Contemporary art

A collection of reflections by pioneering scientists, artists, and thinkers about the ocean environment, fusing art, science, and education, offering a diverse and interdisciplinary perspective on those threatened ecosystems and the crucial role they play in our adaption to climate change.

Interviews with a group of pioneering artists' book publishers: Simon Cutts, Hansjörg Mayer, and Leif Eriksson.

Interviews with ten pioneering artists' book publishers: Simon Cutts, herman de vries, Michel Durand-Dessert, Leif Eriksson, Guy Jungblut, Yvon Lambert, Irmeline Lebeer-Hossmann, Hansjörg Mayer, Maurizio Nannucci, Maurizio Spatola.

Interviews with a group of pioneering artists' book publishers: herman de vries, Michel Durand-Dessert, Guy Jungblut, Yvon Lambert, Irmeline Lebeer-Hossmann, Maurizio Nannucci, Maurizio Spatola.

Recording of the evaporation of 785 grammes of water, namely the average quantity of water that a body loses during an office working day, according to Carrier thermal balance statistics.

A life, between art and cinema (the Swiss film curator’s visual autobiography, with guest appearances from Fassbinder, Warhol, Waters and many more).

Matthias Groebel's machine paintings from 1989 to 2001

An overview of the research projects performed over the last two decades at the Institute for Contemporary Art Research (IFCAR) of Zurich University of the Arts (ZHdK).

Recent video works by Turkish artist Ali Kazma.

The second issue of the annual journal dedicated to science-art dialogue.

An artist's book dedicated to the "bestiary of objects" designed by Israeli-born artist Tamar Hirschfeld during a two-year residency at the Cirva (International Glass and Visual Arts Research Centre) in Marseille, rooted in the culinary imagination of everyday life in France and Provence.

From Concrete to Liquid to Spoken Worlds to the Word explores the emancipation of language through historical and contemporary positions, from the earliest typographic and sound works of concrete poets to poetic experiments in the digital era, revealing the porosity between art and poetry.

A series of images made along the rivers by the Switzerland-based French photographer, meeting the fishermen of the canton of Fribourg: an investigation giving birth to a visual tale based on the realities of river fishing.

The partitions, to be activated by the reader, by Ludovic Bernhardt, Anaël Castelein, Garance Dor, Frédéric Forte, Linda Hayford, Léa Henry, Anabelle Hulaut, Dominique Jégou, Violaine Lochu, Frédéric Mathevet, Vincent Menu, Karim Ould, Pauline Picot, PPAF éditions (Adrien Chacon and Julien Molland), Matthieu Saladin and Yoann Thommerel.

The second volume of a new series of publications by the collective Wages For Wages Against, acting for better work conditions in the visual arts and against all forms of discrimination.

138 records of artist’s books, catalogues, posters, invitation cards and ephemera (with an essay by Jan Meissner).

Live performance of the artists Jacopo Benassi (voice, guitar, dildo and japanese axe), Michele Lombardelli and Luca Scarabelli (guitar and analog devices) at the RetroStudio, Fiorenzuola d'Arda, 11 July 2022. Including a 16-page booklet of photos by Jacopo Benassi.

Maurizio Nannucci's "auto(biblio)biography" (artist's book).

Claudia Comte's "autobiography" (artist's book).

New monograph, centered around a temporary work in situ by Daniel Buren, allowing to further explore the close relationship that the artist weaves with architecture, landscape but also points of view.

Blind spots of the ubiquitous digital—a critical and loving glossary: 138 entries to explore the unspoken aspects of new technologies, artificial intelligence and other aspects of digital.

A novel that captures the glancing intersections of a loose group of artists and lawyers, restaurateurs, philosophers, wine-makers, and boxers.

A transnational and transhistorical investigation carried out in the heart of museum and artistic practices between France and Senegal in the 1950s to 1970s, inviting us to decentralize our views in order to consider the globalized history of art of these years in a new light.

This publication features a selection of photographs by Lisetta Carmi, documenting the social transformations of Genoa during the 1960s. Carmi witnessed the economic boom of the city, but also its everyday life, including her famous photo series of transvestites which caused a scandal at the time (new edition).

Alice Anderson dialogues with the objects of the Fontevraud Museum of Modern Art, by placing her own works in the spaces of the permanent collections.

Natascha Sadr Haghighian charts modes of strategic ignorance and recognition that operate in structural racism.

The most accessible introduction to the life and work of James Lovelock (1919-2022), and a guide to address today's "polycrisis."

A new series of very large-format drawings, the ideal entry point into the world of Mad Meg.

The book begins with one single verse of poetry on "Abdallāh - The Slain" (Abdallāh al Qateel), a poet who was killed by the last thing he saw: the columns of the castle as palm trees. The rest of the book is footnotes on each word in this verse, and on the works of this poet, who only exists on the margins of the arabic literary canon.

A sonic time capsule translating the web-based project joyfully-waiting.ch into a tactile medium.

The second issue of the magazine Bagarres, made of constraints and rules of the game.

The best of 2022: a renowned group of critics, artists, and curators from around the world take stock of the year in art.

A collection of letters (from 1957 to 1995) that the famous brothers Jonas Mekas and Adolfas Mekas sent from America to Semeniškiai village, their homeland, all addressed to the most important addressee of their lives—their mother, Elzbieta Mekienė.

The status of the face in a society of images.

After a previous focus on questions of historiography and the archive, In Medias Res #2: Architecture in Motion continues Fluentum's ongoing investigation into the history of its grounds with a focus on its architecture and surrounding material culture, both past and present.

Publication based on a project initiated by Dora Budor at Progetto (Lecce, Italy) in 2021 that began with detouring a solo exhibition onto a collaborative course to traverse the itineraries of work, leisure, and consumption in southern Italy.

Retrospective monograph of the painter, sculptor and engraver Rubem Valentim (1922-1991), an emblematic figure of the Brazilian art of the 20th century.

First monograph.

The form and identity of artistic practices.

Publication dedicated to Lebanese artist Nayla Romanos Iliya's "Small Characters" sculptures, inspired by and named after each of the 22 letters of the Phoenician Alphabet.

This book introduces camera-based practices at the intersections of artistic and ethnographic research that critically examine the means of their own production and social embeddedness.

Monilola Olayemi Ilupeju's debut collection of writing.

An Ongoing-Offcoming Tale comprises abstractions, subversions and poetic ruminations, housed within essays that engage with the lives and practices of over 30 artists.

An installation by the artistic duo Tehnica Schweiz (Gergely László and Péter Rákosi) comprising a film and a porcelain sculpture collection: a re-examination of our relation to architectural and material cultural heritage.

Publication based on a cycle of exhibitions and events conceived by curator and art critic Elsa Vettier, inspired by the narrative arc of Bruce Sterling's 1980 science fiction novel of the same name, around questions of visibility, artificiality, control, surveillance, seduction and disappearance.

An analysis of the failed experiment of an exhibition of the Situationists that ought to have taken place at the Stedelijk Museum in Amsterdam in 1959, and of the Situationist International's ambivalent relationship with the format of the exhibition, the museum and the institution.

Giulia Essyad's Blueberry Studies, part of her Blue Period cycle, where blue skin is central.

A set of sculpture-paintings, paintings and drawings of the artist made over the period 2020-2022, accompanied by a text by fashion historian and artistic director Olivier Saillard.

The series of photographs taken by Jean-Luc Moulène of his partner of ten years, Laurence Lorenzi (1956-2004).

An anthology that traces the long legacy of interdisciplinary experimentations at the intersection of walking, listening, and soundmaking (new edition).