Contemporary art

A series of blue ballpoint pen drawings capturing capitalist executives and far-right leaders as grotesque monsters in suits.

Conceived entirely by the artist on the occasion of the homonymous solo exhibition at MAXXI, Rome, this volume documents Thomas Hirschhorn's research on Pixel-Collage, an impressive cycle of works realized between 2015 and 2017.

David Hominal breathes new vitality into the exercise of still life, through a series of paintings of dead leaves.

This first monograph of Lee Bae presents a large selection of his works, paintings, sculptures and drawings, as well as twenty exhibition views and photos of the artist in his studio.

First monograph, with a wide selection of of Claire Tabouret's works (paintings, drawings, and sculptures), two essays and a set of literary quotes chosen by the artist (new expanded edition).

The first issue of the annual journal dedicated to science-art dialogue.

An artist's book paying tribute to Angoulême and comics, to Joy Division and the Situationist International at the same time.

Le Zoo vidé ("The Emptied Zoo") is an artist's project about large land mammals that Agnès Rosse went to visit in zoos, in their natural environment and at the National Museum of Natural History: a protean set of texts, videos, drawings, paintings and objects made in various places between 2009 and 2018.

The second issue of the editorial discursive space for the Bergen Assembly triennial, conceived by Saâdane Afif, is dedicated to the manifold figure of the Moped Rider, which is approached differently by the seven contributors.

New monograph.

Autobiography by Alessandro Pessoli is a mix of drawings and written words created specifically for the publication. The handwritten texts belong from some of the songs the artist is used to listen while at work.

Catalogue.

The architectural proposals of Gordon Matta-Clark.

The non-human images, challenging our own relationship to the world.

This collective publication is a singular invitation to discover or deepen the universe of Tabita Rezaire, at the intersection of new technologies, decolonial healing, spirituality and the political history of science. Through numerous contributions from poets, theorists, artists and her friends and relatives, she invokes the wisdom of the womb: the mother womb, the earth womb, the cosmic womb, for us to receive its grace.

The redefinition of the medium through the interrelation between contemporary art and cinema.

Jean-Marie Massou's double album presenting, in a raw way, the recordings made at the end of the 1970s in a giant tank.

Modernism/Murderism brings together, for the first time in English, a forgotten debate on Modern Art that took place in the pages of India's Gujarati-language literary periodical Kumar between 1959 and 1964.

A surrealist anticipation novel by the Indian artist.

In Sculptor's Notebook, originally written in 1985, the artist Pushpamala N evaluates the artistic practice that she had been developing until then.

Dedicated to the activities of the Association for the Palliative Turn (APT), The Palliative Turn Number 1 proposes a fundamental shift in our attitude towards art and culture, informed by the practices of palliative medicine and care.

A look back at the collaboration and intellectual exchanges between Harun Farocki, Hanns Zischler and Heiner Müller.

A collection of Antoine Bernhart's automatic drawings.

Personal correspondence between Genesis P-Orridge and Jean-Pierre Turmel over a fifteen-year period.

Narok (“hell” in Thai) shows the various reinterpretations of Thai hell’s gardens done by a myriad of artists from all over the world.

Antoine Bernhart returns with a new army of skeletons and other infernal creatures to populate his intimate theater of cruelty.

Illustrators / comic book makers / funny people Johnny Ryan and Frédéric Fleury started insulting each other by posting obscene, crude, hilarious drawings to each other. As they are both proud young men and also profoundly disturbed in their brains, they kept this going for, like, six months or something. Finally, here is the book that collects all those comics.

Composed in collaboration with the Fabbula research group, this issue deals with the question of the virtual and its interweaving with the real. It begins by referring to the notion of "worlding", initiated by Donna Haraway.

Hannah Baer and Monica Huerta on the Year in Hell; best of 2021: a renowned group of critics, artists, and curators from around the world take stock of the year in art; "Illiberal Arts" by David Joselit; Anne Imhof by Caroline Busta; five celebrated cineastes select the top films of the year; five musicians and critics choose the year's outstanding titles...

The renunciation of art / the art of renunciation.

A documentation of the participatory project inspired by calligraphic batik initiated by the artists Ada Van Hoorebeke, Maartje Fliervoet and the manoeuvre platform.

A travel diary of a handwoven poncho with the keynote of interconnectedness.

The political potential of art.

This publication assembles three phases of Termite Economies, a major series of artworks produced between 2018 and 2020 by the Australian artist Nicholas Mangan.

Artist book / first comprehensive monograph.

Catalogue / artist's book.

The BOM DIA weekly planner for 2022.

Yves Scherer's Tatami mats series.

The third collaboration between Félicia Atkinson and Jefre Cantu-Ledesma—their first album produced together in the same studio: an electroacoustic, poetic, fluid and sensitive dialogue between the two experimentalists.

The catalog of an exhibition conceived with the gallery Untitled (2016) in the apartment of the CAN (Centre d'Art Neuchâtel), where each of the rooms has been invested by an artist or duo of artists.

A collection of twelve octosyllabic sonnets to accompany us throughout the year. The rhythm of the verses directly echoes the passage of time, days, weeks, months.

La Tranchée Racine becomes weekly for 42 issues on the occasion of Stéphane Blanquet's exhibition at the Halle Saint Pierre, Paris, from September 2020 to January 2022: a crazy project that intends to constitute a vast panel of art brut, contemporary art and drawing at the rate of one issue per week for more than a year...

La Tranchée Racine becomes weekly for 42 issues on the occasion of Stéphane Blanquet's exhibition at the Halle Saint Pierre, Paris, from September 2020 to January 2022: a crazy project that intends to constitute a vast panel of art brut, contemporary art and drawing at the rate of one issue per week for more than a year...

La Tranchée Racine becomes weekly for 42 issues on the occasion of Stéphane Blanquet's exhibition at the Halle Saint Pierre, Paris, from September 2020 to January 2022: a crazy project that intends to constitute a vast panel of art brut, contemporary art and drawing at the rate of one issue per week for more than a year...

The 42nd and last issue!

This issue accompanies a time of profound ecological, social, and technological transition. Despite the necessity and hope for a return to a human dimension, to a relationship with the other and especially with the natural world, we see instead a push toward other dimensions: the imminent Metaverse and the rise of cryptocurrency suggest that resources have been diverted elsewhere.

An attempt to explain the reason for the dimensions of a photographic image, of a print (the book is illustrated with works from the collection of the FRACs of the Nouvelle-Aquitaine region laid out in their respective scale ratios).