The collaborative project conceived in New York by the world's most celebrated French interior designer Jacques Grange and gallerist Kamel Mennour.

Conceived as an artist's book, this monograph is the outcome of a collaboration between the Basque artist based in California Erlea Maneros Zabala and the American writer Dodie Bellamy.

More a book than a magazine, Mousse #83 – The Artist's Artist is a special, collectible issue conceived as a small anthology of seven comprehensive monographs dedicated to influential, yet at times under-represented, artists who spearheaded the languages that are defining our age—the so-called artists' artists.

An exploration of emerging Italian design, revealing a great variety of approaches to the discipline.

On Patterns reflects the themes in Adelaide Cioni's research: nature, language, craft, performance and abstraction/spirituality.

First monograph, bringing together for the first time a large selection of artworks made by Anouk Kruithof over twenty years (2002–23).

The first book to bring together Dan Mitchell's complete posters and flyers.

First monograph in French: from Rod Stewart to the Industrial Revolution, Art is Magic collates all of acclaimed artist Jeremy Deller's cultural touchstones into one lovingly curated volume, balancing these artistic inspirations with examples of Deller's visionary work.

A photographic portrait of Porpora Marcasciano, human rights activist, writer, sociologist and honorary president of MIT (the Italian Transgender Identity Movement).

In a long conversation about the guitar(s), Philippe Robert and Noël Akchoté sift through the history of the instrument and its practice, from the Renaissance lute to the 12-string, from the Stratocaster to the tabletop guitar surrounded by utensils and effects, from the blues to free improvisation.

The monograph dedicated to Italian artist, editor, critic and writer Lisa Ponti (1922–2019), daughter of the famous architect and designer Gio Ponti, who spanned a number of moments of twentieth century culture, constantly involved with the leading names of the Italian and international art scene.

A journey through the history of the pioneering Italian science fiction magazine Urania since the early 1950s.

This issue explores the crossroads, contacts and contrasts between two fields of musical knowledge: ethnomusicology and popular music studies.

The story of a meeting between a woman and a man linked by music for one night, in a nuptial dance of bodies and words doomed to failure: an ode to desire by the Franco-Moroccan poetess.

First Arabic translation of Virginie Despentes' cult book King Kong Theory.

An overview of Xavier Veilhan's recent production.

In this essay, Thierry de Duve leaves the aesthetics and history of the art to approach, under the religious prism, two anthropological questions that the mutation of the symbolic order in progress makes pressing: the difference of the sexes and the future of the politics of emancipation.

Edited, translated and with an introduction by Stephen Barber, A Sinister Assassin illuminates Artaud's last, most intensive and terminal work for the first time.

New monograph, devoted to Haegue Yang's "Mesmerizing Mesh" series, which dwelves into "Sacred Paper Cutting", a Korean shamanastic ritual which has inspired many of her recent projects.

An architectural fiction that takes the form of a photo novel, born from the meeting between an author, Ugo Bienvenu, and the architects of the French Pavilion of the 18th International Architecture Biennale in Venice.

An in-depth study of Peter Märkli's work through an extensive body of 700 drawings by the Swiss architect, with eight essays.

The first book on the art-world legend who installed his ephemeral sculptures on the streets of New York's East Village.

Invited by Molly Warnock, nine artists living in the United States write about the work of Michel Parmentier (1938-2000). A radical founding figure of the BMPT collective who refused all formal and ideological compromise, Parmentier appears here through the diverse prisms of the authors' own artistic commitments and cultures.

A re-examination of Yvonne Rainer's Parts of Some Sextets, a radical performance and pivotal piece in the American choreographer's career, which led her to theorize her conception of dance in the 1960s, before being revived in 2019.

Claude Rutault's entire definitions/methods from 1973 to 2016, in English language.

An artist's guide to copyright, written for makers.

The most complete monograph devoted to the Belgian artist of Spanish origin, heir to Ensor, Broodthaers and Beuys.

A collection of poetic, political and ecological stories to be told aloud, in which the natural elements (the melting ice, the volcanic eruption, the hole in the clouds, or the flood) are the heroes, approaching ecology through its sensitive manifestations.

A collection of photographs from the archives of the icon of underground and alternative Parisian nights Dora Diamant.

The 4 new volumes of the collection of photographs from the archives of the icon of underground and alternative Parisian nights Dora Diamant.

A collection of photographs from the archives of the icon of underground and alternative Parisian nights Dora Diamant.

A collection of photographs from the archives of the icon of underground and alternative Parisian nights Dora Diamant.

A collection of photographs from the archives of the icon of underground and alternative Parisian nights Dora Diamant.

Lagoss (comprised of Tenerife based veteran producers Gonçalo F. Cardoso, Mladen Kurajica and Daniel García) and Banha da Cobra (Lisbon-based musicians Mestre André and Carlos Godinho) introduce the first volume on the "Aquapelagos" series—a collection of split LPs where selected artists offer their own take into water surrounded cultures and communities.

The debut of the duo Damāvand (Gianluca Ceccarini and Alessandro Ciccarelli), a tribute to the 18th Century Armenian poet and musician Sayat Nova, weaves a sprawling sense of rhythmic abstraction from ancient poetic touchstone, offering further proof that the future of ambient music is now.

Occupying a remarkable middle ground between the operatic, the abstractions of experimentalism, and seductive qualities of popular music, Italian berlin-based composer, performer and publisher Claudio Rocchetti has created an entirely singular from of electroacoustic practice, as though Phillip Glass' Operas were tossed into a blender run by Alvin Lucier. Thrilling, deeply engaging, and bordering on the visionary, this transportive wonder taps the melancholic and ecstatic alike.

an essay that opposes the discourses of justification led by artists and other agents in the field of art with a materialist conception of the history of cultural institutions. The author argues for an abolitionist approach towards art institutions against more reformist, corporatist and formalist approaches of emancipation that still prevail in the art sector.

As part of a series of publications on singular architectural bodies of work, this volume presents three projects by architects working with Bernard Quirot in Grachaux, Haute-Saône (France), which examine three materials and their use in a local perspective of "critical regionalism".

An intimate portrait of Joan Mitchell, one of the greatest American painters of the 20th century, through a collection of previously unpublished conversations with the artists, art historians and personalities closest to her, from Paul Auster to Zuka.

A retrospective of the performances, photographs, installations and videos of the avant-garde collective that disrupted the Chinese cultural scene in the 1990s.

A comprehensive overview of performance and action art in Greece, from its origins to the most contemporary practices.

A long narrative poem punctuated by 12x2 drawings, a montage of statements and notations in which a poetess (fat and old) keeps a kind of diary in which the destruction of the private body is articulated to that of the social body.

Undoubtedly one of the most important texts on the out of book poetry, both a documentary sum and a manifesto to underline the major role that the poetry and the poets have occupied and occupy in the whole of the transformations that have upset the the contemporary art field, considered by the amateurs and the researchers like a true bible.

A singular book resulting from an investigation on the arts of sharing sound in an art school based on experiments with Scott Arford, Mario de Vega, Kevin Drumm, Christina Kubisch, Randy H.Y. Yau, art students and Jason Kahn who offers here a text on his listening to the place.

An illustrated almanac on arts, science, and society, dedicated to the wise men and the fools.

Twelve interviews (Sarah Morris, Nathaniel Mary Quinn, Austin Eddy, Jameson Green, Sébastien Tellier & Xavier Veilhan, James Richards, Tursic & Mille...), a dozen exhibitions and places in images (Genesis Belanger, Julia Scher, Robert Longo, Matthew Lutz-Kinoy, Man Ray's studio, Sam McKinnis, William Morris. ..), texts and special projects by artists (Sarah Morris, Emma McIntyre, Pierre Charpin, Marina Faust on Pierre Klossovski's studio...), exhibition reviews and columns, over 300 pages.

The central theme of the 55th issue of the design research journal are the objects created by and for the organization and mobilization of communities.