various

Matching expansive ambience with environmental sound, Chihei Hatakeyama's new album continues Field Records' exploration of Japan and the Netherland's shared approach to water management.

A poetic investigation on desire, love and masculinity in the form of a constellation of texts, drawings and photographs.

A poem built like a long love song to the wounded Aleppo, to all the Aleppo of the world.

A series of samples taken every April 24, for eighty-seven years, from the most diverse sources (press articles, television broadcasts, book and film releases, speeches...): a mass of information that makes, from the smallest to the most imperious, the history of a country.

The sequel, posthumous and almost completed, of the poem-fleuve initiated in 2020 by Jean-Luc Parant, which questions our being in the world with a freedom both new and timeless.

An incursion into a major field of work by Christina Kubisch, a pioneer of sound art who has been exploring the sonic potential of electromagnetic fields generated by our urban and technological environment since the 1970s.

An in-depth exploration of the artistic issues at stake in the work of Ad Minoliti, with the aim of deconstructing the binary categories that history and the history of art have tried to retain as "universal".

LP debut of the Dutch vocalist Janneke van der Putten. Her voice emerges from deeper grounds, shaping the acoustic aura of architectural and natural spaces, exploring the limits of vocal techniques through site-specific performances.

A split on 4 sides gathering 10 musicians, poets and poetesses around texts written and read by Gilles Furtwängler.

A writing workshop led by the writer François Bon and the artist photographer Bruno Serralongue at HEAD - Geneva from February 20 to 25, 2022.

An artistic research project led between 2019 and 2022, investigating how 3-D electroacoustic composition and sound-art can evoke and provoke a new awareness of our outdoor sound environment.

Paintings and photocollages by the French artist based in Senegal, Vincent Michéa, which are part of a vast kaleidoscopic iconography, African but also European and American, that reorganizes space and time.

A photographic serie about Redeyef, a mining town in the south of Tunisia.

An ecological, urban and architectural anatomy inspired by Tunisia's palms and eucalyptus trees: a conceptual, committed and critical gesture of renovation of Tunis' municipal greenhouse at the Parc du Belvédère, which questions the very same definition of an artwork, the place of the artist and the role of cultural institutions.

Basse saison combines photographs taken by the artist mainly during the winter of 2020, while staying in her native region, La Grande Motte in southern France.

Simone Hoffmann's films invites us to rediscover one of the world's most important contemporary artists in the context of her retrospective exhibition at the Musée d'Art Moderne in Paris in 2023.

Monograph surveying more than ten years of the Canadian visual and performance artist's career, whose engaged practice addresses social and environmental issues, with two essays by Chantal Pontbriand and Ayelet D. Aldouby.

Inter #141 invites to approach degrowth as a paradigm of a possible way out of the planetary crisis, and to imagine new ways of living in the world.

This luxurious publication in large format presents 365 collages made by the artist between 2021 and 2022.

A new milestone in the reflection on the challenges of creation in traditional music, and its recent aesthetic renewal.

A novel of anticipation anchored in queer ecologies, a frenetic odyssey interwoven with songs and short poems, mixing the genres of feminist science fiction, young adult literature, space-opera and marvelous fable.

A very personal text by Yann Chateigné Tytelman, curator and critic, who establishes a link between his past, his childhood and his career as a curator, his artistic choices, his exhibitions, often in connection with the theme of silence.

A collective musical experiment based on the vast sound archives of the Museum of Ethnography in Geneva.

The 12th issue of the biannual magazine of the ECAL (Lausanne University of Art and Design), with Atlas Studio, Eurostandard, Nathalie Herschdorfer, Elisa Medde, Jonathan Olivares, Samuel Spreyz, Manon Wertenbroek.

A wide-ranging panorama of La Réunion's artistic scene, through the works of 34 artists and texts by five authors, art historians, poets, and researchers: an exciting exploration of artistic creations that question postcolonial society, migration, displacement, cultural hybridization, as well as our understanding living together.

A long-term project by the Italian artist and agroecologist on rethinking the relationship with the earth, both from the point of view of humans and plants.

An imaginary dictionary that navigates between language and landscape, notation and noise.

Hanno Leichtmann's "Chromacolor" draws on rhythmic minimalism as a guiding principle and might call to mind organic, instrument-based ambient music, but also incorporates jazzy moments as well as Annie Garlids multi-layered vocals that permeate through these nine pieces.

A work engaging with the materiality of sound, the essence of cloth, and the symbiosis of the machine and handmade by transposing weaving draft notation into graphic scores and rhythmic sequencing.

The definitive edition of the historical recording of Julius Eastman's major piece performed in 1974 by S.E.M. Ensemble, remastered by Jim O'Rourke, available on vinyl for the first time.

The fruitful meeting of the rural world and contemporary art within the framework of the collective experiment led by an art center in the forest trails.

A retrospective of thirteen years of image production by the artist duo Hippolyte Hentgen.

The first solo album of the French saxophonist, flutist and visual artist Sakina Abdou is the culmination of a path initiated more than twenty years ago on various aesthetic paths and in different contexts and artistic experiments, of a sound research started in 2021 around the solo saxophone, and of a tour in the United States in the fall of 2022.

First monograph in French: from Rod Stewart to the Industrial Revolution, Art is Magic collates all of acclaimed artist Jeremy Deller's cultural touchstones into one lovingly curated volume, balancing these artistic inspirations with examples of Deller's visionary work.

This issue explores the crossroads, contacts and contrasts between two fields of musical knowledge: ethnomusicology and popular music studies.

Claude Rutault's entire definitions/methods from 1973 to 2016, in English language.

An artist's guide to copyright, written for makers.

an essay that opposes the discourses of justification led by artists and other agents in the field of art with a materialist conception of the history of cultural institutions. The author argues for an abolitionist approach towards art institutions against more reformist, corporatist and formalist approaches of emancipation that still prevail in the art sector.

As part of a series of publications on singular architectural bodies of work, this volume presents three projects by architects working with Bernard Quirot in Grachaux, Haute-Saône (France), which examine three materials and their use in a local perspective of "critical regionalism".

A comprehensive overview of performance and action art in Greece, from its origins to the most contemporary practices.

A long narrative poem punctuated by 12x2 drawings, a montage of statements and notations in which a poetess (fat and old) keeps a kind of diary in which the destruction of the private body is articulated to that of the social body.

Undoubtedly one of the most important texts on the out of book poetry, both a documentary sum and a manifesto to underline the major role that the poetry and the poets have occupied and occupy in the whole of the transformations that have upset the the contemporary art field, considered by the amateurs and the researchers like a true bible.

A piece whose structure is "visually inspired by the wall frieze in its various forms from antiquity to art nouveau, musically by the chants of the Middle Ages moving around a central tone".

A selection of recordings made by reductionist composer Ernstalbrecht Stiebler and cellist Tilman Kanitz between 2020 and 2022 and four improvisations with two short pieces by Stiebler.

Two performances from 2020 and a selection of 1980s recordings by Japanese Fluxus artist Takako Saito.

The Parc la Villette, Paris, as told by a series of mobile barriers.

A retrospective of 50 years of creation of the visual artist Bistra Lechevalier.

Two unpublished texts that demonstrate the extent of the writing work that Marcel Alocco has been producing for over half a century.