Contemporary art

Peter Piller's peripheral excursions around Bremen.

Training for the Future is a training camp where audiences are turned into trainees to "pre-enact" alternative scenarios and reclaim the means of production of the future. This handbook gathers training manuals, interviews, and documentation of the various training camps that took place from 2018 to 2021.

An unconventional invocation of Michael Stevenson's practice over the past 35 years.

A visionary analysis of what Terry Smith identifies as the "visual arts exhibitionary complex."

Le Dictateur releases his last big, immense, effort: 27 international curators from the world of art, design and fashion curate their ideal show, from past, present or even future or non existing artists but without using images—only words.

Various approaches (historical, philosophical, psychoanalytical, but also artistic) on the experience of confinement, from incarceration to sanitary lockdown.

ORLAN hybridizes fragments of her face with portraits of Dora Maar, Picasso's companion.

A performative publication by author and choreographer Sara Gebran aiming to immerse readers in a world of social intimacy.

Two pieces based on Milan Knízak's canonical text Aktual University, dating from 1967, containing ten short lectures outlining the university's character—On Conflict, On Dreams, On Revolutions, On Love, On Belief, On Art, etc. These lectures were to serve as inspirational schemes for lectures, seminars and discussions held at an ideal university.

A set of photographs of the back covers of Jonathan Monk's books presented turned over. A play of transparency reveals the captions written on the back of each page.

A book-exhibition that brings together the practice of three artists from the contemporary publishing scene around the figure of Mary Ellen Solt (1920-2007), an American artist whose works of concrete poetry enter into graphic and conceptual resonance with the three artists' own publications.

Artist's book.

This monograph surveys the first decade of the legendary Korean artist's career from 1987 to 1998.

Baptiste Brévart and Guillaume Ettlinger discuss with Julie Sicault Maillé their artistic practice as a duo.

Histories Read Across, Fluentum's inaugural issue that opens the publication series In Media Res, examines how (his-)stories are told, narratives are conceived, and knowledge is produced.

Art and the economics of the digital age.

The first curatorial project dedicated to Post-Performance Video with a special look at the works of four artists working in Los Angeles or having trained in this city: Coleman Collins, Rodney McMillian, Nathaniel Mellors, and Anna Wittenberg.

Over the last four decades, American artist and filmmaker Peggy Ahwesh has forged a distinctive moving image practice in the ruins of originality and authority. With contributions from Erika Balsom, Elena Gorfinkel, Tendai Mutambu, John David Rhodes and Shola von Rheinold, Peggy Ahwesh: Vision Machines explores how she has extended and contested the paradigm of experimental cinema.

This volume presents Laura Aldridge's recent and older works, and features an interview and three original essays about her practice.

First monograph.

Giovanna Silva paints a sinuous, compulsive, dizzying and poetic portrait of the city of Milan through several hundred series of detailed photographs of modern and contemporary building facades.

A study of Tadini's position in the early post-war cultural debate, with a large documentation of paintings, photographic studies, drawing and collages, based on an unpublished manuscript.

A series of blue ballpoint pen drawings capturing capitalist executives and far-right leaders as grotesque monsters in suits.

Conceived entirely by the artist on the occasion of the homonymous solo exhibition at MAXXI, Rome, this volume documents Thomas Hirschhorn's research on Pixel-Collage, an impressive cycle of works realized between 2015 and 2017.

David Hominal breathes new vitality into the exercise of still life, through a series of paintings of dead leaves.

This first monograph of Lee Bae presents a large selection of his works, paintings, sculptures and drawings, as well as twenty exhibition views and photos of the artist in his studio.

First monograph, with a wide selection of of Claire Tabouret's works (paintings, drawings, and sculptures), two essays and a set of literary quotes chosen by the artist (new expanded edition).

The first issue of the annual journal dedicated to science-art dialogue.

An artist's book paying tribute to Angoulême and comics, to Joy Division and the Situationist International at the same time.

Le Zoo vidé ("The Emptied Zoo") is an artist's project about large land mammals that Agnès Rosse went to visit in zoos, in their natural environment and at the National Museum of Natural History: a protean set of texts, videos, drawings, paintings and objects made in various places between 2009 and 2018.

The second issue of the editorial discursive space for the Bergen Assembly triennial, conceived by Saâdane Afif, is dedicated to the manifold figure of the Moped Rider, which is approached differently by the seven contributors.

New monograph.

Autobiography by Alessandro Pessoli is a mix of drawings and written words created specifically for the publication. The handwritten texts belong from some of the songs the artist is used to listen while at work.

Catalogue.

The architectural proposals of Gordon Matta-Clark.

The non-human images, challenging our own relationship to the world.

This collective publication is a singular invitation to discover or deepen the universe of Tabita Rezaire, at the intersection of new technologies, decolonial healing, spirituality and the political history of science. Through numerous contributions from poets, theorists, artists and her friends and relatives, she invokes the wisdom of the womb: the mother womb, the earth womb, the cosmic womb, for us to receive its grace.

The redefinition of the medium through the interrelation between contemporary art and cinema.

Jean-Marie Massou's double album presenting, in a raw way, the recordings made at the end of the 1970s in a giant tank.

Modernism/Murderism brings together, for the first time in English, a forgotten debate on Modern Art that took place in the pages of India's Gujarati-language literary periodical Kumar between 1959 and 1964.

A surrealist anticipation novel by the Indian artist.

In Sculptor's Notebook, originally written in 1985, the artist Pushpamala N evaluates the artistic practice that she had been developing until then.

A look back at the collaboration and intellectual exchanges between Harun Farocki, Hanns Zischler and Heiner Müller.

Antoine Bernhart returns with a new army of skeletons and other infernal creatures to populate his intimate theater of cruelty.

A collection of Antoine Bernhart's automatic drawings.

Personal correspondence between Genesis P-Orridge and Jean-Pierre Turmel over a fifteen-year period.