various

Limited edition, numbered from 1 to 20, with an original artwork signed by the artist.

First French translation of Clemente Padìn's first poems.

A long poem that questions our being in the world with a freedom that is both new and timeless, as if these words came from the origins (limited edition, signed, including an original and unique artwork).

A long poem that questions our being in the world with a freedom that is both new and timeless, as if these words came from the origins.

An investigation into the female presence in the places of art and thought, where discourses on emancipation are fabricated.

Vast cross-composition by Jean-Yves Bosseur and Benjamin Bondonneau created for the Bordeaux ensemble le Un. A wild thought towards Claude Lévi-Strauss and his notion of "bricolage".

This artist’s book gathers childhood memories, some lived experiences and personal reflections on the family histories and relations, and the ways in which they interweave with geographical locations.

Mads Emil Nielsen continues his Framework series, a collection of open, hand-drawn graphic scores and recordings. The series includes Nielsen's own subjective translations of the visual material and sound pieces accompanied by visual notations, and collaborations—in this case with Andrea Neumann, Jan Jelinek and Hideki Umezawa.

Catalogue.

Françoise et Jean-Philippe Billarant's collection of minimal and conceptual art.

Exhibition catalogue.

This issue proposes to examine some of the points of contact between music and hacking.

A reflection on the value of speech and anonymity as well as on the authority at work in the distribution of knowledge.

The fourth issue of Typologie, a collection of design books about ordinary objects, is dedicated to the wooden crate.

The fourth issue of Typologie, a collection of design books about ordinary objects, is dedicated to the wooden crate.

This double LP forms a tribute to Pizzica, an antique music from Southern Italy, used to heal people suffering from tarantism, a mysterious disease caused by a spider. It includes field recordings of musicians-exorcists in the 1950's in Puglia, and six reworks by contemporary electronic musicians.

A radio novel inspired by the author's previous publication, associating infuences from sound fictions, experimental music, sound poetry, and rap.

The first album of Ophelia, a band composed of the artist Emilie Pitoiset and two members of Aluk Todolo, Shantidas Riedacker and Matthieu Canaguier.

Three unreleased field recordings from August 1990, documenting a sound installation made from a damaged piece of the Berlin Wall.

Artist's book.

Reference monograph on the singularly radical work of Michel Parmentier—an important addition to the history of painting in the second half of the 20th century.

Stefan Banz has brought together and evaluated all the relevant documents and sources relating to Fountain by Richard Mutt alias Marcel Duchamp. At least one thing is certain after reading them: Elsa von Freytag-Loringhoven had definitively nothing to do with the creation of Fountain. In addition, Banz has succeeded in writing a highly inspiring book containing many new and revealing ideas that present this work of the century in a much more differentiated light.

This monograph documents a research on an abandonned site of the Swedish Defence Research Agency (FOI). For his investigation, artist Henrik Andersson relied on various public archives as well as on the FOI's astonishing art collection.

A proposal for a radio project on the diffusion of world music in the digital age, focusing on the concept of “seismographic sound”.

A collection of musical compositions derived from film interviews with conceptual artists, including Martha Rosler, Art & Language, Andrea Fraser, Ed Ruscha, Shilpa Gupta, Sol LeWitt, Lawrence Weiner and Yvonne Rainer.

Julio Le Parc and the practices generated by digital creation.

This new album by the American cellist offers an appreciation of her talents as both a composer and performer, in a unique and elegant style reflecting her many inspirations, from baroque music to Americana and experimental music.

Twenty multidisciplinary texts and artistic proposals to re-examine our relationship to the natural world.

The fifth issue of the annual magazine mixing graphic design, publishing and architecture questions these disciplines through the theme of obsession.

A reverse encoder that keeps only frequencies usually removed by the mp3 encoders, giving the “inaudible” frequencies to listen (software edition on SD card and silkscreen booklet, including a text by Jonathan Sterne).

This bilingual publication retraces a journey and a set of studies, graphic creations and texts that lead to a process of drawing research in a digital environment.

A very subjective and alternative cartography of Luxembourg (a social design, publishing and bottom-up creation project led by Dutch graphic designer Annelys Devet).

In I Swear I Saw This, Michael Taussig highlights the heuristic function of the sketches and drawings made by the ethnographer in his notebooks.

The artistic, social and political issues of manifestos.

A socio-political history of punk and post-punk covering four decades and three continents.

L'Incroyable is a monographic magazine dedicated to an artist's teenage years and his cultural background. This third issue proposes an immersion into the young years of artist Nicole Eisenman in New York in the 1980s.

French edition of Laura Mulvey's writings which range from analyses of Xala, Citizen Kane and Blue Velvet, to an extended engagement with the creations of Native American artist Jimmie Durham and the feminist photographer Cindy Sherman.

The great tumult of space.

A transdisciplinary history of exhibitions.

Superimposing different sources—background sounds, recordings of a charivari in the streets of Lyon, bird songs or rhythms and melodies of amateur or professional musicians—Paul Elliman's vinyl record can be experienced as a form of sound loitering, each track composed by the transformation of different audio materials into unique musical collages.

Rio, Tokyo, Paris: Oscar Oiwa, Brazilian artist of Japanese origin, draws from these three Olympic cities to which he is personally bound, a matter to question the world of today, inviting us to dive into his half-realistic mid-fantasy universe, where sometimes point humor and nostalgia.

A total and exploded socio-politico-poetic inquiry into the poetic milieu, based on a textual-visual-sound device.

In 28 short poetic devices, the author marks a space of thought where the disenchanted memory strengthens the present word. Because “forgetfulness is also a violence”.