An "ABC of the arts in transition" examining the ecological turn of the arts, the outcome of long-term collective research into the fundamental elements running through the art world and, more generally, the aesthetic and social universe in the current ecological crisis.

The first scientific work to trace the history of female comic strip creators, for the (re)valorization of women's heritage.

The first overview of the artistic research of Andrea Caretto and Raffaella Spagna, an Italian artistic duo focused on site specific art project with a sensible attitude to the landscape.

Conversation on art, real and imaginary, in 13 tableaux between ex-Action directe member Jann-Marc Rouillan and painter Laurent Marissal.

In this tête-bêche book, Amandine André's Impossessions primitives, a text identifiable as poetic, meets philosopher Frédéric Neyrat's L'Anti-Terre, singularly opening up the field of possibilities and thought.

Julien Blaine's new collection of poetic, visual and typographic experiments.

This book takes the domestic dog as an affective standard, a practical horizon and an index of a moral economy specific to the capitalocene.

Inducing daydreams, walking under hypnosis, thwarting curfews.

Reissue of Charles Pennequin's first book, a lengthy text in which the author's writing is characterized by obsessive repetition, a breathless rhythm, a combination of introspective movement and prosaic elements, and a staging of proferation.

This monographic essay explores Iris Clert, an unclassifiable and emblematic figure of the 1960s artistic avant-garde.

A presentation of the fascinating architectural legacy of the Tokyo Olympic Games through two iconic buildings, the Yoyogi Olympic Gymnasium and the New National Stadium, highlighting the two world-renowned Japanese architects behind these projects: Kenzō Tange and Kengo Kuma.

A philosophico-cinematographic journey through Fassbinder's filmic oeuvre, from the avant-garde daring of 1968 to the fallout of the leaden years ten years later.

The first French translation of the texts of the Japanese artist and writer Akasegawa Genpei (Katsuhiko Akasegawa, aka Otsuji Katsuhiko, 1937-2014), a figure of the Tokyo avant-garde of the 1960s, on the concept of Tomason, with a rich iconography.

A collective reflection on the question of objects in artistic situations, at the crossroads of art history and theory, social sciences and artistic practices.

An overview of the use of textile in contemporary visual arts around the world.

An audacious account of the ways in which the arts in the Americas were modernized during the first half of the 20th century.

A vast selection of theoretical, philosophical and literary writings by Pierre Schaeffer, accompanied by testimonies of various personalities, providing a privileged entry into the multidimensional universe of the composer, engineer, theorist and radio man, whose tutelary shadow is constantly cast on the landscape of sound creation.

A history of critical design in four episodes: the Italian radical design of the late 1970s; the Dutch conceptual design of the 1990s; the English critical design of the 2000s, and the contemporary scene (with contributions by Bless, Didier Faustino, Alessandro Mendini, Gianni Pettena…).

How do we perceive and think about the infrastructures that condition the ways in which we perceive, think and experience our world? Four essays by Jamie Allen, whose experiments as artist and researcher cross media, disciplines and borders, that invite us to make visible the backstage work of the digitized world, and to think (post)critically about the very notion of critique.

Charles Fourier or utopia as reality.

An experimental fictional ("post-apocalyptic") anthropology of philosophy, focusing on the dialectic of master and slave, itself understood as myth.

A series of exchanges relating to questions of gender, sexual difference and sexualities, enabling not only a rereading of Jean-Luc Nancy's corpus and its developments through the prism of what Nancy has called sexistence, but also the reinscription of the elaboration of this concept in a web of biographical elements and, hence, an exploration of the philosopher's actual sexistence.

New visualities and visualizations of literature in the digital age: the possible contributions of design thinking to literary theory.

A genuine investigation, in the opposite direction to the narrative imposed by art historians, of artistic, cultural and political developments in the Western world after the Second World War, between Paris and New York.

This volume presents a little-known facet of Japanese culture: the know-how of traditional wooden architecture.

An in-depth historical study of the artistic and political project of the Situationist International (1952-1972).

Reference monograph of the most renowned Japanese artist-poet of the 20th century in Europe and the United States, active since the 1920s, a figure of visual poetry, linked to all the European and American literary and artistic avant-gardes, with numerous illustrations.

Written with a sensitive ear to the present, Matinées sans police reveals a relationship with the world in which the intimate and the extimate assert themselves in all their political dimensions.

This latest book—part of a ten-volume series that began with Léman in 1990—takes up and redistributes the elements of an investigation whose main material is autobiographical. The author restores an imaginary "childhood" that he writes about in a poetic attempt to understand it, and never ceases to "become".

Virginia Woolf and Valerie Solanas inspired a reverie. From there, a text unfolded in slippery formulas and furtive references that sometimes imploded into graphic and visual signs.

Dancer and playwright Esther Meunier Corfdyr ventures into sleeping territories.

From the negative hands on the walls of the Chauvet caves (minus 30,000 years ago) to the most recent experiments of a number of contemporary artists, an entire history of art can be written under the prism of breathing. Between these two milestones, this study attempts to highlight the innovative force of breath and the importance accorded to breathing as a creative gesture and artwork on its own.

Cinema as a method of investigating the visible and a journey into the theoretical thinking of images.

The challenges of the library and the photographic collection founded by Aby Warburg in the 1920s, as a "laboratory" for collective research on the forms of transmission of images since Antiquity, and an intermedial device of knowledge. An exceptional case study, driven by the question: what was the impact of photography in Warburg's turning point in the history of art and culture?

This book retraces Thierry Prat's career as a player and witness to the history of contemporary art in France for over forty years, through a series of interviews that highlight the main issues at stake.

Some insights into the imaginaries that inhabit techno-scientific realities, transforming our relationship with the world, closing or opening up the future.

A trans-theoretical essay: Arnaud Labelle-Rojoux explores the arcana of artists' cult status through a kaleidoscopic series of portraits of "banished" visual artists, filmmakers, writers, musicians and architects, from William S. Burroughs to Jean-Luc Godard via John Cage.

This catalogue offers a journey—an odyssey—through the work of Paul-Armand Gette, with the "0m." as a common thread, the manifesto gesture that has punctuated the artist's universe since 1974.

A poetic text on the influence of suffering and illness on the act of writing.

Reissue of a book of poetry from 1984—perhaps F.J. Ossang's most incandescent poetic period—that never saw the light of day.

A journal of critical and political poetry

The first major work on the history and current importance of the Biennale of Young Artists, known as the "Biennale de Paris", which took place between 1959 and 1985, bringing together thirty-five texts by international authors, including some testimonies from actors who took part in the Biennale.

The life and work of the precursor of happening and streaking in Japan, Itoi Kanji (aka Dadakan, 1920-2021): the first comprehensive chrono-biographical study in Western language on the great Japanese Dadaist nudist ascetic, with a rare iconography.