An overview of the use of textile in contemporary visual arts around the world.

An audacious account of the ways in which the arts in the Americas were modernized during the first half of the 20th century.

A vast selection of theoretical, philosophical and literary writings by Pierre Schaeffer, accompanied by testimonies of various personalities, providing a privileged entry into the multidimensional universe of the composer, engineer, theorist and radio man, whose tutelary shadow is constantly cast on the landscape of sound creation.

A history of critical design in four episodes: the Italian radical design of the late 1970s; the Dutch conceptual design of the 1990s; the English critical design of the 2000s, and the contemporary scene (with contributions by Bless, Didier Faustino, Alessandro Mendini, Gianni Pettena…).

How do we perceive and think about the infrastructures that condition the ways in which we perceive, think and experience our world? Four essays by Jamie Allen, whose experiments as artist and researcher cross media, disciplines and borders, that invite us to make visible the backstage work of the digitized world, and to think (post)critically about the very notion of critique.

Charles Fourier or utopia as reality.

An experimental fictional ("post-apocalyptic") anthropology of philosophy, focusing on the dialectic of master and slave, itself understood as myth.

A series of exchanges relating to questions of gender, sexual difference and sexualities, enabling not only a rereading of Jean-Luc Nancy's corpus and its developments through the prism of what Nancy has called sexistence, but also the reinscription of the elaboration of this concept in a web of biographical elements and, hence, an exploration of the philosopher's actual sexistence.

New visualities and visualizations of literature in the digital age: the possible contributions of design thinking to literary theory.

A genuine investigation, in the opposite direction to the narrative imposed by art historians, of artistic, cultural and political developments in the Western world after the Second World War, between Paris and New York.

This volume presents a little-known facet of Japanese culture: the know-how of traditional wooden architecture.

An in-depth historical study of the artistic and political project of the Situationist International (1952-1972).

Reference monograph of the most renowned Japanese artist-poet of the 20th century in Europe and the United States, active since the 1920s, a figure of visual poetry, linked to all the European and American literary and artistic avant-gardes, with numerous illustrations.

Out of the Grid presents a critical selection of 100 Italian zines from 1978 to 2006 that display a broad spectrum of social, political, aesthetic, and technological changes in the use of language and communication strategies across the territory of self publishing.

Written with a sensitive ear to the present, Matinées sans police reveals a relationship with the world in which the intimate and the extimate assert themselves in all their political dimensions.

This latest book—part of a ten-volume series that began with Léman in 1990—takes up and redistributes the elements of an investigation whose main material is autobiographical. The author restores an imaginary "childhood" that he writes about in a poetic attempt to understand it, and never ceases to "become".

Virginia Woolf and Valerie Solanas inspired a reverie. From there, a text unfolded in slippery formulas and furtive references that sometimes imploded into graphic and visual signs.

Dancer and playwright Esther Meunier Corfdyr ventures into sleeping territories.

From the negative hands on the walls of the Chauvet caves (minus 30,000 years ago) to the most recent experiments of a number of contemporary artists, an entire history of art can be written under the prism of breathing. Between these two milestones, this study attempts to highlight the innovative force of breath and the importance accorded to breathing as a creative gesture and artwork on its own.

Cinema as a method of investigating the visible and a journey into the theoretical thinking of images.

The challenges of the library and the photographic collection founded by Aby Warburg in the 1920s, as a "laboratory" for collective research on the forms of transmission of images since Antiquity, and an intermedial device of knowledge. An exceptional case study, driven by the question: what was the impact of photography in Warburg's turning point in the history of art and culture?

This book retraces Thierry Prat's career as a player and witness to the history of contemporary art in France for over forty years, through a series of interviews that highlight the main issues at stake.

Some insights into the imaginaries that inhabit techno-scientific realities, transforming our relationship with the world, closing or opening up the future.

A trans-theoretical essay: Arnaud Labelle-Rojoux explores the arcana of artists' cult status through a kaleidoscopic series of portraits of "banished" visual artists, filmmakers, writers, musicians and architects, from William S. Burroughs to Jean-Luc Godard via John Cage.

This catalogue offers a journey—an odyssey—through the work of Paul-Armand Gette, with the "0m." as a common thread, the manifesto gesture that has punctuated the artist's universe since 1974.

A poetic text on the influence of suffering and illness on the act of writing.

Reissue of a book of poetry from 1984—perhaps F.J. Ossang's most incandescent poetic period—that never saw the light of day.

A journal of critical and political poetry

The first major work on the history and current importance of the Biennale of Young Artists, known as the "Biennale de Paris", which took place between 1959 and 1985, bringing together thirty-five texts by international authors, including some testimonies from actors who took part in the Biennale.

The life and work of the precursor of happening and streaking in Japan, Itoi Kanji (aka Dadakan, 1920-2021): the first comprehensive chrono-biographical study in Western language on the great Japanese Dadaist nudist ascetic, with a rare iconography.

A parallel dive into the images of filmmaker Andrei Tarkovsky and photographer Sophie Ristelhueber.

The challenges of the library and the photographic collection founded by Aby Warburg in the 1920s, as a "laboratory" for collective research on the forms of transmission of images since Antiquity, and an intermedial device of knowledge. An exceptional case study, driven by the question: what was the impact of photography in Warburg's turning point in the history of art and culture?

Attempting to bridge the gap between specialised scholarship in the humanistic disciplines and an interdisciplinary project of cultural analysis, Mieke Bal has written an intellectual travel guide that charts the course "beyond" cultural studies.

Charles Fourier and the origins of feminism.

A visceral questioning of what a book can or cannot be, and of the positions of author and reader.

A vast research on the notion of acoustic and sound ecology and its transition to a new sound ecosophy, integrating the multidimensionality of listening to propose to hear differently.

A design theorist (Alexandra Midal), a neuroscientist (Albert Moukheiber), two designers (Antoine Fœglé and Emma Pflieger) and two curators (Jolanthe Kugler and Scott Longfellow) take a look at the mechanisms behind the flat-Earth theory, and the ways in which "alternative" narratives are disseminated.

Artists, designers and researchers investigate the "becoming object" of the Earth, in the face of the techno-scientific vision and geo-engineering projects that tend to turn our planet into a design object.

A design theorist (Alexandra Midal), a neuroscientist (Albert Moukheiber), two designers (Antoine Fœglé and Emma Pflieger) and two curators (Jolanthe Kugler and Scott Longfellow) take a look at the mechanisms behind the flat-Earth theory, and the ways in which "alternative" narratives are disseminated (also available in English).

Artists, designers and researchers investigate the "becoming object" of the Earth, in the face of the techno-scientific vision and geo-engineering projects that tend to turn our planet into a design object.

An analysis of the true theoretical and commercial system developed by Michel Tapié de Céleyran (1909-1987), who invented his profession of art entrepreneur by combining several activities—art critic, editor, artistic advisor, broker and collector—, contributed to the international destiny of some 200 artists (including Dubuffet, Mathieu, Pollock, Tapiès, Saura, Fontana, and De Kooning) and was at the origin of "Informal Art".

Suspected of having been completely assimilated by the commercial industries, it is not so much against these that art must be defended as against a simplistic narrative imposed by a certain sociology of art. When one is finally interested in the artistic practices themselves, it becomes obvious that the art continues to resist: by its politics of the forms.

On the border between arts and surveillance studies, this book analyzes the technopolitical role of new "machines vision" and considers sousveillance as a democratic counter-power.

What does Bergson bring to the history of the concept of "structure" even before the advent of structuralism? Why is his approach still relevant today? Sébastien Miravete proposes a rereading of Bergsonian philosophy to show how it outlines an other structuralist metaphysics, which can inspire all 21st century thought.

A collection of three new aesthetic essays, between the visual arts and literature, by Belgian philosopher and semiotician Herman Parret: a reflection on the "delicacy" in the various fields of sensoriality (the visible, the sound, the taste and the tactile)—a most suggestive reading for the construction or the development of a sensitive semiotics.

An interdisciplinary perspective upon Italian visual culture through the words of 37 artists active from 2000 to today.

An overview of the work of the Paris-based American artist, through a series of exhibitions, installations and performances over a dozen years, three essays and two interviews.