A philosophico-cinematographic journey through Fassbinder's filmic oeuvre, from the avant-garde daring of 1968 to the fallout of the leaden years ten years later.

A large survey of Marc Hurtado's cinematographic, musical, poetic and plastic work, with texts by some thirty authors, artists, critics, poets and musicians from all over the world (Lydia Lunch, Pascal Comelade, Nicolas Ballet, F.J. Ossang, Kris Needs, Nick Soulsby, Nicole Brenez, Vincent Deville, Romain Perrot, Alexandre Breton, Marie Möör...).

Julien Blaine's new collection of poetic, visual and typographic experiments.

The notion of primitivism rethought to highlight the role of the African referent in the development of the artistic and literary avant-garde in Europe.

Marion Laval-Jeantet's research into therapeutic care continues her work with Benoît Mangin under the name of Object-Oriented Art on microbiota, at the crossroads of scientific art, biology, anthropology, psychology and ethology.

The first scientific work to trace the history of female comic strip creators, for the (re)valorization of women's heritage.

This monographic essay explores Iris Clert, an unclassifiable and emblematic figure of the 1960s artistic avant-garde.

A history of stupidity (deliberate and sometimes even claimed), regression and superficiality in the arts.

Catalogue of the first edition of a project that turns Palazzo Esposizioni on an annual basis into a primary observatory for exploring the visions and the research go those foreign scholars and artists who spend a period of residency in Rome every year, a guests of the Academies and Cultural Institutes that have been part of a city's life since the seventeenth century.

CURA. turns 15 and celebrates this important milestone with We Monsters, a special "horror" issue dedicated to the exploration of the revolutionary role of monsters in modern civilization, and contemporary art.

The history of nonprofit and alternative exhibition spaces in Bologna from 1977 up to the present.

Inter 143 invites you to explore Mad art, Crip art, disabled art, deaf art, raw art, edible art, situated art and inclusive art: all ways of perceiving, thinking and creating by people with different abilities (physical, intellectual, cognitive, mental, sensory, learning, language and communication skills) or functional diversity.

Accompanying Abdullah Al Saadi's eponymous solo exhibition at the National Pavilion UAE at the 60th International Venice Biennale, this publication invites an immersion into the artist's singularly subjective universe.

Jean-Michel Alberola's series 1965-1966-1967 (Details), a group of drawings, engraving and oil on canvases.

A complete documentation of a site-specific project conceived by Francesco Arena, allowing to get more into the heart of the artist's creative process.

Initiated by Tunisian artist, architect and scenographer Chedly Atallah, whose practice explores geopolitical changes in the Arab world through history, architecture and mythological narratives, Matar, Matar, Matar is an artistic investigation into the time of representation and memory, with water as a metaphor for remembrance.

The catalogue of the Malta Pavilion at the 60th International Art Exhibition of La Biennale di Venezia, 2024.

10 years of stolen iPhone photos of dogs. We follow the author's life and peregrinations, the constancy of a singular passion and the evolution of phones, all with images that are still modest, but constitute a substantial sum—1000 images in 384 flip book pages, with the Instragram scroll effect.

A major work by the American sound artist and composer, the culmination of three years' work inspired by nature and the animal world, introducing her voice, but also drums, into her sound palette.

Two revenant stories by Léon Bloy (1846-1917), with music by Nurse With Wound.

The catalogue of the Serbian Pavilion at the 60th International Art Exhibition of La Biennale di Venezia, 2024.

Four decades of urban change in London's East End: a comprehensive retrospective of the British photographer's documentation work since the 1980s.

Social Engineering brings together thirteen text fragments from so-called phishing emails. Using speech synthesis, they are spoken, sung, and/or transformed into abstract textures. The result is a 36-minute language and sound collage devoted to the dark forces of phishing.

The catalogue of the Turkish Pavilion at the 60th International Art Exhibition of La Biennale di Venezia, 2024.

The first monographic publication dedicated to Souleymane Keïta (1947-2014), a major figure in Senegalese art.

A visual, experimental research on the architectonic potential of the horizontal surface in building processes in the format of a folded manifesto. Drawings, images and texts by Jan Kinsbergen, Neven Kostic and David Klemmer.

Talisa Lallai's artist book Post Tropical follows the concept of a travel magazine: it offers unique photo spreads of tropical objects, interspersed with critical essays and reprints of travel advertisements, to point to the presence of colonialism in the contemporary Global North.

The catalogue of the Japanese Pavilion at the 60th International Art Exhibition of La Biennale di Venezia, 2024.

The catalogue of the Lithuanian Pavilion at the 60th International Art Exhibition of La Biennale di Venezia, 2024.

A series of preparatory drawings for exhibitions by Michael E. Smith, collected over fifteen years.

Double issue dedicated to the memory of Bernard Stiegler.

On "Cycle and Prayer," Indonesian experimental musician and instrument builder Wukir Suryadi expands the edges of his unique artistic world further, by digging in to meditative improvisation, art, and community building in his home workshop in the mountains of central Java.

A major archival release from legendary American composer and live electronics innovator Richard Teitelbaum, centred around his soundtrack for Suzan Pitt's cult 1978 animation Asparagus.

A comprehensive overview of the work produced by British musicians Graham Lambkin, Darren Harris, and later Tim Goss over the course of a decade, across eleven CDs and a DVD, accompanied by an nearly five-hundred-page book.

A comprehensive overview of the work produced by British musicians Graham Lambkin, Darren Harris, and later Tim Goss over the course of a decade.

Originally released in 1974 on Shandar, Dream House 78'17" is the second full-length album by La Monte Young and Marian Zazeela. This first-time US edition reproduces the original gatefold sleeve with beautiful calligraphy by Zazeela and liner notes by Young and French musicologist Daniel Caux.

Originally released in 1974 on Shandar, Dream House 78'17" is the second full-length album by La Monte Young and Marian Zazeela. This first-time US edition reproduces the original gatefold sleeve with beautiful calligraphy by Zazeela and liner notes by Young and French musicologist Daniel Caux.

An anthology of the constructivist movement, bringing together newly translated or previously unpublished writings by artists and theorists, accompanied by numerous illustrations and an extensive critical apparatus: this reference volume sheds new light on the multiplicity and diversity of the approaches of constructivism and productivism in the 1920s-30, and provides a major contribution to the studies of the Soviet avant-garde.

A collection of texts and interviews, some previously unpublished, covering a period of 40 years, with rare illustrations.

A both poetic and political text which supports the French social movement that began on 31 March 2016.

The first overview of the artistic research of Andrea Caretto and Raffaella Spagna, an Italian artistic duo focused on site specific art project with a sensible attitude to the landscape.

A glossary of themes running through the work of Élisée Reclus (1830-1905), reflecting the contemporary relevance and diversity of the anarchist geographer's thought.

A collective exploration of the relationship between contemporary art and archeology.