Short Circuits features essays, interviews, and documentation that highlight Dubai based artist Vikram Divecha's interest in the often invisible structures of planning, construction, demolition and maintenance. It centres on his long-term collaborations with workers, contractors and decision-makers who shape the cities of the United Arab Emirates and beyond.

Two short stories by Xavier Forneret (1809-1884), set to music by Nurse With Wound.

The fifth issue of the critical journal Dixit, in which the words of the architects Charlotte Truwant, Dries Rodet, Fuminori Nousaku and Mio Tsuneyama confront each other, around the theme of conditions: of society, of life, of architectural practice and uses, etc.

Writing as a shifting space in which to embody the singular relationship that artists—and art critics—can have with words, texts and language.

A remastered 20th-anniversary reissue of the album released on the ~scape label in 2005 and long out of print on vinyl, with which Jan Jelinek turned away from his earlier jazz-glitch experiments and dance-floor incursions to venture into the organic sounds of early krautrock bands.

Chris Johanson's ant and abstract paintings.

First monograph.

The first comprehensive publication exploring the practice of Trần Lương, a key figure in Vietnamese contemporary art.

Carrying on a string of stunning archival releases from major figures of Indian classical tradition, Black Truffle presents an unheard recording from tabla master Kamalesh Maitra (1924-2005).

A previously unreleased theatre soundtrack made for Icelandic choreographer Margrét Sara Guðjónsdóttir, whom Peter Rehberg had a decade long collaboration with until his untimely passing in 2021. A psychological journey through the mental effects of sound on space and subsequently the mind.

The revelatory world of Emma Reyes.

The revelatory world of Emma Reyes.

Conceived to open up a critical reading of Salvo's work to an international audience, this comprehensive publication includes new critical contributions by an international array of writers and art critics, as well as a visual itinerary through the artist's main themes and series.

The relationship between quantifiable and experiential knowledge as entanglement of multiple temporalities.

A rare solo release from Konrad Sprenger, alias of elusive Berlin composer-producer-instrument builder Jörg Hiller.

One minute of dance a day for a decade: a look back at choreographer Nadia Vadori-Gauthier's daily act of poetic resistance, on the edge of situated dance, philosophy and performance.

A collection of texts and interviews, some previously unpublished, covering a period of 40 years, with rare illustrations.

Michel Guet's intellectual diary, from his commitment to "Banalytique" (an experimental movement that emerged from French post-situationnism in the early 1980s in response to the triumph of the "colonization of reality by market value" and the injunctions to make work totally profitable) to the social critique of art and the vertigo of a planet on fire.

Refusing the digital world of late capitalism.

A new field of counter-investigation across journalism, human rights, art and law.

An unclassifiable classic, precursor of the “material turn” and of media theory, finally reissued.

Drawing on the notion of “cultural technique”, Bernhard Siegert thoroughly revitalizes posthumanist media studies.

The catalogue of the exhibition for the Cyprus Pavilion at the 60th Venice Biennale.

This comprehensive volume chronicles four decades of exhibitions held at the esteemed Antwerp-based art gallery, Galerie Micheline Szwajcer.

Françoise et Jean-Philippe Billarant's collection of minimal and conceptual art.

A collection exploring the intersections of gender and religion in post-secular knowledge production and visual culture.

The River is Elsewhere is a story in pictures from the last years of log driving on the Glomma River in Norway. The book is both a work of art and a manual, an "ABC" of log driving.

Thirty international artists, writers, and thinkers consider timely themes found in the work of Anicka Yi, including AI, umwelt, scent and taste, the anthropocene, decay and rot, the animal world, and feminism.

The first examination of the practices of two French artists who were key exponents of the Nouveau Réalisme movement, highlighting two opposing and complementary aspects of their poetics.

Traditions of realism are brought together with the decolonial and ecological concept of "planetarity" to understand a new realism in contemporary art.

An anthology of texts by Jean-Michel Bouhours on photographer and filmmaker Paolo Gioli, a key figure in the Italian avant-garde of the 1970s.

A series of propositions and encounters in service to an aesthetic, critical, and poetic experience of living life led by death.

The first documentary account by artist, curator and publisher Ludovic Burel, Le laboratoire de fermentation (The fermentation laboratory) retraces four years of investigation, carried out on several continents, into wild and cultivated plants and the means of fermenting them, questioning our relationship to both the human (individual and society) and the non-human (plant and other).

Meenakshi Chakraverti's first novel.

A collaboration between performer Silvia Costa and musician Claudio Rocchetti.

A wide-ranging discursive study of the cultural geography of the Central European avant-garde between the wars.

In this deeply personal volume, Simone Fattal's close friend and confidante Hans Ulrich Obrist delves into the artist's past to explore the remarkable breadth of her body of work.

A series of electric guitar duet meditations.

Kim Hastreiter, co-founder of the beloved Paper magazine, has spent the last 50 years amassing a vast and iconoclastic collection of stuff. This volume, aptly titled STUFF, chronicles an extraordinary slice of history and the people who defined it, using Hastreiter's singular edit of art, fashion, design, photography, books and ephemera as a lens.

First monograph.