Women (female artists)

Four contemporary artists in touch with their territories (the catalogue of the exhibition at the Maison de la culture du Japon in Paris).

First monograph.

Retrospective monograh of the pioneer of Turkish contemporary and conceptual art, Füsun Onur.

The three issues of the periodical charting the artistic journey of Zineb Sedira in the run up to her presentation for the French Pavilion at the 59th Venice Biennale (2022), gathered in a box set.

A collection of writings by Alina Popa and Florin Flueras written over a seven-year period (new expanded edition).

A journey through the painted work of the Israeli artist, writer, visual analyst, psychoanalyst, philosopher and feminist theorist, through a set of reproductions and texts by Jean-François Lyotard, Nicolas Bourriaud, Noam Segal, Amelia Jones, Precious Okoyomon and Bracha L. Ettinger herself.

A large series of essays, written by people from around the world who have contributed to the Josef and Anni Albers Foundation's work, revealing how the non-profit organization has carried on the Albers' legacy over the years. The heart of the book, lavishly illustrated, is devoted to the Foundation's many donations to international museums, including rarely shown works of art.

A hybrid monograph/artist book of Nathalie Du Pasquier's work.

An overview of the influential work of a key figure in experimental film and video.

Both a cinematographic work diary, a travel diary and a private diary, Climatic Species is made up of multiple stories where each thread unfurls at its own rhythm.

An artist's book disguised as a medical publication written by six fictional women characters from Morocco in free wheeling, Narrative Machines clothes truth with falsehood. With wry irony and Google English it comments on paranoia, fake news, patriarchy, power and media ganging together in the Maghreb...

Texas experimental artist Claire Rousay's new album inaugurates her collaboration with Shelter Press (two 15-minute pieces, with Alex Cunningham and Mari Maurice on violin, Marilu Donovan on harp and Theodore Cale Schafer on piano).

Texas experimental artist Claire Rousay's new album inaugurates her collaboration with Shelter Press (two 15-minute pieces, with Alex Cunningham and Mari Maurice on violin, Marilu Donovan on harp and Theodore Cale Schafer on piano).

New monograph.

First monograph, presenting four perennial works created by Christine Maigne as part of public and private commissions and which are organically articulated to the ground.

This catalogue explores some of the pivotal themes of the artist's research, from her interest in crossing and redefining the border between interior and exterior to the relationship between the aesthetic object and its institutional context.

This first monograph dedicated to Paloma Bosquê addresses the Brazilian artist's frustration with the visual as key to understanding of what lies beyond language, of that matter that can be perceived, but not rationalized.

First monograph.

Exhibition catalogue with twenty color illustrations of paintings by the British painter Prunella Clough (1919–1999), focusing on the artist's late-career departure from the industrial figuration for which she was known into a wry, quietly influential approach to abstraction.

Designed in the form of a "women's magazine", this catalogue is devoted to the representation of the female body in the innovative, feminist and avant-garde work of Niki de Saint Phalle.

First monograph.

Retrospective monograph.

Pauline Oliveros and György Ligeti revisited by Ensemble 0.

New monograph, highlighting the topicality of the issues that run through all of Ericka Beckman's work over some forty years.

This monograph spans two decades of the internationally acclaimed American artist Ellen Gallagher's career, including paintings, works on paper as well as three film installations created in collaboration with Dutch artist Edgar Cleijne.

With this book, Swiss artist Judith Kakon extends her artistic practice by relating her works to her working materials in a nonhierarchical and nonlinear manner.

First monograph of the Kenyan artist.

A multi-format (a vinyl record, a publication and an installation) and multidisciplinary project with an approach between science, technology and the arts, in dialogue with contemporary thinkers. The vinyl LP gathers a set of sound pieces made by twelve musicians with whom Lamas collaborated.

First monograph.

A colorful and lively journey through Tyra Tingleff's artistic practice.

Lush monograph dedicated to the series "Orlando" inspired by Virginia Woolf's novel: more than 200 portraits in which the Swiss painter explores gender roles and identity as well a her own identity as an artist, and the temporality of art history.

A sound collage composed from 400 hours of recordings the artists made during the 2-year renovation of their house in the Prenzlauer Berg district of Berlin. The work has been previously presented as an installation of which photos are included on 3 inserts.

How research-led practices in the arts can develop legal frameworks for understanding the future of digital technologies and their relationship to airspace.

Four artist's posters.

A radio-commissioned album by the Canadian sound artist, based on sound fragments recorded around the world: a subtle and poetic assemblage of concrete sounds and atmospheres that evolve at the boundaries of perception (with Oren Ambarchi and Seiji Morimoto on drums and electronics).

At the invitation of Frédéric Paul, nine artists from both sides of the Atlantic cast an eye on the work of American abstract painter Shirley Jaffe (1923-2016).

The reissue of the compositions for tape and voice of Ursula Bogner (1946-1994), scientist, phamarcian, artist, "outsider" experimental musician fascinated by Wilhelm Reich's work, whose archives were mysteriously discovered Jan Jelinek, compiled by Andrew Pekler.

A rereading of Tatiana Trouvé's work based on her drawing practice.

Berlin-based multi-instrumentalist Midori Hirano and Tokyo based string experimentalist Atsuko Hatano have teamed up for their first collaborative full-length.

Berlin-based multi-instrumentalist Midori Hirano and Tokyo based string experimentalist Atsuko Hatano have teamed up for their first collaborative full-length.

A multifaceted view of an artist who is interested in both larger global politics, and intimate, domestic spaces and the inner psyches of individuals under duress.

First monograph.

A reflection on the aesthetics of the fragment as a paradigm of memory, from the works of six women artists.

New monograph.

An investigation of dubplate decay and the tactile relationship to the disc.