A collection of photographs of couples, as evocative as they are mysterious.

Parker and Pollock's seminal volume of feminist art history.

First monograph on Gina Proenza's suggestive and sculptural work.

First monograph on Gina Proenza's suggestive and sculptural work.

A tricontinental exhibition and publication project that takes the form of a multiauthor monograph to showease an artist whose work creates space to connect with the self; to be in the here and now.

Turzets collects a pair of new works primarily created and recorded in 2023 while the Australian composer-performer was in residence at La Becque, an art center on Lake Geneva in Switzerland: somewhat a departure for Rushford, working in traces of Klaus Schulze, concrete poetry, and ars subtilior into a precise and ever-unfolding tapestry.

A glimpse into the garden—where worry, a lonely bird and others live—of EF+MRA, a collaborative drawing project that Norwegian artists Espen Friberg and Marianne Røthe Arnesen started together in 2014.

Through Sinnokrot's agriculture research platform Sakiya, and other ongoing projects that span moving image, sculpture, and socially-engaged practice, Palestine Is Not a Garden examines the potential to develop counter-strategies that effectively decolonial the social, political, economic, and narrative structures that goven relationships to nature in the Occupied Palestinian Territories.

In this first critical volume and biography of the Indian artist Lalitha Lajmi (1932–2023), author Skye Arundhati Thomas delves into Lajmi's archives, papers, letters, and sketchbooks in pursuit of clues about the artist's character and path.

Christina Kubisch's Stromsänger finds this legendary sound artist at the top of her game mixing electromagnetic wave recordings with a score for six voices, creating powerful results. Stromsänger is based on a collaboration with the Norwegian vocal ensemble Trondheim Voices and on a special experience while researching and recording electromagnetic waves in the city of Trondheim.

This publication examines the intersection of art and politics, through the deeply engaged work and thought of two contemporary artists.

Eyal and Ines Weizman explore the history of the before-and-after image, from its origins in 19th-century Paris to today's satellite surveillance.

A compelling narrative by Omar Kholeif through the life and work of one of the pioneering artists of our time.

A transdisciplinary reevaluation of the dialogical character of humanism.

For its 24th volume, The Drawer brings together a selection of drawings by some thirty final-year students from French and international art schools.

A continuation of Jean-Guy Coulange's radio projects and his attempt to "show sound".

Art, empathy and political solidarity.

Composed by Jim O'Rourke and pieced together by Jim together with longtime collaborator and trumpeter Eivind Lønning at Jim and Eiko Ishibashi's home in the Japanese mountains, this engrossing new album blows brass wails and tense fanfares across O'Rourke's manipulated Kyma tapestries for a deep, captivating trip into the aether.

The Heideggerien deconstruction of metaphysics by Reiner Schürmann.

The Place of the Symbolic brings together Reiner Schürmann's essays on the nexus between art and politics.

The long running vessel for Cameron Stallones' psychedelic excursions, Sun Araw, returns to Discrepant, using hydrophones and digital synthesis.

An exploration of the ecologies of music and sound, from an ecosophical and emancipatory perspective.

A polyphonic approach to the emergence, since the 2000s, of new institutional forms dedicated to performative artistic practices.

The fourth issue of the annual magazine that promotes know-how and technique in design, craft or industry.

Experimental poetry, historical avant-garde, contemporary music, dance, visual arts, intermedia: the sixth issue of Jacques Donguy, Sarah Cassenti and Jean-François Bory's avant-garde artistic and literary journal, with Frédéric Acquaviva, Antonin Artaud, Philippe Boisnard, Bernard Bousquet, Augusto De Campos, Hélène Defilippi, Cassandra Felgueiras, Pascal Le Gallois, Raoul Hausmann, Eduardo Kac, Thomas Laroppe, Alvin Lucier, Made In Eric, Richard Meier, Simone Osthoff, Nam June Paik, Céline Paul, Diamantino Quintas, Biño Sauitzvy, Raoul Vaneigem.

The collected writings of artist Marc Camille Chaimowicz, along with the stories behind them told by Alexis Vaillant.

A wide-ranging discursive study of the cultural geography of the Central European avant-garde between the wars.

A project by the Peruvian artist Ximena Garrido-Lecca about the different gazes and discussions around the coca leaf, with the objective to reconsider it as a multidimensional and historical actor.

A tribute to Derek Jarman manifold and vital practice.

A tribute to Derek Jarman manifold and vital practice.

JJ brings together articles by cultural critic, auto/biographer, and lesbian icon Jill Johnston (1929-2010), translated into French for the first time, as well as texts, poems and drawings by Pauline L. Boulba, Aminata Labor, Nina Kennel and Rosanna Puyol.

As part of a series of publications on singular architectural bodies of work, this volume focuses on three stone projects by Gilles Perraudin, an advocate of the renewed use of this material.

Monograph dedicated to Caroline Rennequin's flower paintings (gouaches on Indian paper), with texts by Yves Michaud and Émilie Ovaere-Corthay.

The revelatory world of Emma Reyes.

The revelatory world of Emma Reyes.

Three long poems by American writer, artist and actor Rene Ricard (1946-2014), an icon of the New York underground in the 1970s, accompanied by a series of drawings by American painter Robert Hawkins.

How the transition to fossil fuels entailed an intensification of ongoing processes of racialization.

Refusing the digital world of late capitalism.

A new field of counter-investigation across journalism, human rights, art and law.

Artaud's last unpublished work.

Using an interdisciplinary approach inspired by science and technology studies, and combining museological and sociological perspectives, this groundbreaking study of museum storerooms sheds new light on the world of art and cultural heritage conservation.

A reflection on our present, through a series of portraits of contemporary artists.