The relationship between Modern art and its destruction.

This publication aims to explore how the multiple production of Raoul Hausmann, a central figure of Dada, has helped to shape the art of modernity.

A documentation on the singular projects by four contemporary artists—Michel Aubry, Élisabeth Ballet, Susanne Bürner, and Lani Maestro—developed as part of the Foundation of France “Nouveaux Commanditaires” (new patrons) action to question the industrial history of four regional nature park in France (Lorraine, Monts d'Ardèche, Pilat, and Vercors).

A social history of socialist realism imagery in the former East Germany.

Reference monograph of one of the most influential modernist filmmaker in British cinema, with twenty texts by Malcolm Le Grice and commissioned essays by Yann Beauvais and Philippe Langlois on his cinema and its relationship with art and music.

A critical book: a reassessment of Julien Blaine's poetry and the aesthetic problems related to it.

A study of the novel “Cinéma” by Tanguy Viel, that also questions the relationship between literature and cinema.

A reading of Samuel Beckett's work from its architectures.

The only novel written together by two great American poets associated with the New York School.

Uses and Utopias – The Exhibition in the Pre-Revolutionary Russian Avant-Garde: an essay on the exhibition practice in Russia in the years 1910-1920, and in particular on the relationship between exhibition and public space in the projects of the historical avant-gardes.

Third volume of the anthology (1975-2000), focusing on photography, film, video, and new media.

A questionnaire (interviews with international artists, architects, and curators of the contemporary art world, such as John Baldessari, Suzanne Cotter, Bice Curiger, Chris Dercon, Charles Esche, Liam Gillick, Jacques Herzog, Thomas Hirschhorn, Rem Koolhaas, Hans Ulrich Obrist, Thierry Raspail, Beatrix Ruf, etc.).

Czech artists of the 1960s–1970s.

Two documents and three articles: unpublished texts by Charles Fourier and Eugène Pottier; Georges Orsoni, Denis Andro, and Michel Antony address original perspectives on Fourierism and the spirit of utopia in general.

Limited edition (20 copies) of Roberto Cuoghi's artist book, accompanied by an offset printing in colors + selective varnish laminated on Dibond (27 x 40 cm), numbered and signed by the artist.

An adventure exploring drifts in translation (artist's book).

A reflection on translation phenomena in the arts.

The illustrated catalog raisonné of works from the collection of the Espace de l'Art Concret (Gottfried Honegger and Sybil Albers donation) in Mouans-Sartoux.

Philippe Lacoue-Labarthe and Jean-Luc Nancy readers of Maurice Blanchot, Blanchot's political trajectory, Emmanuel Levinas' unpublished letter to Maurice Blanchot...

Video art history.

One hundred texts on art by René Denizot.

An epistemology of historical socialism (politics, natural sciences, humanities and religion in the early XIXth century).

The posthumous collection of texts on art by the French philosopher.

A genealogy of cut-up: the history and development of a radical and pioneering literary technique, in Europe and the US, in the twentieth century (readings from William S. Burroughs).

A retrospective overview of the 12th edition of the Lyon Biennale, curated by Icelandic curator Gunnar B. Kvaran, with a focus on the two parallel programs “Veduta” and “Resonance”, held in the Lyon conurbation and its region.

The place and role of women in performing arts from 1912 to 2012, between performance and dance.

Science and Pataphysics, volume II: the birth of linguistics, as an academic field, in France, and the ideological and political issues that contribute to this implementation.

Does Mona Lisa deserve her mustache? An erudite review of 180 pre- and post-Duchamp caricatures and misappropriations.

Science and Pataphysics, volume I: the history of the origin myths—how science is torn from what is now defined as pseudo-science.

An innovative analysis of our relationship to the image.

New monograph.

New monograph (available in English edition).

New monograph.

This publication traces two years of a project dedicated to the concept of drift, with theoretical texts, artists' contributions and contributions from educational projects, workshops and exhibitions.

The history and posterity of François Mathey (1917-1993), a singular curator with the destiny of a romantic hero, a major figure in the promotion of contemporary art and a pioneer of artistic heritage.

Mendini's writings 1972-2011.

Through the notion of ecology of art, Des récits ordinaires (On ordinary conversations), a project by Grégory Castéra (curator), Yaël Kreplak (linguist) and Franck Leibovici (poet and artist), attempts to vizualise the various modes of existence of artworks.

Improvisation as musical and political experimentation (essay).

A history of film in contemporary art (a witty critical history of artist's films and their inscription into the broader history of art, as well as their impact on their social contexts).

An epistemology of performance.

Education and totalitarianism, in Central and Eastern Europe: a multidisciplinary reflection on totalitarianism as a political and anthropological project which, paradoxically, puts the question of education at the center of its concerns.

Designed by M/M (Paris), this book-object documents, through photographs and a text by Frédéric Boyer, the drama entitled La Faculté (The Faculty), from a text created by Christophe Honoré, directed by Eric Vigner.

3rd issue of the sound arts and experimental music annual review, devoted to the question of sound space.

In about 600 selected letters, this correspondence documents the biography, activities, career and work of the art historian Leo Rosenthal (1870-1932).

A study of social utopias (of European origin, mainly French) in Latin America in the 19th century: a contribution to the defense of utopia as a driving force of human progress, against all forms of utilitarianism and pragmatism.

Gustave Courbet, hunting, and its contemporary representations in Germany.

A collective examination of the relationship between surrealism and the “splendid nineteenth century” (André Breton), and changes that have occurred in the field of political ideas, industrial development, psychiatry, philosophy or morality, between appropriation, misappropriation and rejection.

A real, potential and fictitious museum by Michel Giroud.