A collective story that recounts the history of the representation of natural landscapes and the imaginations that accompany them.

A detailed overview and history of "ero-guro-nansense", an editorial, artistic and literary movement of iconoclastic and subversive magazines in Japan in the 1925-1930s, ancestor and precursor of the post-war Japanese underground.

An inventory of the controversies surrounding the issue of geoengineering, as a set of the large-scale intervention into the earth's natural systems attempting to counter the adverse effects of climate change.

An update on the issues at stake in the study of the human microbiome (various bacteria, viruses and micro-organisms that compose the human body's ecosystem), shedding new light on the relationship between humankind and nature and the new micro-biopolitics we are now facing.

An exploration of the "swampy" zone between the human and the other forms of life that make up his ecosystem and his environment, at the intersection of art, architecture and philosophy, in the perspective of a posthumanist ecology.

A new architecture of ruin, using wood and steel from the Baumettes prison in Marseille.

A collection of critical, polemic, and personal essays composed in the past decade.

This first comprehensive survey of Joseph Kosuth's work with public media centers on his pioneering project The Second Investigation (1968–74).

New monograph of the Beninese painter.

How a pre-architectural world became a central object of study by architectural historians and architects in the aftermath of world historical events.

The design research journal devotes its 59th issue to contemporary forms of graphic design transmission.

An overview of the early days of video art in Europe, drawing on a network of some fifty researchers.

A critical history of VideoArt Festival Locarno.

The choreographic in cinema.

The history of NHK electronic music studio and the making of an international "center" for contemporary music: a wide-ranging, totally unprecedented study of the role and position of a Japanese avant-garde music institution founded in 1955 within international production until the late 1960s, based on first-hand documentation.

Eleven years after the publication of the first volume of Feminine Futures in 2011, this sequel explores the dance history of abstraction in the feminine, during the first half of the 20th century and continuations today, unfolding new research perspectives with a new body of rare or unpublished original photographs.

A collective work examining fifty years of poetic activity by Bernard Heidsieck (1928-2014), a central figure in sound poetry and performance poetry, a major poet of the second half of the 20th century, along multiple axes.

The first comprehensive book on the art of Frank Malina (1912-1981), the American rocket scientist turned Paris-based artist, one of the fathers of light art.

Artists' activity examined through the notion of reparation, from the interdisciplinary perspective of the living arts (theater, dance, performance, mediation, multiple practices).

A selection of René Berger's lectures and the proceedings of a symposium he had organized around art, technology and communication.

A much-needed mapping of the Indian art scene.

Renewing our understanding of Ruscha's art.

The first major study of the Japanese avant-garde collective emblematic of the post-war artistic revival, bringing together composers, visual artists, musicians, poets, critics and technicians who in the 1950s explored various forms of interdisciplinary collaboration, questioning the classical frameworks of artistic presentation, the relationships between sound and image, time and space.

The fifth issue of Typologie, a collection of design books about ordinary objects, is dedicated to the camping tent.

An edited collection of contributions to conversations about the climate crisis and its role in critical discourse.

A transdisciplinary reevaluation of the dialogical character of humanism.

The implications of the digitization of image production and distribution on the contemporary ecology of the moving image.

A call-to-arms for creatives to make their work widely accessible as a political and communal act.

This intimate publication documents an iconic art space of the 20th century, the Warsaw apartment and studio of Polish artists Henryk Stazewski (1894–1988) and Edward Krasinski (1925–2004)—a lively artistic and social space shared by multiple artists.

A survey of Leeds School of Arts Fine Art Student Gallery activities, an experimental and open site caring for the art it stages.

A total environment-cum-woodland utopia created by an all-star team of "mad sculptors" led by Jean Tinguely.

Invited by Pierre Mabille>, a group of artists look at the work of Josef Albers.

Artaud's last unpublished work.

a panoramic view of John Cornu's practice since 2006, with thirty-eight works accompanied by thirty-eight texts by historians, curators, conservation experts, art critics, and contemporary artists, with as many different approaches and possible readings.

In this essay, Thierry de Duve leaves the aesthetics and history of the art to approach, under the religious prism, two anthropological questions that the mutation of the symbolic order in progress makes pressing: the difference of the sexes and the future of the politics of emancipation.

The social, historical and cultural dimensions of the skin in Brazilian art and literature.

A massive anthology of photographs made by Ari Marcopoulos between 2009 and 2018, featuring an introduction text by the artist as well as an essay by art critic, curator, and New York figure Bob Nickas..

A live recording on giant acoustic horns installed on a cliffside in the French Alps, playing with the echoes inherent to the site.

The Heideggerien deconstruction of metaphysics by Reiner Schürmann.

Eyal and Ines Weizman explore the history of the before-and-after image, from its origins in 19th-century Paris to today's satellite surveillance.