A seminal exploration into screens' crucial functions and profound impact on human culture.

Drawing on the notion of “cultural technique”, Bernhard Siegert thoroughly revitalizes posthumanist media studies.

Refusing the digital world of late capitalism.

A new field of counter-investigation across journalism, human rights, art and law.

Michel Guet's intellectual diary, from his commitment to "Banalytique" (an experimental movement that emerged from French post-situationnism in the early 1980s in response to the triumph of the "colonization of reality by market value" and the injunctions to make work totally profitable) to the social critique of art and the vertigo of a planet on fire.

Artist Dan Graham and writer Jessica Russell's playful Architecture / Astrologie considers some of the most important and innovative figures in the world of architecture from an angle few would expect: their star signs.

A collection of texts and interviews, some previously unpublished, covering a period of 40 years, with rare illustrations.

One minute of dance a day for a decade: a look back at choreographer Nadia Vadori-Gauthier's daily act of poetic resistance, on the edge of situated dance, philosophy and performance.

Writings, manuscripts, bibliography, index.

An exploration of the ecologies of music and sound, from an ecosophical and emancipatory perspective.

An autobiographical account and uncompromising meditation on the meaning of design, in the voice of the man who represented the ethical and political conscience of the discipline in the second half of the 20th century.

On the relationship between architecture and design.

The new and definitive edition of Vilém Flusser's fabulous treatise, based on the original French typescripts.

Marion Laval-Jeantet's research into therapeutic care continues her work with Benoît Mangin under the name of Object-Oriented Art on microbiota, at the crossroads of scientific art, biology, anthropology, psychology and ethology.

A selection of Eisenstein's writings (new expanded edition).

First monograph, documenting the filmmaker's work as a whole, at the intersection of independent cinema, contemporary art, photography and installation.

A panorama of the “ethnographic” collages created by Spanish feminist artist Eulàlia Grau in the early 1970s, providing a visual dissection that criticizes capitalist lifestyles and all forms of oppression.

A philosopher's journey into the heart of New York artistic life.

A very personal essay that provides a clear introduction to Gilles Deleuze's thinking through his relationship with cinema, seen as a field of experimentation (existential, conceptual and aesthetic) to resist death, disaster and the stupefaction produced by the “modern fact”.

This book recounts Jean-Jacques Lebel's long and tumultuous passage through the powerful laboratory of ideas and experiments of surrealism that was the journal Front Unique (1955-1960), which heralded and sometimes prefigured his future protean activities in the fields of art, poetry and militancy (anticolonial and libertarian).

An epistemological reflection on sensitive forms of research writing at the crossroads of art, design, anthropology and ergonomics, based on singular inquiry-creation projects.

Tribute to philosopher René Schérer (1922-2023), a great Charles Fourier specialist.

A groundbreaking, multidisciplinary collection that rethinks our present moment and anticipates the key concepts that will shape and direct the twenty-first century.

This history of art collecting traces a multiplicity of aesthetic attitudes through the prism of certain key figures in the history of taste. Over the course of the chapters, we discover how art collecting reflects—or responds to—an individual's character.

An anthology of the constructivist movement, bringing together newly translated or previously unpublished writings by artists and theorists, accompanied by numerous illustrations and an extensive critical apparatus: this reference volume sheds new light on the multiplicity and diversity of the approaches of constructivism and productivism in the 1920s-30, and provides a major contribution to the studies of the Soviet avant-garde.

A wide-ranging study of the visual and theoretical practice of Anni Albers, a pivotal figure between two continents and two modernities, as part of a general history of art, design and textile production in the European and American women's avant-gardes.

A philosophical reflection on the place of sound, from musical aesthetics to sound habitat, at the crossroads of sound, music and technology studies, and phenomenology.

A history of stupidity (deliberate and sometimes even claimed), regression and superficiality in the arts.

A critical introduction to the life and work of Yugoslav modernist and conceptual art's foremost exponent Ješa Denegri.

A collective exploration of the relationship between contemporary art and archeology.

A glossary of themes running through the work of Élisée Reclus (1830-1905), reflecting the contemporary relevance and diversity of the anarchist geographer's thought.

Catalog conceived as a tribute to Jacques Villeglé's insatiable curiosity, exploring his relationship with the world of entertainment (cinema, dance, theater and music) from the 1950s to the end of his career, with texts by Julie Chaizemartin, Emma Lavigne, and Jeff Mills.

The notion of primitivism rethought to highlight the role of the African referent in the development of the artistic and literary avant-garde in Europe.

A personal and intimate look behind the scenes of Meg Stuart's creative process over more than a decade.

A polyphonic approach to the emergence, since the 2000s, of new institutional forms dedicated to performative artistic practices.

Using an interdisciplinary approach inspired by science and technology studies, and combining museological and sociological perspectives, this groundbreaking study of museum storerooms sheds new light on the world of art and cultural heritage conservation.

A large survey of Marc Hurtado's cinematographic, musical, poetic and plastic work, with texts by some thirty authors, artists, critics, poets and musicians from all over the world (Lydia Lunch, Pascal Comelade, Nicolas Ballet, F.J. Ossang, Kris Needs, Nick Soulsby, Nicole Brenez, Vincent Deville, Romain Perrot, Alexandre Breton, Marie Möör...).