Art as theory of the practice and practice of the theory.

First monograph dedicated to the Danish artist.

Catalogue / first monograph of the Chinese artist (films and videos).

First monograph of the American artist and movie-maker.

Pocket monograph on German artist's recent works.

Recent works.

Both a monograph on Umberg's work and an exhibition catalogue, this book offers a first-hand insight into the practice and position of one of Germany's most committed tenants of abstraction.

First comprehensive monograph.

First comprehensive monograph.

First monograph.

Monograph featuring works from 2001 to 2004.

First monograph devoted to the US-based British artist, known for his sculptures made from everyday objects and urban furniture.

First publication of Le Va's scrapbooks.

First monograph on the Swiss artist, winner of the Prix Manor 2005.

John Armleder's book focuses on the origins of his playful use of multiple styles and devaluated decorative effects for a practice claiming to be anchored in the 20th century avant-gardes.

This small monograph follows the set-up of Daniel Buren's artistic programs within the corporate spaces of a bank and the ways he conceived simultaneously his site-specificity and his break away from this framework.

Extensive monograph with serigraphs.

First monograph of the futuristic artist / film-maker / documentarist.

First monograph of the artist, presenting her figures of unfired clay, which grotesquely exaggerate the characteristic traits and trademarks of female sexuality.

A complete documentation on the artist's project at the Whitechapel Art Gallery, London.

Monograph / interview.

Over more than a decade Ivana Keser has questioned the world of communication, and in particular the press. This book is the first monograph, documenting all the newspapers she published between 1993 and 2003 for each of her exhibitions, and which were distributed to the public free of charge.

The first monograph dedicated to the collaboration between two artists.

Monograph.

First monograph on the artist.

A retrospective.

An unprecedented insight into Louise Bourgeois' art by Jenny Holzer.

The drawing practice of Kara Walker.

Since 2003, Thomas Hirschhorn has produced large drawings of about three by four by himself, or with the philosopher Marcus Steinweg, which he calls "Maps", in which he interacts with colored images, fragments of texts and his own comments. This volume focuses on this particular aspect of his practice.

A portrait of the artist as an inspiring teacher: this publication focuses on Baldessari's practice at the intersection between pedagogy and art. Visually organized in alphabetical order, Learning To Read features essays, artworks, a chronology, and personal insights on Baldessari's teaching and influence by a group of the artist's former students and CalArts collaborators such as Ashley Bickerton, Liz Craft, Meg Cranston, Matt Mullican, and Tony Oursler.

A tribute to the long collaboration between Franz West and Galerie Eva Presenhuber, this volume offers a comprehensive yet singular overview of the artist's oeuvre, gathering together extensive documentation and rare archive material on the numerous exhibitions they organized together since 1995.

The first major survey of Barbara Kasten's work, this publication includes a biography of the artist, a conversation between Kasten and artist Liz Deschenes, and new scholarly essays by curator Alex Klein, and art historians Alex Kitnick and Jenni Sorkin.

First monograph / artist's book.

Carl Andre's poems (retrospective monograph).

Retrospective monograph.

The first-ever comprehensive publication dedicated to the prints of Richard Tuttle (retrospective monograph).

Twenty-five years of design.

First major publication on Ed Atkins' work.

An inventory of Lutz Bacher's works from 1975 to 2013.

The art of filming.

New monograph.

Reference monograph (available in English edition).

Comprehensive monograph.

Thematic monograph.

Bouroullecs' drawing practice.

The Zurich works.

A comprehensive, generously illustrated retrospective featuring more than 100 works from all Jimmie Durham's creative periods. It contains major new essays, as well as new texts by Durham himself.

New monograph.