Texts and interviews around the work of dancer and choreographer Xavier Le Roy (available in English edition).

First monograph in a Western language on the subversive and radical Japanese avant-garde group Zero Jigen.

Second volume of the anthology (1975-2000), focusing on performance and performativity.

An anthology: selected criticism, essays, interviews, and curatorial projects, since 1986-2012.

Questioning neoliberalism: a collection of Jeff Derksen's writings on art, architecture, and globalism.

An epistemology of performance (also available in English edition).

An historical and theoretical investigation into art teaching and transmission.

A collection of previously unpublished or revised texts by Jean-Claude Lebensztejn (1992-2012).

Other Writing.

Retrospective monograph of the work both conceptual and sensitive of Dadamaino (1930-2004), at the crossroads of major European postwar avant-garde movements.

Actions and discussions around personal skills in art and other disciplines, physical and film (performances, video), sports and burlesque.

Social and political dimension of the emergence of a culture of the image carried by the amateur practice of photography in Germany at the dawn of the twentieth century.

First translation into French of a series of fundamental texts by Kandinsky, published in Russia in the early twentieth century.

Function of visual arts in France during the First World War.

A reflection on the Russian avant-garde's artistic project in the early twentieth century, and the problem of their paradoxical relationship to history.

An anthology on new musical forms in the 20th century.

Sixty years of sound and music creation on the French Riviera and beyond (with Jean Dupuy, Éliane Radigue, Arnaud Maguet, Jean-Jacques Lebel, Sun Ra, Yves Klein, Thomas Köner, Pascal Broccolichi, Lars Fredrikson, Robert Malaval, Ludovic Lignon, The Bells Angels...).

A collective publication that brings together artists and researchers on the issue of the body.

First extensive publication devoted to the French artists duo.

An overview of the relation between choreography and exhibition, through the contributions of over thirty international visual artists, choreographers, musicians, filmmakers, theorists, and curators (Kenneth Anger, Jérôme Bel, Boris Charmatz, Kenneth Goldsmith, Pierre Huyghe, Jennifer Lacey, Alan Licht, Malcolm McLaren, Gustav Metzger, Phill Niblock, Hans Ulrich Obrist, Michael Parsons, Claude Rutault, Catherine Wood...).

A study of the work of Olivier Mosset in 46 chapters.

An "archaeology" of contemporary art, between Matisse and Duchamp, between art and philosophy: a book to deconstruct the aesthetic regime of the image, for a new diagrammatic thinking, after Deleuze and Guattari.

Richard Hawkins' first book of fiction: eight jubilatory and decadent short stories.

First French translation of the 1983 artist's fiction book by Richard Prince.

A new work based on a series of photographs made by Richard Prince when he was student in France (artist's book): a window into Prince's formative period.

An essay that renews the study of Gauguin, highlighting the consistency that connects the entire production of the painter, based on his exploration of the relationship between perception, cognition and imagination, and that connects his interests in psychology, ethnology, history of religion and the natural sciences, not to mention the art of all times and all cultures.

The enigma of the surrealist object, from its origins to its future, between the demystification of the artwork and the reinvention of reality.

Simone Debout's re-edited version of Fourier's essential work.

Digital version of the Fourierist conceptual index: a tool allowing a completely new reading of Charles Fourier's complete writings based on current possibilities of science and technology applied to texts, through a dedicated software interface for content analysis.

The Fourierist conceptual index: a tool allowing a completely new reading of Charles Fourier's complete writings based on current possibilities of science and technology applied to texts, through a dedicated software interface for content analysis (CD-rom included).

First major monograph: different perspectives on Andrade Tudela's artistic practice, juxtaposing positions and readings from Europe and Latin America, with about 400 illustrations including many reproductions of previously unseen works.

First translation into French of tghe seminal book of German historian, photographer, and influential theorist and critic of avant-garde film and photography Franz Roh (1890-1965).

A metis art history in New Spain: an analysis of the complex dynamics of crossbreeding between some singular artistic practices invented in New Spain in the XVIth and XVIIth centuries and the European Renaissance, in the political context of the Iberian expansion in the Americas.

Picasso in front of the TV: unexpected links between the media—especially television—and Picasso's work.

Raoul Hausmann's autobiographical novel.

A multidisciplinary reflection on a new type of engagement of art in democracy, renewing relationships between creation, culture and society: 47 contributions by international thinkers and actors of the art world (with 9 movies on DVD).

First monograph: a transversal survey and a critical analysis of the sculptural work of the French artist who questions the suburban destiny of modernist utopias.

Artist's book: a pamphlet designed as a DIY guide on making works with foam rubber.

Artist's book: a pamphlet designed as a DIY guide on making works with foam rubber.

The book of the 12th edition of the international exhibition, curated by Icelandic curator Gunnar B. Kvaran.

Bernard Heidsieck's typescripts.

This first volume of complete John Baldessari's writings traces the genesis and development of the artist's understanding of art in the early 1960s.

This second volume of complete John Baldessari's writings traces the genesis and development of the artist's understanding of art in the early 1960s through to the present.

Fully illustrated retrospective monograph based on Kimsooja's project presented at the Korean Pavilion of the 55th Venice Biennale in 2013, with numerous newly commissioned and re-published texts.