The remastered anniversary reissue of the guitarist's first solo album, released in 1974, accompanied by a new album made by Fred Frith in similar conditions, celebrating the fifty years that separate them.

Kindling #1: Parazoan Mapping #2 by Taku Unami and Eric La Casa is the first edition of an ongoing series of artist-run digital+paper sound-art releases, only available as a newspaper plus digital file.

This volume presents a little-known facet of Japanese culture: the know-how of traditional wooden architecture.

The third issue of the annual magazine that promotes know-how and technique in design, craft or industry, dedicated to folding.

Musta Fior; Carla Bley; Amanda Guttiérez by Carole Rieussec & Elena Biserna; interviews with Nadia Lëna, Aude Romary and Audrey Lauro; Bruitisme festival; a survey by Michel Henritzi of three musicians and activists of DIY version 2.0 (Jo Fusiller and his Tanzprocesz label, Claire Gapenne for Accueil Froid in Amiens, and Jędrekp for the Parisian concerts Le Non_Jazz)...

Thierry de Duve, Made in L.A. by Travis Jeppesen, Judy Chicago, Margaret Raspé, "Seeing in Art and Medicine" by Michael Corris...

Co-editor: Matteo Marangoni; interviews with Budhaditya Chattopadhyay, Kexin Hao, Pei-Ying Lin, Vivian Caccuri; articles: Accessing the Fiduciary Transactions of the Intellect and Imagination, Folding the Past into the Present; reports: Transmediale 2023, KIKK Festival...

Winter issue, featuring Mark Leckey, Ellen Cantor, Gertrude Stein, Piotr Uklański, P.Staff, Josephine Pryde, Blackhaine, Diego Marcon, Ingrid Wiener, Olivier Assayas, Jamieson Webster, Steven-Phillips-Horst...

The Monadic Age unfolds in thirty-three autonomous—monadic—essays on topics as diverse as environmentalism, terrorism, geopolitics, housing, the metaverse, nonbinarism, language, charity, euthanasia, identity politics, tattoos, ableism, AI, birthrates, war, religion, sex, and art.

A poetics of perception, between sculpture, architectural installations and photography.

Retrospective monograph: a journey through over two decades of intersectional and queering practices in film, performance, sculpture, community work, and textiles.

The 15-year history of the production of a "German scotch" Black Whisky, made by Dexter Sinister together with Stahlemühle, a distillery set up by former publisher, Christoph Keller

Wonderflux brings together a group of longtime contributors with graphic artists to collaborate on illustrated essays and develop a new pictorial language around some of the emergent consistencies and overarching issues that defined the first decade of e-flux journal.

How architecture powered European energy politics in the postwar era and paved the way for today's dependency on coal, steel, and nuclear power.

Fascism, neo-colonialism and capitalism.

Over a period of more than ten years, Pascal Goblot undertook a performance based on Marcel Duchamp's The Bride Stripped Bare by Her Bachelors, Even, the first stage of which involved making as exact a reproduction of The Large Glass as possible. This book is the pictorial account of that reconstitution.

The Malakow Tower of Zeche Hannover becomes a space-consuming sound installation that transforms voices from different communities in Bochum into a physically palpable listening experience.

A collective publication resulting from a research project led by Sophie Orlando and Katrin Ströbel that takes as its starting point the way in which current geopolitical, economic and social changes induce a renewal and adjustment of artistic strategies, by investing, in an intersectional perspective, contextual thinking and feminist, queer and postcolonial thinking in an artistic and conceptual way.

Five pieces of musique concrète recorded in the GRM studios between 1971 and 1974 by the composer and pioneering video artist.

Four purely electroacoustic pieces recorded between 1994 and 2002 by the Argentine composer and theorist.

Ukrainian American visual artist Yelena Yemchuk's sixth photobook: a series dedicated the Malanka Ukrainian folk holiday celebrated on Old Year's Day.

The documentation of a mountain path designed by artist Alex Cecchetti in Val Gardena (Bolzano, Italy) and a journey into more-than-human presences and ecologies.

A monograph dedicated to Nicolas Cilins’ films between 2011 and 2020.

An artistic reflection on the political and social structures that shape the emotional state of loneliness and its perception in contemporary society.

Le meilleur système is a hybrid and meta text. At once a poetic collection and a critical reader, nourished by references to genre literature, it explores the narrator's dissociative affects and her experience of racial passing.

A compilation of interviews with forty-seven younger-generation Korean artists: this first-ever interview book on contemporary Korean artists in the English language offers a kaleidoscopic overview of the new and dynamic practices taking place in Seoul.

Conversations about embodied strategies of knowledge production and knowledge transmission based on the choreographic and curatorial practices of about fifteen international choreographers, performers, dramaturges and curators.

A complete documentation on a multimedia exhibition by Berlin-based artist Ixmucané Aguila, giving voice to voiceless descendants of victims of genocide in Namibia.

Toward a Transindividual Self examines the process of performing the self, distinctive for the formation of the self in Western neoliberal societies in the 21st century. It approaches the self from a transdisciplinary angle where political and cultural anthropology, performance studies, and dramaturgy intersect.

A new literary work by Marc-Antoine K. Phaneuf, Mauvaises herbes is an alphabetical list of undesirable plants, a poetic lexicon of Quebec flora, where composite and colorful terms accumulate in an incessant enumeration.

A cinephilic, emotional and memorial journey: page after page of cinema tickets—exhumed from the past, preserved until now and published here for tomorrow—retrace fragments of artist Marie-Douce St-Jacques' cinephilic itinerary, and tell the story of a discreet struggle against oblivion and indifference.

A shift in perspective on passive tourism in Italy

This book traces the legacy of Zona, Eastern Europe performance art festival that took place in Timișoara, Romania, between 1993 and 2002, years which were marked by a transition from communism to a new society built on different principles.

Through more than 500 images by 95 photographers, the Musée de Grenoble's collection of photographs from Antoine de Galbert's collection and his foundation offers an impressive panorama of our times and the decisive role played by photography in shaping our perceptions and contemporary mythologies.

Writer Yoann Thommerel seizes on the rating codes to which we are now subjected for the smallest of our daily gestures to hijack them, deconstruct them and make them the basis of resolutely digressive culinary commentaries, between a diary oriented towards gastronomy and the uninhibited reinvention of a Gault & Millau guide stripped of its prescriptive logic.

Ulyap is a village in the Caucasus, where one can find an enormous number of accordion and harmonica players. "Ulyap Songs: Beyond Circassian Tradition" represents an attempt to document ancient bards' chants and their entanglement with popular rural heritage as well as post-Soviet culture during modern times, through a critical prism.

Ulyap is a village in the Caucasus, where one can find an enormous number of accordion and harmonica players. "Ulyap Songs: Beyond Circassian Tradition" represents an attempt to document ancient bards' chants and their entanglement with popular rural heritage as well as post-Soviet culture during modern times, through a critical prism.

Ulyap is a village in the Caucasus, where one can find an enormous number of accordion and harmonica players. "Ulyap Songs: Beyond Circassian Tradition" represents an attempt to document ancient bards' chants and their entanglement with popular rural heritage as well as post-Soviet culture during modern times, through a critical prism.

A double vinyl of sound poetry composed by the duo Gaël Bandelier & Gilles Furtwängler.

A sound performance inspired by Merce Cunningham, in which a group of speakers seek to escape from society, to retreat by mimicking the objects that surround us in the forest.

The top 100 contemporary artists in the playful and regressive form of a sticker album, modeled on the Panini albums.

Beni Bischof's 2024 calendar.

An artist's book by Jérémie Gindre with backgrounds taken from The Observer's Book of Weather by Reginald M. Lester (1955): a picture book of meteorological oracles, a wink as much to cinema and comics as to the natural history museum.

Reading acts as a visual treasure trove, compiling an assortment of panels that capture the very essence of Disney's letter-centric storytelling.

A drawn collection of lighters that the artist borrowed while lighting a cigarette.

A series of photographs of traces of glue on city walls, testifying to what has been posted/hung there (artist's book).

Renaud Auguste-Dormeuil, Julien Berthier, Sylvie Bonnot, Alain Bublex, Raphaël Dallaporta, Elsa De Smet, Johan Decaix, Bertrand Dezoteux, Jill Gasparina, Benoît Géhanne, Éléonore Geissler, Michel Gouéry, Juliette Green, Gaspard Maîtrepierre, Aurélie Pagès, Élise Parré, Simon Ripoll-Hurier, Noémie Segol, Chloé Silbano, Barbara Soyer, Stéphane Thidet...

Artist's book: a "cinematographic" display of previously unpublished visuals by Olivier Sévère, reflecting the phenomenon of mirage, the appearance and disappearance of images, and the presence and absence of water. A text by anthropologist Sophie Brones accompanies the narrative of these Tunisian desert landscapes.