Painting

The collected writings of artist Marc Camille Chaimowicz, along with the stories behind them told by Alexis Vaillant.

In this deeply personal volume, Simone Fattal's close friend and confidante Hans Ulrich Obrist delves into the artist's past to explore the remarkable breadth of her body of work.

Comprehensive monograph.

The revelatory world of Emma Reyes.

The revelatory world of Emma Reyes.

A monograph developing an iconographic apparatus that casts a light on the relationships between Italy and Louis Fratino's oeuvre, with newly commissioned essays and contributions by scholars of art and queer theory.

Reference monograph.

Retrospective monograph.

First monograph.

In this first critical volume and biography of the Indian artist Lalitha Lajmi (1932–2023), author Skye Arundhati Thomas delves into Lajmi's archives, papers, letters, and sketchbooks in pursuit of clues about the artist's character and path.

The artist book Sand is Water You Can walk On by Katharina Schilling brings together the series of paintings of the same name with texts by the authors Eva Hegge, Miriam Stoney and Sophia Eisenhut. In her series of works, Schilling refers to Gothic illuminations, an early form of painting that tells of a time before the concept of the subject.

Judith Eisler's first monograph, bringing together paintings made between 1997 and 2024, featuring an essay by Kirsty Bell, an introduction by Christopher Bollen, and an interview with Wade Guyton.

The story of a series of over seventy paintings that thematically play on the pitch that in recent decades the Church has increasingly had to cede to football.

Three long poems by American writer, artist and actor Rene Ricard (1946-2014), an icon of the New York underground in the 1970s, accompanied by a series of drawings by American painter Robert Hawkins.

Twelve Western and Chinese authors have contributed their texts to accompany the singular works of Chinese painter Qu Qianmei over two decades.

A series of paintings synthesising big wave surfing, turning the human element into a visual punctuation on the immense aquatic backdrop.

Ludovic Nkoth's exhibition at Fondation Le Corbusier – Maison La Roche, a masterpiece of twentieth-century modern architecture.

London-based artist Faye Wei Wei’s debut monograph.

A body of 100 paintings worked through from 2019 to 2023 (artist's book).

Catalogue dedicated to the series of paintings exhibited at the Musée d'Art Moderne de Paris, Wade Guyton's first exhibition in a French museum.

New monograph.

The catalogue of the Lithuanian Pavilion at the 60th International Art Exhibition of La Biennale di Venezia, 2024.

An overview of the radical universe and pictorially committed Portuguese painter José Loureiro’s work.

Pierre Wat invites height artists from both sides of the Atlantic to share their views of Sam Francis (1923-1994).

This publication examines the intersection of art and politics, through the deeply engaged work and thought of two contemporary artists.

Alioune Diagne's project for the first Senegalese Pavilion at the 60th International Art Exhibition of La Biennale di Venezia, 2024.

The Significance and Relevance of Early Modern Indian Painters to the Contemporary Indian Art, written in 1971, reevaluates the legacies of painting inherited by the artist Nilima Sheikh.

A comprehensive overview of Makiko Furuichi's work, focusing on her special installation for the Musée d'Art Moderne et Contemporain in Les Sables-d'Olonne.

Catalogue.

The first monographic publication dedicated to Souleymane Keïta (1947-2014), a major figure in Senegalese art.

Known for his braided canvases, French artist François Rouan presents his latest "photographic-tableaux", a group of forty previously unseen pieces.

Jean-Michel Alberola's series 1965-1966-1967 (Details), a group of drawings, engraving and oil on canvases.

New approaches to Iannone's unique work.

This new body of work consists of paintings featuring heart-headed figures in various emotional states and situations that sometimes teeter between the ordinary and extraordinary. From tender amorous moments to unexpected skate scenes, the work is full of the next iteration of emotive "schmoo" characters.

Caroline Bachmann's dawn paintings.

The catalogue for Iva Lulashi's exhibition at the Albanian Pavilion of the Venice Biennale 2024, inspired by the sexual revolution advocated by Russian radical thinker and feminist Alexandra Kollonta.

The culmination of a multidisciplinary project developed over ten years, where Miquel Mont blends real and fictional autobiographical elements to explore the economy of affects.

This special second-edition monograph showcases a comprehensive selection of Nicolodi's oeuvre, presenting his work in the most compelling way to date.

First monograph of the Mexican queer artist.

The series of portraits of African heads of state unveiled by Kehinde Wiley at the musée du quai Branly – Jacques Chirac in Paris, an exploratory project around the representation of power on which the painter has been working confidentially since 2012.

An audacious account of the ways in which the arts in the Americas were modernized during the first half of the 20th century.

New monograph, featuring a cohesive body of new work, with large-scale paintings and watercolours.

A selection of the artist's drawings and paintings from 2019 to 2023, accompanied by a text by Jennifer Higgie and an interview with Éric Troncy.

Works on paper by the Belgian artist.

The first monograph of Puerto Rican born artist Lee Quiñones presenting his monumental work and following his evolution over five decades.

The immersive, monumental paintings documented here were the first works that José Parlá created after his recovery from a life-threatening battle against Covid.

A record of a symposium on the legacy of the late Luxembourgish artist Michel Majerus (1967-2002).

A selection of paintings by Cosima zu Knyphausen over a period of five years, accompanied by an essay by Rahel Schrohe, and a poem of the artist.

Two previously unpublished interviews with Jim Dine, about his performances in New York City in the early 1960s, an important period in his career that the artist has so far rarely discussed.

Combining archive material with a wide selection of photographs of body paintings produced by the duo in the 1970-1980s, this publication retraces the evolution of gender identities and the treatment of the female body in visual culture from the 1950s to the present.