This publication is part of Farid Rahimi's eponymous multimedia project, the fruit of long-term research into the memory of Afghanistan, the country of origin of the artist's father.

The portfolio of the unique retrospective conceived by the Jeu de Paume reveals the singular vision of photographer Madeleine de Sinéty (1934-2011).

An anthology of responses to Reiner Schürmann's philosophical research, writings, and commentaries.

An album entirely dedicated to the sound composition created by Éric La Casa for Luke Fowler's film A Grammar for Listening, based on recordings (images and sounds) made in Paris and Glasgow. A new stereo version from 2023 interacts with the original mono soundtrack from 2009.

Donald Judd's formative years and recognition in the Low Countries and Europe between 1965 and 1971.

The first monograph of American artist Spencer Lewis.

The first album by the egalitarian and variable-geometry group of musicians/composers created by Hervé Boghossian, combining microtonal electric guitar, Turkish lute, hurdy-gurdy, and church organ.

The first issue in a collection of typographic specimens, each inviting a designer to create a fictional story around one of their typefaces, this volume is by Grégoire Romanet, who has repurposed 18th-century Texas Cattle Brand symbols to create a typeface.

The first English translation of Alexandra Kollontai's "My Heart Belongs to the Finnish Poor", originally published as "Suomen köyhälistölle kuuluu sydämeni" by the Finnish Trade Union Federation in 1911. The essay is printed in 200 copies as a risographed poster.

Mémoire Magnétique, vol.3 allows us to discover some of unreleased rarities from Bernard Parmegiani's personal archives and unpublished recordings which were composed for the screen or the performing arts.

This compilation allows us to discover some of unreleased rarities from Jean Schwarz's personal archives and unpublished recordings which were composed for the dance, screen or the performing arts.

New monograph by Paris-based British artist Charlotte Moth, conceived as part of her exhibition at MAMC+ Saint-Etienne.

The "doing" in art and design research.

Nathalie Du Pasquier presents still lifes bringing together objects, drawings, books, and photographs—assembled like fragments of an intimate language.

First monograph devoted to the artist's research on the materiality of images through an exploration of the conditions of visibility of secretions.

A contemplative series of images by Spanish photographer Jorge Perez Ortiz exploring the relationship between the human body, water, and resilience.

Robert Filliou's last major creation, Eins. Un. One..., embodies the humor, freedom, and radical thinking of a "genius without talent".

The new, adapted and expanded edition of Benjamin Sommerhalder's children's book (the story of the little ghost Knigi, learning how to read).

A compilation of all the covers created by Spanish illustrator Javi Aznarez for Wes Anderson's film The French Dispatch.

The act of translation as a pedagogical tool, a political act, and ultimately a gesture of care in these tense cultural times.

First published in 1998, Nicolas Bourriaud's Relational Aesthetics laid out a thesis for art's turn towards participation, experience, and the whole of human relations. Over twenty years after its original release, Relational Aesthetics has been updated with a new translation by Denyse Beaulieu and a new foreword by the author.

An innovative monograph of conceptual artist Agnieszka Kurant's work, focussed on the phenomenon of collective intelligence, alongside newly commissioned texts by renowned thinkers across science, philosophy, technology, anthropology, and economics.

Listening as a means of building community and knowledge.

Taking its title from the seminal book by the priest, philosopher, and historian Michel de Certeau, this publication, which accompanies the eponymous Capc exhibition, bears witness to unique ways of being in the world through the transformation of materials, tools, and everyday practices, inscribed directly onto the pages of a regional daily newspaper.

A collection of essays and interviews reflecting on the future through the lens of artistic thought and action.

A visual and text based investigation led by Moroccan artist Bouchra Khalili during many years following the traces left by the Mouvement des travailleurs arabes, a group fighting for the rights of the Arab workers in France at the turn of the 1970s.

A wide selection of paintings and drawings by Margherita Manzelli from the 1990s to the present day.

A broad overview of the contemporary Mexican art scene through a series of conversations with its leading figures.

A selection of the most significant contemporary practices by Portuguese or Portugal-based artists.

Research on materials conducted by two leading figures in 20th-century Italian art, Enrico Prampolini (1894–1956) and Alberto Burri (1915–1995).

Deeply shaped by his long-term residence in Indonesia, the conceptual practice of Italian artist Marco Cassani engages with the country not as a tourist or detached observer, but as an active participant in navigating the reconfiguration of authorship in a globalized landscape.

A comprehensive survey of Ahmet Doğu İpek's artistic journey over a decade.

An artist book providing an immersive entry point into Valentin Noujaïm's cinematic world.

142 drawings realized over a decade, addressing the commitments, obsessions, and conceptual territories that drive Jim Shaw's practice.

Reference monograph.

This book brings to life the artistic and literary community that flourished in Carona, Ticino, from 1968 to 1978. Centered on Swiss artist David Weiss (1946–2012) and his circle of friends, it explores their works, processes, and the communal spirit that fueled artistic experimentation.

Violence and visual culture (a critical examination of pressing aspects and implications of the visual representation of violence, and of the intricate relationship between visual culture and the social and economic conditions that influence and are influenced by it).

Jacques Ponzio continues his tribute to Thelonious Monk by exploring the intense yet fleeting relationship between the pianist and saxophonist Steve Lacy.

This pioneering group study accompanies the reader on a modern Grand Tour amid Italy's contemporary ruins.

This second edition of Alcove deepens the archive of Modern Arab art through 30 new personal essays.

This book takes as its starting with the question "What is a good poster?"' and then gradually drifts away from it as it unfolds, confronted with the complexity of this question that pertains to the truth, accuracy, functionality or even the good taste of a graphic work.

A journey through the body of work of Portuguese filmmaker João César Monteiro (1939-2003), based on the programmatic notion of diagrams and the perspectives of two authors, Pascale Cassagnau and Hugues Decointet.

Amalgama is the outcome of the fourth edition of Convivial Tables, a field-based research project commissioned by TBA21–Academy for Ocean Space, dedicated to exploring the relationships between food and ecology, and their impact on bodies of water.

This volume explores the life and work of Antonio Beato (c. 1835–1905), aiming to address the gaps in existing scholarship on this remarkable photographer. It highlights his distinctive body of work, his role in nineteenth-century photography, and the significance of his images in documenting the Middle East.

The first comprehensive study of Lucia Marcucci.

In The Office, stylist Camille Bidault-Waddington uses her iPhone to document the labor of fashion photography, capturing the process behind the finished image.

The first in a series of books dedicated to Jean Jullien's paintings, this book uses paper formats to contrast the artist's preparatory notebooks with exhibition views of his paintings of Mediterranean environments.

This book, the first dedicated to the work of Michaela Sanson-Braun, traces thirty years of practice across Germany, London, and France. Bringing together paintings, drawings, collages, sculptures and installations, it also features sixteen paintings conceived especially for this publication and printed on uncoated paper.

The first French translation of Giorgio Grassi's 1967 text La construction logique de l'architecture [The Logical Construction of Architecture] is a strong statement in favor of an architecture conceived for its own sake, standing in opposition to the experimental excesses characteristic of both his time and ours.