This artist's book, a catalogue of a museum without walls, reads like an account of a work under construction in response to a commission in a former coalfield.

A poetic conversation, in five acts, between Yvon Lambert (Paris), Marie-Charlotte Calafat (director of the Mucem collections), Stéphane Ibars (artistic director of the Lambert collection), and numerous artists, accompanies the exhibition, which brings together works from the Yvon Lambert collection and Mucem folk art objects.

The Uncanny House investigates the sense of unheimlich within the rooms of the Rome apartment where Goethe lived between 1786 and 1788, through the work of eighteen international artists.

Primarily intended as a reference work for those in charge of regenerative gardening training courses in Morocco, this ecological gardening guide, written under the direction of Carey Duncan in collaboration with the Bouregreg Med-O-Med Gardening School in Salé (FUNCI), is aimed at both professional gardeners and experienced amateurs.

Survey: John Giorno, Erica Hunt, Riar Rizaldi, Ian Waelder, Crystal Z Campbell, Helena Uambembe, Valentin Noujaïm, Alexis Pauline Gumbs, Richard Birkett, TJ Shin, Ulises Carrión, Raven Chacon, Maryam Tafakory, Alice Bucknell, Aura & Quinn Latimer.

The BOM Magazine, the publication for the Ballet of the Masses project at Haus der Kulturen der Welt (HKW), focuses on rare perspectives on football as a field of both tension and relaxation.

A series of recordings that unveils the diverse creativity of young Turkish female artists.

What does it mean to be a curator who writes, and, more specifically, how can curators write about textiles? This publication steps outside the framework of the typical exhibition catalogue to occupy "the space between literature and criticism".

The catalogue of Darja Bajagić's exhibition for the Pavilion of Montenegro at the 60th International Art Exhibition of La Biennale di Venezia, 2024.

Through a rich selection of images, this artist's book, published in two editions—gold and silver—explores the birth, life and death of Francesco Gennari's work Vorrei perdermi e non trovarmi più, 2022, exhibited for the first time at the Ciaccia Levi Gallery in Paris.

First monograph.

A series of paintings synthesising big wave surfing, turning the human element into a visual punctuation on the immense aquatic backdrop.

First monograph of German artist Esther Kläs, covering over 15 years of practice.

Three years of research into glass by the Mexico-based French artist.

La Belle Brute's fourth release dedicated to "Art Brut" French artist Jean-Marie Massou, which delves his "novels", a series of sound fictions, created over the last two decades of his life, intertwining striking narratives via spoken text accompanied by collages of sound effects, music, and ambient sounds.

Ludovic Nkoth's exhibition at Fondation Le Corbusier – Maison La Roche, a masterpiece of twentieth-century modern architecture.

The debut studio album from the Montreal supergroup Pangea de Futura, an octet that has been exploring since 2019, the many ways of—slowly—constructing massive textural musical shapes and droning tribal post-rock ambiances.

An artist's book built around KOOL ("cabbage" in Dutch), a new font designed by Magali Reus, winner of the seventh edition of the Arnaldo Pomodoro Prize for Sculpture.

This volume collects six fables Lin May Saeed (1973–2023) wrote in the early 2000s—the only ones the artist ever shared—which explore fundamental issues of interspecies coexistence, combining scientific, ethical, and philosophical motivations.

London-based artist Faye Wei Wei’s debut monograph.

A compelling narrative by Omar Kholeif through the life and work of one of the pioneering artists of our time.

Poetic drawings of Mount Horeb by self-taught Native American artist Joseph E. Yoakum (1891-1972).

A partly autobiographical novel that the German surrealist artist and author Unica Zürn (1916-1970) wrote for her ten-year-old daughter in 1953, although it would never be published in her lifetime. This is the first translation of the tale from German into English.

Performed by Musiques Nouvelles, conducted by Jean-Paul Dessy, Jean-Luc Fafchamps's eighth release, a kind of compilation of unreleased or rare pieces covering nearly three decades, is undoubtedly the best introduction to his work.

The cataclysmic meeting between Masami Akita (Merzbow), legend of the Japanese noise scene, and pianist Nicolas Horvath, great connoisseur of the classical repertoire and unparalleled experimenter.

Sonic manifesto by a post-anything quartet featuring multi-instrumentalists from the Mediterranean inland Sea / new folklore for a devastated planet, including members of Oiseaux-Tempête, H, Karkhana, Polyphème.

Sonic manifesto by a post-anything quartet featuring multi-instrumentalists from the Mediterranean inland Sea / new folklore for a devastated planet, including members of Oiseaux-Tempête, H, Karkhana, Polyphème.

A collective reflection on the ability of objects and design to contribute to survival and protection against disasters, based on an examination of the phenomenon of “preppers” (also available in English edition).

A collective reflection on the ability of objects and design to contribute to survival and protection against disasters, based on an examination of the phenomenon of “preppers”.

A large survey of Marc Hurtado's cinematographic, musical, poetic and plastic work, with texts by some thirty authors, artists, critics, poets and musicians from all over the world (Lydia Lunch, Pascal Comelade, Nicolas Ballet, F.J. Ossang, Kris Needs, Nick Soulsby, Nicole Brenez, Vincent Deville, Romain Perrot, Alexandre Breton, Marie Möör...).

An exploration of the ecologies of music and sound, from an ecosophical and emancipatory perspective.

An anthology of the constructivist movement, bringing together newly translated or previously unpublished writings by artists and theorists, accompanied by numerous illustrations and an extensive critical apparatus: this reference volume sheds new light on the multiplicity and diversity of the approaches of constructivism and productivism in the 1920s-30, and provides a major contribution to the studies of the Soviet avant-garde.

A polyphonic approach to the emergence, since the 2000s, of new institutional forms dedicated to performative artistic practices.

A personal and intimate look behind the scenes of Meg Stuart's creative process over more than a decade.

The notion of primitivism rethought to highlight the role of the African referent in the development of the artistic and literary avant-garde in Europe.

A collection of texts and interviews, some previously unpublished, covering a period of 40 years, with rare illustrations.

A glossary of themes running through the work of Élisée Reclus (1830-1905), reflecting the contemporary relevance and diversity of the anarchist geographer's thought.

A collective exploration of the relationship between contemporary art and archeology.

A history of stupidity (deliberate and sometimes even claimed), regression and superficiality in the arts.

The implications of the digitization of image production and distribution on the contemporary ecology of the moving image.

A call-to-arms for creatives to make their work widely accessible as a political and communal act.

The fourth issue of the annual magazine that promotes know-how and technique in design, craft or industry.

Experimental poetry, historical avant-garde, contemporary music, dance, visual arts, intermedia: the sixth issue of Jacques Donguy, Sarah Cassenti and Jean-François Bory's avant-garde artistic and literary journal, with Frédéric Acquaviva, Antonin Artaud, Philippe Boisnard, Bernard Bousquet, Augusto De Campos, Hélène Defilippi, Cassandra Felgueiras, Pascal Le Gallois, Raoul Hausmann, Eduardo Kac, Chris Korda, Thomas Laroppe, Alvin Lucier, Made In Eric, Richard Meier, Simone Osthoff, Nam June Paik, Céline Paul, Diamantino Quintas, Biño Sauitzvy, Raoul Vaneigem.

An exploration of queerness in visual and material culture with regard to the specific conditions of the making and experience of art in different cultural, sociopolitical, and historical contexts.

The 2025 Toilet Paper wall calendar.