A reflection on our present, through a series of portraits of contemporary artists.

An edited collection of contributions to conversations about the climate crisis and its role in critical discourse.

In this essay, Thierry de Duve leaves the aesthetics and history of the art to approach, under the religious prism, two anthropological questions that the mutation of the symbolic order in progress makes pressing: the difference of the sexes and the future of the politics of emancipation.

A comprehensive overview of the Hungarian post-conceptual and feminist artist's practice in the first decades of her fifty-year long career, including several of her writings.

A theory of passive vitalism.

A massive anthology of photographs made by Ari Marcopoulos between 2009 and 2018, featuring an introduction text by the artist as well as an essay by art critic, curator, and New York figure Bob Nickas..

A personal and intimate look behind the scenes of Meg Stuart's creative process over more than a decade.

The first issue of the magazine made by artists, founded by Donatien Grau and Thomas Lenthal : contributions by Mathias Augustyniak, Naomi Campbell, Théo Casciani, Barbara Chase-Riboud, Michael Chow, Claire Fontaine, Pan Daijing, Es Devlin, Hedi El Kholti, Edwin Frank, Theaster Gates, Nicolas Godin, David Hockney, Alejandro Jodorowsky, Michèle Lamy, Paul McCarthy, Ian McEwan, Eileen Myles, Marc Newson, Hans Ulrich Obrist, Ariana Reines, Julian Schnabel & Jason Momoa, Hanna Schygulla, Iké Udé, McKenzie Wark, Diana Widmaier Picasso, Yohji Yamamoto.

Initiated by Tunisian artist, architect and scenographer Chedly Atallah, whose practice explores geopolitical changes in the Arab world through history, architecture and mythological narratives, Matar, Matar, Matar is an artistic investigation into the time of representation and memory, with water as a metaphor for remembrance.

Over a period of more than ten years, Pascal Goblot undertook a performance based on Marcel Duchamp's The Bride Stripped Bare by Her Bachelors, Even, the first stage of which involved making as exact a reproduction of The Large Glass as possible. This book is the pictorial account of that reconstitution (limited, numbered edition boxed set).

A collective work examining fifty years of poetic activity by Bernard Heidsieck (1928-2014), a central figure in sound poetry and performance poetry, a major poet of the second half of the 20th century, along multiple axes.

A selection of René Berger's lectures and the proceedings of a symposium he had organized around art, technology and communication.

Meeting between dance and visual arts.

Publication based on an exhibition of work by Nigerian-British photographer Akinbode Akinbiyi and South African artist Abrie Fourie both based in Berlin, and curatorial collaboration between Musée de la Musique Georges OUEDRAOGO de Ouagadougou and Der Projektraum SCHARAUN, Berlin. The curatorial emphasis turns the focus to the idea of sound in photography.

a panoramic view of John Cornu's practice since 2006, with thirty-eight works accompanied by thirty-eight texts by historians, curators, conservation experts, art critics, and contemporary artists, with as many different approaches and possible readings.

Pierre Wat invites artists from both sides of the Atlantic to share their views of Sam Francis (1923-1994).

A book that brings together 150 portraits of artists when they were "about" five years old.

Sébastien Gökalp invites artists from both sides of the Atlantic to share their views of Eva Hesse (1936-1970).

New monograph, based on Saskia Holmkvist's film Margaret (Back Translation), weaving together staged scenes, documentary elements and archival footage, exploring the recent history of Belfast through a series of tonally diverse scenes, by turns comic, elegiac and speculative.

Weekly Planner I & II by Silje Iversen Kristiansen is two individual pocket-books filled with drawings. The drawings records in a fragmented way her subjective experience of life in time and space. Each book covers the span of a year, always starting in May and ending in April. In addition to the drawings, the books contain a text by Jan Verwoert that reflects upon the subject at hand.

Reissue of a primordial work in the history of the art of the countries of North Africa and West Asia, a major reflection on the artistic currents of the Arab world in the twentieth century which responds more than ever, twenty-five years after its first publication, to the need to decolonize the knowledge.

First monograph.

How a pre-architectural world became a central object of study by architectural historians and architects in the aftermath of world historical events.

The first collection of texts published in French by the Argentinian artist and poet.

An artist's book, a catalogue of a museum without walls, an account of a work under construction in response to a commission in a former mining basin.

This edition by Walter and Jan Verwoert pairs an 7" record featuring 6 pieces of sound poetry with facsimiles of the 6 collages used as scores for the recordings.

Artist's book.

Writings, manuscripts, bibliography, index.

An essay on the birth of artistic manifestos in the 19th century, from Jacques Louis David to Gustave Courbet.

What translation does to performance and what performance does to translation: a collective publication exploring the relationship between translation and performance, including the fields of theater, dance, sound and visual poetry, and film.

The fifth issue of Typologie, a collection of design books about ordinary objects, is dedicated to the camping tent.

An inventory of the controversies surrounding the issue of geoengineering, as a set of the large-scale intervention into the earth's natural systems attempting to counter the adverse effects of climate change.

An update on the issues at stake in the study of the human microbiome (various bacteria, viruses and micro-organisms that compose the human body's ecosystem), shedding new light on the relationship between humankind and nature and the new micro-biopolitics we are now facing.

An exploration of the "swampy" zone between the human and the other forms of life that make up his ecosystem and his environment, at the intersection of art, architecture and philosophy, in the perspective of a posthumanist ecology.

Experimental poetry, historical avant-garde, contemporary music, dance, visual arts, intermedia...

Jean-Christophe Thomas analyzes François Bayle's complete work in 52 recurring features.

The a catalogue raisonné dedicated to Oliveira's extensive filmography: the most thorough and comprehensive book published on the filmmaker until now

A collection of critical, polemic, and personal essays composed in the past decade.