Contemporary art

An overview of Camille Laurelli's humoristic and provocative work in all its diversity: photographs, pen and felt pen drawings, prints, screenshots, commissioned texts by her mother or a fictional art critic, viral videos, ready-made, website comments, found objects…

This monograph is structured around an alphabet dedicated to the career of this pioneer of digital art. It also includes contributions from the likes of Nam June Paik and Paul Virilio, as well as an interview with Catherine Ikam and her associate Louis Fléri.

In this issue: Donald Trump's furniture, the opening of the Bir Zeit's Palestinian Museum, how digital technology renewed the art of painting, South Africa's student protests target colonial art in Universities, Rio beyond the postcard view, 1960's New York in photographs, culture and refugee crisis in Germany, the paranormal in early cinema, interviews with Jenny Holzer and Asli, and a portfolio by Roman Stetina.

Interviews with Sarah Oppenheimer, Njideka Akunyili Crosby, Jen Bervin and Dianna Frid, Mel Chin, Marina Rosenfeld, Okwui Okpokwasili, Nell Zink, Laia Jufresa, “Artists on Artists” section with Audra Wolowiec by Emmalea Russo, James Esber by David Geers, Laura Owens by Claudia La Rocco, fiction and poetry, portfolio by Olga Chernysheva, books' reviews, end page by Jonathan Horowitz...

Featuring: Medialabmx, The 3D Additivist Manifesto, Digital Technology and Stone Sculpture, interviews with Garnet Hertz, Darsha Hewitt, :vtol: (Dmitry Morozov), Dennis de Bel, Quayola, reports from Transmediale 2016 and Meta.Morf 2016, records and books reviews…

Fall 2016 exhibition previews, featuring 45 noteworthy shows worldwide. Plus, Kerry James Marshall on Marvel's Black Panther, Alan Licht on Martin Creed's “The Back Door,” the art of Willem de Rooij, Amy Taubin on the art of Bruce Conner, a special dispatch on art in Dakar, Jill Magid discusses her new work, and Hannah Black reviews the 9th Berlin Biennale…

This reference monograph reveals the scope of Guillaume Bijl's thinking and art during the last four decades.

The first monograph to offer an overview of Cointet's enigmatic and influential oeuvre (available in English edition).

A case study about concept cars and former modernist memories (artist's book).

Designed to be an artist's monograph as well as an artist's book, Parages unveils Guillaume Robert's practice as a video maker and a visual artist throughout seven chapters, with contributions by artists Louise Hervé & Chloé Maillet, Rémy Héritier, Marcelline Delbecq and Jean-Xavier Renaud.

T. J. Demos considers the creative proposals of artists and activists for ways of life that bring together ecological sustainability, climate justice, and radical democracy, at a time when such creative proposals are urgently needed.

New Ways of Doing Nothing highlights artistic gestures challenging today's inclination towards productivity and growth (with Robert Breer, Claire Fontaine, Mathias Delplanque, Marina Faust, Ryan Gander, Karl Holmqvist, Jiří Kovanda, Superflex, Mario García Torres...).

Proceedings of the 2015 National conference of the French Schools of Arts.

Reprint of the multiple produced by Philippe Cazal in 1972.

Artist's books and book history (new edition).

Arrivederci recalls the artist's personal journey in Sardinia to explore textile craftsmanship. Favini narrates the stories of each piece of fabric he gathered and used for his new body of work—from its origin to the exhibition display. The publication is enriched with photographic documentation and texts by curators and stylist Antonio Marras.

With this essay on Black British artists from 1970 onward, Sophie Orlando explores their influences on the Western contemporary art and introduces readers to an important, long-marginalized movement, recontextualizing it with groundbreaking scholarship.

With this essay on Black British artists from 1970 onward, Sophie Orlando explores their influences on the Western contemporary art and introduces readers to an important, long-marginalized movement, recontextualizing it with groundbreaking scholarship.

Kerry James Marshall, Jean-Luc Moulène, Dora Budor, Samson Young, Dean Blunt, Matthew Lutz-Kinoy and Tobias Madison's hommage to Shūji Terayama, Rodolfo Aricò, Emily Segal's notes on the color Magenta, exhibitions reviews…

A series of interviews with artists, an art student and an art school director, which implicitly defines Céline Ahond's own artistic practice.

Transcript of incantations poems recorded on vinyl and produced in the framework of a multimedia work on sound and geology. The poem is translated into Inupiaq, the official Inuit language of the State of Alaska, where this project was developed.

An entry point into the Swiss artist's imagery through a collection of 357 digital drawings in black & white.

The AICA France Art Criticism Prize: a retrospective catalogue (2013-2015)

The political dimension of Visual Studies, between Francophone and Anglo-American studies.

This first comprehensive publication about the Silent University introduces the initiative—a solidary school by refugees, asylum seekers and migrants—and contextualizes it in the wider framework of both radical pedagogy and socially engaged art projects.

A new artist publication coming in two different versions, revolving around Værslev's new series of “sunset” paintings.

New monograph: a photographic documentation on the site-specific works Under the Water at the Centre Pompidou Metz and gallery Kamel Mennour, completed with visual archives covering over thirty years of practice (1979-2015), and a focus on the artist's roof installations from 1995 to 2015.

These volumes document Kunsthalle Lissabon's fourth and fifth year of activity, which happened between 2013 and 2014.

This publication documents a project initiated by Jay Heikes whose purpose is to reflect on collaboration as artistic practice.

The publication follows investigations lead by LOOP—a platform dedicated to the study and promotion of the moving image—and questions the act of collecting artists' films and videos.

Published on the occasion of the twenty-year anniversary of the non-governmental organization ART for The World, this publication presents the prestigious organization's activities during the period 1995 to 2016.

The publication encloses a rich documentation on the design, construction and installation of an eponymous permanent work created by Liliana Moro for the seventh edition of “All'Aperto” (Outdoors) in Trivero, in the Piemonte countryside.

Road Back To Relevance gives insight into the last decade of Dan Rees's practice. It brings together groups of works—paintings, videos, installations, and photography—that have never before been viewed simultaneously, and reveals the complex nature of the artist's research.

This first monograph dedicated to Maxime Bondu's work includes an essay by Daniel Kurjakovic and focuses on nine of the artist's essential installations. Numerous sketches, drawings, mock-ups, archival material and exhibition views contribute to throw light on an experimental, speculative oeuvre that explores alternative readings of the world, history and society.

Louise Bourgeois, Adel Abdessemed, Jan Fabre, Judy Chicago, Andres Serrano, Sara Favriau, Camille Henrot, Tino Sehgal, reviews of Angélica Liddell and Nadia Lauro plays, Brussels Kunstenfestival, festival d'Avignon, festival TransAmeriques…

Cave is a series of publications dedicated to contemporary collecting. The first issue looks into the territory of the public collection considering it both a semantic ground for institutional collecting as well as political and cultural infrastructure.

Intersubjectivity is a collection of writings on the presence of language in the visual arts: the first volume makes a case in favor of concretism in contemporary artistic practices.

An artistic dialogue between German artist and computer composer Florian Hecker, and the late American sculptor John McCracken.

A set of charades invented by Alain Séchas and illustrated with original drawings, with an original artwork signed by the artist.

A list of titles for exhibitions available free of charge from the artist (artist's book).

Starting from the art collection of the museum M in Leuven, Vilanova reflects on the artof exhibiting and explores display modes from showcases to postcards.

Catalogue of a project designed for Maison de la culture du Japon in Paris as part of the “Transphere” Exhibition cycle. Atelier Bow-Wow and Didier Fiuza Faustino have long explored the issue of the habitat, inventing innovative and often provocative “machinery / habitats”. Here they have come together to create a “magical environment”.

Organised in 8 “episodes,” Brandon LaBelle's reference monograph guides us through a number of his installation works and scripts from 2003 to 2014, raising questions of space and community, and further, to the direction of the social and its political potential. Three essays and an interview, as well as the recording on CD of a recent live performance, complete the book.

An analysis of new collaborative artistic practices interconnecting artists, designers, graphic designers, architects and researchers with different social and economic backgrounds, outside the strict boundaries of the art world.

Crisis Fashion by Daniel Horn / Mikael Brkic in conversation with DIS / Vêtements Fall-Winter 2016: Panel Discussion / The Modern Naked King by Taque Hirakawa / Women's History Museum / Stefan Kalmár / Bless in conversation with Anja Aronowsky Cronberg and Heinz Peter Knes / The Street by Tobias Kaspar & Tobi Maier / Interview with Kaspar Müller by Peter Fischli / On the Wardrobe of the Countess Greffulhe / Post-Hummannerism / Eric Sidner and Ryan Siegan Smith by Eric Bell / Mathieu Malouf by George Egerton-Waburton / Julia Moritz on Crystal Moselle's film The Wolfpack / Limited Editions: Julien Ceccaldi, Antek Walczak and Danny McDonald.

Hélène Frappat, Phia Ménard, Yasmine Hugonnet, the Syrian conflict onstage, urban psychoanalysis, interviews with Laurent de Sutter and Antoine d'Agata, when artists become filmmakers, British musical duo Autechre…

This volume documents a series of site-specific works by four artists looking at existence from an abstractionist point of view.