Contemporary art

This first monograph accompanies a series of videos inspired by the Metabolist utopist architecture movement, created in 1959 in Japan. The videos bring together several portraits of Japanese towns, combining digital images with filmed or photographed images of social and urban reality.

The relation between crime and power through the lens of archives. Featuring: William Friedkin, Stasi Archive, La Notte, The Secret Life Of Elena Ferrari, Giorgio De Chirico On World War One, The Jonestown Massacre, Marco Malvaldi on suicide, Danse Macabre by Alberto Martini, Phone Taping Vertigo on Aldo Moro. Great thought by Elio Petri On Police Power, Cold Balkan Blood by Ana Blagojevic, Professor Andrea Pinotti on the shroud, Brad Feuerhelm on anxiety and photography, Howard Bingham: The Invisible Photographer and Michael Salu on private pictures from the first Gulf War.

On the occasion of this 13th issue, the Japanese artist asked 46 participating artists to cultivate a hyacinth, and to give an account of this experience through artistic gestures, including paintings, photographs, poetry, haiku, essays, and observation diaries (with Yukinori Maeda, Masanao Hirayama, Benjamin Sommerhalder, Susan Cianciolo…).

Limited edition, numbered from 1 to 50, signed, and accompanied by a multiple by Benoit Maire.

Opened to the public since 2005, Codalunga is a section of Nico Vascellari's studio in Vittorio Veneto devoted to experiments in visual and sound art. This publication documents a project which has been going on for a decade now, gathering artists from all around the world.

This publication reflects on the education and mediation programs at documenta 14. Organized as a lexicon, it gathers contributions by members of the programs, curators, artists, and educators.

This publication offers a narrative of artist Alex Martinis Roe's research into a genealogy of feminist political practices in Europe and Australia from the seventies until today.

Limited edition box set including a divinatory tarot game designed by filmmakers Silvia Maglioni and Graeme Thomson. The usual cards are replaced by a selection of 78 photograms from the history of cinema (numbered and signed copies).

The ToiletMartin PaperParr wall calendar 2019 features photographs conceived by Martin Parr, Maurizio Cattelan and Pierpaolo Ferrari, a back-to-back of images made in collaboration between the three artists. In a hotly anticipated follow-up to the first ToiletMartin PaperParr magazine, this calendar presents a selection of the best images conceived by the three artists.

Limited edition, with an exclusive Toilet Paper puzzle.

This comprehensive monograph on Teresa Burga acknowledges the recent reassessment of the multidisciplinary artist's work as a pioneering voice in Peruvian contemporary art.

The first issue of the “perpetual catalog” of Le Consortium, at the dawn of the fifth decade of the art center.

Drawing relations between the works of Claude Lévêque and quotes from contemporary writers (Don de Lillo, Pierre Michon, Giorgio Agamben, Gilles Deleuze…), modern writers (Charles Baudelaire, Arthur Rimbaud, Jean Giono, Marcel Proust, Paul Valéry…), and classics (Shakespeare, Dante, Aristote…).

The first survey of text works by artist Ane Hjort Guttu. Written between 2003 and 2018, the texts range from public statements, poetic short prose, film scripts and reflections on the role of the artist to essays on art for children and the link between light and wealth.

The production of alternative and solidarity-based knowledge through the linguistic, sexual, biological and geographical margins.

This book examines the notion of deferred receptions of theories and art through language, context and translations.Vincent Bonin explores the gap between the publication of a text in one language and that of its translation (using the example of the French Theory), or between the inaugural presentation of an artwork in one context and its subsequent display. A critical reflection on the discourses surrounding contemporary art practices.

Second in a trilogy of children's books, The Brutal Turtle tells the story of a Turtle wandering in the desert, trying to reach the animal farm. Facing cruel obstacles during his journey, he becomes angry and terrorizes the farm's people once he arrives at the farm. A tale on power's relativity, hate, violence, and on the importance to be nice.

The last in a trilogy of children's books, this publication tells the story of a hamster stuck between the pages of a book. Wishing to escape to discover the animal farm, he will find the help of his own fleas. A story about caring and learning, by artist Keren Cytter.

This artist's book reproduces a series of comics made by Victor Man when he was a child in communist Romania in the early 1980s. These drawings reveal the artist's fascination for the then rare Western magazines. The publication opens with a letter from Victor Man to little Rózsa, to whom the book is dedicated.

Bettina Funcke on how appropriation became cultural appropriation; Mary Flanagan on the history of Virtual Reality art since the cave paintings; Pablo Baler on Bio-Politics, Bio-Tech, Bio-Art and Bio-Fiction; James Gill on the death of subculture in the 21st century; image spreads by artist David Mramor and microdosing pioneer Paul Austin, plus much more.

Interviews with Chris Martin, Cy Gavin, Tauba Auerbach, Sam Hillmer, Amy Jenkins, Florian Meisenberg, John Akomfrah, Simone Forti, Ottessa Moshfegh, Anna Moschovakis…

Illustrator Soufiane Ababri; novelist Fanny Taillandier; a critic of the Anthropocene by historian Jean-Baptiste Fressoz; interviews with Lav Diaz and Gurshad Shaheman; models' rights advocacy organization Model Law; on the back side of Naoshima; dubbing in Quebec; Arles and the money issue; portraits of Maud le Pladec and Èlg; Portfolios of Marie Valognes, Mimosa Echard, Louis Canadas & Theophile Hermand; Gabriel Gauthier's poetry; chronicles and diary.

This scholarly publication discusses the historical development of the Kunsthalle Bern and its implications for the “localization” of art. It contributes to current research on institutional histories by looking at the many ways in which the Kunsthalle Bern addresses the question of how exhibitionary practices take place.

Reference monograph.

Reference monograph.

This catalogue presents documentation and texts from the British artist's first exhibition in the United States, which combines a series of color photographs of hands touching objects with a scale-model freight train and track.

The Toguna is a collective work co-created by craftsmen and visual artists, a space of conviviality and sharing in the heart of the Palais de Tokyo. This publication follows the project's genesis through texts and images, and addresses the questions raised by the collaboration between craftsmen and artists.

Naturalis Historia is the result of an ambitious multimedia research on the history of nature. Taking an encyclopedic approach, artist Pauline Julier explores several nature stories appealing to the arts and sciences to create this vast narrative. The 504-page edition includes a rich iconography, original texts as well as interviews with Philippe Descola and Bruno Latour.

The catalogue of the 13th edition of the Baltic Triennial which takes place in three venues: Contemporary Art Centre Vilnius, Tallinn Art Hall and Kim? Contemporary Art Center Riga. The publication includes a range of curatorial and critical voices to provide highly individual reflections on each of the artists, poets and musicians taking part in the project.

An interview with artist James Hoff by theorist writer Marian Kaiser, focusing on Hoff's publishing practice and reflections on books.

A collection of selected images and conversations from the artist collective GCC's five-year WhatsApp archive.

Set behind the scenes of Badlands Unlimited, an artist-run, New York-based publishing company, this three- act play follows the characters as they launch an erotic novella, deal with internal conflicts, and imagine the promise and threat of technology between the pages and in our lives. Badlands Unlimited is a comedy of errors that morphs into a deeper meditation on art and mortality.

Publication reflecting on the work of contemporary artists who explore the collision between the digital and physical worlds. These artists take a step back, using decontextualization, rematerialization and displacement tactics to examine the future of our world. Through a collection of interviews with and essays by artists and theoreticians, this book develops the reflections generated during the eponymous exhibition.

Based on the writings of Carl Einstein, this comprehensive, richly illustrated reader examines how the artistic avant-gardes reacted to the multiple crises of European modernity around 1930. Structured around a glossary, the publication gathers commissioned essays, texts by Einstein, and documentation on the namesake exhibition.

A series of wood carvings by Peter Schuyff, reproduced on a scale of 1:10, alongside a short sorry by Arthur Miller staging the relationship between man and beaver.

New monograph.

Artforum invited a group of writers, scholars, and activists—Adrian Piper, Michelle M. Wright, Charles W. Mills, J. M. Bernstein, Boaventura de Sousa Santos, MTL Collective and Jasbir K. Puar, and Sarah Nicole Prickett—to consider where, who, and when is Enlightenment; a series of essays on the late David Wojnarowicz + transcripts of the artist's audio diary and a portfolio of rare images; interview with Renzo Piano; Texas Isaiah; Michael Pareköwhai; Eugene Jarecki's The King; reviews from New York, Paris, São Paulo, New Delhi…

The use of the “Other Body” in Performance art and Contemporary Art.

Art Basel's 2017 official annual publication.

This publication revives the fascinating adventure of Pierre Keller's invention and dissemination of the “Kilo-Art,” the “Swiss standard for art measurement.” For the two years 1972 and 1973, the young artist—now a key figure of the contemporary artistic and pedagogical scene in Switzerland—dedicated his life to what he called “conceptual art with realization.”

A visual tour de force (artist's book).

This study traces the history of a cultural and artistic landscape that has taken shape since the year 2000, with the Internet. Omar Kholeif aims to put into context a new language for seeing, feeling, and being that has emerged through post-millennial technologies, and argues for a nuanced understanding of the post-digital condition.

This first monograph gives compelling insight into Nicholson's diverse material approach, political practice, and historical context.

Facsimile edition of a 1971 small sketchbook by a major painter of the lyrical abstraction, made during one of his many travels in Norway.

A study on the structural continuity in Alberto Giacometti's work, beyond the formal rupture engaged after his surrealist period.

Issue #27 of Palais is devoted to the exhibition “Another banana day for the dream-fish” at the Palais de Tokyo (June-September 2018). This exhibition brings together the works of some thirty artists and craftsmen on the theme of childhood fantasy.

A panorama of Latin American art collections in Southern California.

Sebastián Diáz Morales films and videos show that reality is nothing more than a figment of the imagination. Every figure and every narrative in them is a metaphor for the boundary between reality and fiction. This catalogue documents three recents video works by the Argentinian artist.

A collection of 11 poems printed on single sheets that can be used as page markers to interrupt whatever else you are reading. Each poem is based on descriptions of natural phenomena, to talk about everyday situations of human social behavior.