various

Reissue of the CD released on the label Chloë (USA) in 2002, recorded in July 2001 in the Paris metro station, during the last two hours of service. A reference, between site-specific improvisation and sound art.

For its twelfth issue, Initiales pays tribute to Sylvère Lotringer who, in the 1970s, imported the French Theory in the United States.

The most important monograph to date on Stéphane Blanquet: designed by the artist, the publication gathers ancient works and new ones, created for his exhibition at Auberive Abbey in France. Drawings, terracotta, tapestries, lithographs, photographs… This monograph provides a broad look at Blanquet's erotic and nightmarish universe.

First monograph: focusing on French painter's Julien des Monstiers most recent work, this publication features a rich iconography with reproductions and exhibition views. An introductory text by Frédéric Valabrègue invites us into the artist's studio, and the interview by Alain Berland gives a formidable insight into des Monstiers' practice.

First publication dedicated to Jamaican-born American photographer Percy Rainford, a longtime collaborator of both Marcel Duchamp and architect Frederick Kiesler. Drawing from extensive archival research and interviews, author Michael R. Taylor showcases the work of this remarkable avant-garde photographer, while also shedding new light on his collaborations with Duchamp and Kiesler.

Second volume of the catalogue dedicated to the collection of digital art at the Espace Multimedia Gantner, presenting 23 new acquisitions as well as a glossary and two unpublished texts on the place of digital art in contemporary art and the issues related to conservation and restoration.

This monograph covers more than fifty years of creation by Art & Language, whose artists are at the origin of conceptual art. Through unpublished texts by Matthew Jesse Jackson and Art & Language, a transcript of their opera libretto Victorine, and an interview with the artist collective, this publication questions their journey, and more broadly, the relationship between contemporary art and conceptual art.

Visions of Apocalypse.

This artist's book gathers a series of scripts for public speeches made by Mark Geffriaud since 2011. These toasts' scripts are composed of notes and indications, as well as images to be broadcast or reproduced during the performance.

This artist's book gathers a series of scripts for public speeches made by Mark Geffriaud since 2011. These toasts' scripts are composed of notes and indications, as well as images to be broadcast or reproduced during the performance.

This artist's book is part of a choreographic project exploring the body/object relationship. It features a photographic series which juxtaposes performers' bodies and objects, creating contradictory associations. The publication also includes two texts by Paul B. Preciado: an essay on the philosophy of movement, and a poem on sexual subjectivity, written with artificial intelligence.

A 7" double groove cut concept-album (2004-2017), including field recordings and ringtones composed by Laura Mello.

Originally published in 1983 by Maurizio Nannucci, this collection gathers a careful selection of audio works by American body artist and conceptual artist Terry Fox, also a pioneer of sound art.

A poetic portrait of Francis Bacon, inspired by the artist's own archives.

Never released before: on the occasion of the 60th anniversary of the GRM, the composer François Bayle introduces us to some of his unpublished archives.

Spanning 1966-1990, Mémoire Magnétique vol.1 is a revelatory collection of commercial and secret music by electronic music pionneer Bernard Parmegiani. The first volume of this compilation allows us to discover some of these lost tapes and unpublished recordings which were composed for the screen or the performing arts.

This monograph reflects on Michel Journiac's body of work through the prism of transvestism. With great iconography from the Journiac's archives, the publication focuses on his photographic performances, combining analyzes by authors and specialists and texts by the artist, one of the great body art's precursors.

All poems written by Apollinaire during World War I, gathered for the first time.

A poetic story in prose at the crossroads of genres, difficult to locate as it only describes the non-place in which it is built.

Claude Favre delivers a poetry made of readings and borrowings, a present poetry, attentive to the movements of men and to those who constrain them.

First monograph.

Catalogue of the quadruple major retrospective exhibition celebrating Gilbert & George's one-of-a-kind half century of creating art together: an overview of their practice, featuring a selection of historical pictures deemed by the artists themselves as the most representative of their art and life, and five new interviews by Hans Ulrich Obrist and Daniel Birnbaum.

A contribution to the construction of a critical thought of the iconic economy of the relations between text, language and image.

A pastiche, playful and educational aesthetic manual.

This illustrated essay creates a dialogue between the works of Fluxus artist Jean Dupuy and dadaist Marcel Duchamp around their shared interest with eroticism.

A Constructed World is the collective project of Geoff Lowe and Jacqueline Riva, founded in 1993. This bilingual publication brings their complete writings from 2001 to 2018. In forty plus texts A Constructed World discuss the subject matter of their work, other artists work and subjects that seemed prescient and in need of discussion at the time.

A synthesis of the research conducted by the Italian composer since 1987 (new edition).

This first novel tells the story of performing art producers who travel around the world looking for new artists. The protagonists will be confronted with the realities of globalization, its promises, its violence and its lures. An enlightening reflection on the role and limits of creation in the transformation of the world.

An homage to William Burroughs' and Brion Gysin's eponymous book, this artist book of more than 300 pages is a huge cut-up of the artworks showcased during the group exhibition conceived by Ugo Rondinone at the Palais de Tokyo in 2007.

Nearly 20 years after the publication of his first inventory, Éric Watier has collected 100 new examples of artworks deliberately destroyed by their creators. This new edition combines 200 destruction cases in one volume.

Elizabeth Lebon writes poems, stories and performances, usually with the help of a typewriter. The choice of paper, as well as its format, is centrally important to the conceptualization and experimentation of this artist. This new book-object of concrete poetry plays with the transparency of its leaflets.

This catalogue looks back at Hartung's artistic production and life during the Second World War.

PARIS LA 16—a tenth anniversary special—focuses on the dual themes of fashion and writing.

The itinerary as an artistic, architectural, territorial and social experience.

Fictionalized biography of Anita Berber, the sulphurous expressionist icon, dancer, actress, and muse.

Alain Freudiger on Max Frisch, Camille Paulhan on Jérémie Bennequin, Estefanía Peñafiel Loaiza et Marianne Mispelaëre, Warren Lambert, Erik Bullot on Michael Snow, Sylvie Lagnier on Jean-Marie Pontévia, Jacques Sicard, Denise Le Dantec, Julio Ramon Ribeyro, Stéphane Marte, Baptiste Gaillard, Fabien Clouette & Quentin Leclerc ; dossier “The Skin” (Caroline Parietti, Heidi Bucher, Kazumichi Hashimoto, Jacques Roman, Christine Bergé, David Collin), Jean-Guy Coulange, Philippe Baudouin...

Originally conceived for live context employing high volume playback and extended duration, Conduit pushes the parameters of musical composition and perception. Minimal in construction, applying high frequency staccatissimo that gradually turns in on itself, Kaori Suzuki's latest output delivers a striking twenty-six minutes of intoxicating computer music. A remarkable statement.

A raw extraction from the email inbox of an aerobics teacher.

A collaboration between Andrea Neumann (composer, inside piano, mixer) and Mads Emil Nielsen (composer, electronics).

A 7" vinyl based on an music/audio made by Mads Emil Nielsen made for a dance performance.

The first publication ever dedicated to the musical works of American painter Louis Michel Eilshemius: Halfway between romantic tradition and futurist audacity, these sound pieces which prefigure the use of sampling are interpreted with virtuosity by the young pianist Imke Lichtwark in the accompanying CD. The book also includes texts by Roberto Ohrt, Sven Daigger, Stefan Banz, and by Eilshemius himself.

A game of cards and strategy whose goal is to bring out his or her rival from the Hospital, a place of freedom without boundaries. Players will have to use alternative medicine, electroshock, trade union struggle and occult forces to succeed.

Visual documentation on Jonathan Monk's eponymous exhibition, commissioned by curator Marc-Olivier Wahler on the occasion of the twenty-year anniversary of the CAN Centre d'art Neuchâtel. The British artist revisits an iconic exhibition he did during the first years of the CAN in 1997. The publication confronts the images of the two events.

First monograph.

This first monograph accompanies a series of videos inspired by the Metabolist utopist architecture movement, created in 1959 in Japan. The videos bring together several portraits of Japanese towns, combining digital images with filmed or photographed images of social and urban reality.

This film documents the struggle for the preservation of the prehistoric rock art sites in the Côa valley in Portugal in the early 1990s.

Limited edition box set including a divinatory tarot game designed by filmmakers Silvia Maglioni and Graeme Thomson. The usual cards are replaced by a selection of 78 photograms from the history of cinema (numbered and signed copies).