A drivel is a short story wrote by Keren Cytter in a style reminiscent of Witold Gombrowicz, though its meaning gets lost in the continuous intertwining of characters, their stories and their memories.

Drawing relations between writers' quotes and the works of Céleste Boursier-Mougenot (with a text by Benoît Viguier).

Fines as an artistic medium: Stefan Marx illustrates the monetary penalties collected by Christoph Keller for its activity as a distiller.

An innovative study of David Claerbout's work, following the shady—and dark—logic, until now never raised by critics, that structures many of his films with mineral duration and slowness, but also number of “invisible” photographs.

First issue of Frédéric Acquaviva and La Plaque Tournante's audio / video hybrid magazine, including a CD with music by Frédéric Acquaviva and Phill Niblock, a DVD with performances by Tomomi Adachi, Bernard Heidsieck, Katherine Liberovskaya, Jacques Lizène, Alvin Lucier, Loré Lixenberg, and Alex Mincek, posters, and documents.

Anicka Yi, Bunny Rogers, Eric Mack, Chen Tianzhuo, KAWS, Darja Bajagić, Sam Falls, art's obsession with brands, the great German painter Albert Oehlen, an essay by John Corbett, an interview of Fredi Fischli and Niels Olsen by Dan Graham, a defense of Art for All...

Catalogue.

A long length poem by French poet, translator and writer Jean-Philippe Cazier.

Jason Matthew Lee, Daniel Baumann, Marylin Minter, Magali Reus, Know Wave Radio, Beatrice Gibson, Catherine Ahearn, K-Hole, Jamian Juliano-Villani, Alessandro Bava, Zhao Yao; a reconsideration of female identities and role models; Ida Ekblad; 100 pages of visual contributions by artists, curators and image-makers...

Based out of Singapore, Kaleidoscope Asia is the first issue of the brand new, biannual and bilingual (Chinese/English) sibling edition of Kaleidoscope dedicated to contemporary art and culture from the Asia Pacific region. Under the art direction of acclaimed Munich-based Bureau Mirko Borsche, the magazine combines its defining curatorial and interdisciplinary approach with an emphasis on the power of images and a keen attention to the update.

The never-before-published selection of Carlo Scarpa's writings and illustrations (photographs, architectural plans, sketches, etc.): an invaluable tool to understanding exhibition history and the importance of the architectural conception of exhibitions.

A compilation of Rudy Ricciotti's opinion pieces about 59 artists and personalities.

A compilation of Rudy Ricciotti's opinion pieces about 59 artists and personalities, with an original artwork signed by Ricciotti.

Seven essays about Marcel Duchamp's work.

Thierry de Duve's writings on Marcel Duchamp.

Commissioned to photograph a contemporary art installation set in a London private house, Marie Angeletti immersed herself in the life of its inhabitants to better capture the complex network that unites the artworks and the collector. The art works of Isa Genzken, Christopher Wool, Franz West or Rosemarie Trockel are mixed with the house social realities and with the world that surrounds them. With her penetrating and witty gaze, Angeletti explores the circulation of art in our contemporary society while infusing it with her own private perspective.

Essays about the work of Victor Burgin.

A genealogy of cut-up: the history and development of a radical and pioneering literary technique, in Europe and the US, in the twentieth century (readings from William S. Burroughs).

Kaleidoscope's newest release introduces a completely redesigned and revamped version of the magazine, under the visionary art direction of Munich-based Bureau Mirko Borsche. The magazine's new formula combines its defining curatorial and interdisciplinary approach with an emphasis on the power of images and a keen attention to the update.

An extreme experience seeking to hear the body's internal sounds. It uses both the medium of drawing and of writing to account for the metamorphoses produced by this sensorial experiment.

A fictional portrait of Marilyn Monroe.

The first instance of considering Okiishi's work from the last fifteen years as a heterogeneous whole.

Through the notion of ecology of art, Des récits ordinaires (On ordinary conversations), a project by Grégory Castéra (curator), Yaël Kreplak (linguist) and Franck Leibovici (poet and artist), attempts to vizualise the various modes of existence of artworks.

A film by Pascal Goblot that explores an exceptional relationship between two influential figures of contemporary art.

A special edition dedicated to curating.

Second edition of Jalal Toufic's collection essays.

Ambient art (artist's book).

An innovative examination of Jeff Wall's photography.

Jacopo Benassi's collection of eroticized slippers (artist's edition—10 booklets in a handmade wood box set).

Imposture, falsification and diversion.

Gustave Courbet, hunting, and its contemporary representations in Germany.

A collective examination of the relationship between surrealism and the “splendid nineteenth century” (André Breton), and changes that have occurred in the field of political ideas, industrial development, psychiatry, philosophy or morality, between appropriation, misappropriation and rejection.

Taking as its starting point a pilgrimage that takes place in Italy during the day of the dead, this publication is part of a collective and multidisciplinary project which aims to reflect upon death, to more deeply celebrate life.

An innovative examination of Jeff Wall's photography.

Jean-Luc Godard and art (a return on Godard's controversial project at the Centre Pompidou in 2006).

Luis Camnitzer plays the Drawing Room Confessions.

Françoise et Jean-Philippe Billarant's collection of minimal and conceptual art.

Ella Kruglyanskaya, Christian Falsnaes, Ned Vena, Haroon Mirza, Loretta Fahrenholz; the deployment of off-camera commentary as a conceptual device in moving image works; the controversial work of Francesco Vezzoli; Kaspar Müller, Simon Castets, the art scene in Shanghai, Christina Ramberg, Albert Oehlen, Matthew Barney...

First publication ever to focus exclusively on Marcel Duchamp's Pharmacie, the first rectified readymade in art history.

Other Writing.

“Re-Thinking Sculpture: Part Two” with two essays by Maxime Coulombe and Marie-Hélène Leblanc, and two interviews with James Nizam and Guillaume La Brie. Also in this issue: “Soundscape as Material” by Josianne Poirier “Monoceros: of the Earth, for the Stars” by RM Vaughan, interview with Derya Akay…

Transcript of Jeff Wall's extraordinary lecture on Marcel Duchamp's great legacy Étant donnés, presented at the First Annual Anne d'Harnoncourt Memorial Symposium, September 11, 2009, at the Philadelphia Museum of Art.

Largely due to the “linguistic turn” that has dominated the humanities since the mid-twentieth century, many contemporary scholars and artists habitually equate works of art with highly coded texts to be deciphered, deconstructed, or otherwise interpreted. Within this quest to consider art differently, Jorella Andrews and Simon O'Sullivan pay attention to the asignifying character of art, or simply its affective qualities.

A book to deconstruct the aesthetic regime of the image, for a new diagrammatic thinking, after Deleuze and Guattari, between art and philosophy.

An overview of current research in the broader field of human sciences in Switzerland.

A collection of original poems Leif Elggren wrote between 1970 and 2013 and translated for the first time into French. With illustrations by the author.

A special edition dedicated to contemporary art and culture from the Asia Pacific region.

Collection of interviews with author and filmmaker Alexander Kluge and philosopher and professor of literature Joseph Vogl, specially produced by Kluge for German television.

A multidisciplinary reflection on a new type of engagement of art in democracy, renewing relationships between creation, culture and society: 47 contributions by international thinkers and actors of the art world (with 9 movies on DVD).

Ulf Linde summarizes his decades of investigation into the geometry of Duchamp's works.