with the graphic studio S-y-n-d-i-c-a-t, Fouad Bouchoucha's first monograph gathers a selection of his works along with four essays and an interview.

In 1982 Barbara Davatz photographed 12 young couples from the Zurich scen—lovers, friends or kin. She portrayed them again in 1988, 1997 and 2014, covering more than three decades of human relations, aesthetic and social evolution.

This “book-object” prompts the reader to piece together a fragmented narrative comprising texts and pictures to color, to copy, to associate…

First volume of a hors-series' collection focusing on the theory and practice of republishing and archiving.

Between 1946 and 1953, the Macy Conferences brought together a diverse and interdisciplinary community of researchers who together developed the basics of the new science of cybernetics. This publication contains the complete transcription and protocols of all contributions of one of the most important event in the contemporary history of science.

An iconographic and analytic portrait of artist Pascale Weber's singular practice.

This issue addresses the notion of (counter-)monuments with essays on National Identity, Immersion Serving Memory, Optical Protocols, Alexandra Pirici's Soft Power, The Kai Dikhas Gallery, Thomas Hirschhorn, The Memorial to the Victims of Communism…

Issue 31 of the first biannual magazine thoroughly devoted to international contemporary artists' writings, including original texts by Christina Iglesias, Shreyas Karle, Peter Buggenhout, Nikolaus Gansterer, Diego Tonus, Olafur Eliasson, Araya Rasdjarmrearnsook, and Ben Kinmont.

Drawing on key texts by S. M. Eisenstein, Deleuze and Guattari, Alain Badiou, Donna Haraway et al., and analyzing works by iconic artists and contemporary ones, this volume brings together theory and art, showing how both turned to animals to find new ways of problematizing “life.”

Nora Schultz gathered digital associations made with Google's image search engine, and then asked nine other artists to build a series of textual and visual narratives around her results (an artists' book designed by Keren Cytter).

Part document, part photographic album, this artists' book by Jos de Gruyter and Harald Thys captures the sculptural revisionings of the descendants of an executioner family from Greifswald in the historical province of Pomerania.

On Productive Shame, Reconciliation, and Agency prompts a unique crossdisciplinary inquiry into the productive potential of the affect of shame.

Dector & Dupuy's artistic research focuses on the city as a space for improvisation and vanishing lines. This retrospective monograph listed in alphabetical order comes with an additional publication—the first issue of the duo's periodic SONG.

An artist's book on worldwide monetary iconography.

Art education issue.

Japanese fashion designer Issey Miyake, Marina Pinsky's sculpted landscapes, Diller + Scofidio, Emilio Prini, Charles Harlan, Kathe Burkhart's “Liz Taylor Series”, the “networked exhibitions”...

First catalogue devoted to French artist Sarah Tritz, whose work is characterized by a multidisciplinary approach (sculpture, painting, collage, drawing). With texts by Claire Moulène and Paul Bernard, as well as an interview with the artist by Sandra Patron and Franck Balland.

British novelist Tom McCarthy questions the specific obsession with time in modern and contemporary literature, examining the works of Thomas Pynchon, J. G. Ballard, Maurice Blanchot, Thomas Mann, Joseph Conrad, James Joyce, and William Faulkner. The essay is followed by a conversation with the author in which he discusses his own practice of writing.

A collection of interviews with artists and curators.

Major monograph on Phillip King, whose work has been essential in the revival of British sculpture in the early 1960s through experiments with abstraction, construction and color. This book gathers various texts and an interview, exhibition views, and a complete illustrated chronology over 300 pages.

First monograph.

Featuring: interviews with Constant (An Mertens, Femke Snelting), Rosa Menkman, Tristan Perich, Alberto Novello, Ralf Baecker, Phillip Galanter; an article on Simplexity, the art of the one-liner for sonic complexity, reports on “Disruption” ISEA 2015, “Test Exposure” WRO 2015, xCoAx 2015, digital news, books and records reviews...

Featuring: Finn Brunton and Helen Nissenbaum on their book Obfuscation – A User's Guide for Privacy and Protest, interviews with Mushon Zer Aviv, Francisco López, Jacob Kirkegaard, Benjamin Grosser, and Nick Montfort, reports on Media City – Intermedia Art Festival, Piksel 2015, Renewable Futures Festival, digital news, records and books reviews…

The family archives of Július Koller's collaborator and loving partner Květa Fulierová (artist's book).

Postcards from Home documents the encounters between Roc Herms and several different avatars during his years of participation in a virtual world created for Playstation 3.

A photographic account of the life of a teenagers' group in London.

A photographic itinerary through the life of Adrià Cañameras and his girlfriend Mar in the heart of Madrid.

Ramiro E has been taking photographs of teenagers for the last twenty years, mostly in personal private sessions in his study or home, but also as editorial jobs and random street shoots. This thick volume compiles images of almost every girl he's photographed, combining many different years, formats and approaches.

The journal/catalogue conceived by Daniel Buren for his retrospective at BOZAR.

A retrial of Félix Fénéon (an artist book conceived and written by artists Sanna Marander and Niklas Tafra, with contributions by poet Claes Tellvid and assistant judge Erik Hellsten).

A panorama of Albania's contemporary art scene.

A critical and visual testimony about a cultural and artistic exchange project between the two cities of Quebec and Bangkok.

A rich and diverse panorama of football gestures selected from newspapers' photographs dating from 1990 to 2010. The aesthetic classification of these gestures opens to wider reflections on sport as choreography and artistic performance.

In the last of the wild lands: an exploration of the world's least hospitable territories which have made and still make human settlement difficult or impossible. The study is conducted by means of three work tools: a Glossary, an Atlas and a travel guide.

These three thin volumes feature drawings by legendary illustrator Tomi Ungerer selected from his sixties sketchbooks. In the likes of fabulists, Ungerer portrays the animal kingdom (elephants, whales, kangaroos and a handful of camels) to satirize with humour the manners of his contemporaries.

A review of three commissioned works executed by artist Nicolas Floc'h in isolated communities in Santiago, Chile, Rennes, and Tours, France, as part of the New Patrons program.

All posters produced by M/M (Paris) for CDDB-Théâtre de Lorient since 1996, with comments by Eric Vigner, Bénédicte Vigner, and Mathias Augustyniak (edition completed with a photographic booklet and the theater's 20th anniversary programming).

Following an invitation by an organization in Ardèche, Denicolai & Provoost conceived a temporary and contextual project around issues of ownership and use of the natural landscape. By migrating their project to Paris, they extended its history into the urban realm. This book documents the Parisian stage.