A massive anthology of photographs made by Ari Marcopoulos between 2009 and 2018, featuring an introduction text by the artist as well as an essay by art critic, curator, and New York figure Bob Nickas..

A theory of passive vitalism.

In this essay, Thierry de Duve leaves the aesthetics and history of the art to approach, under the religious prism, two anthropological questions that the mutation of the symbolic order in progress makes pressing: the difference of the sexes and the future of the politics of emancipation.

An edited collection of contributions to conversations about the climate crisis and its role in critical discourse.

A comprehensive overview of the Hungarian post-conceptual and feminist artist's practice in the first decades of her fifty-year long career, including several of her writings.

Artaud's last unpublished work.

A tribute to Derek Jarman manifold and vital practice.

The revelatory world of Emma Reyes.

A tribute to Derek Jarman manifold and vital practice.

The revelatory world of Emma Reyes.

The collected writings of artist Marc Camille Chaimowicz, along with the stories behind them told by Alexis Vaillant.

How the transition to fossil fuels entailed an intensification of ongoing processes of racialization.

A wide-ranging discursive study of the cultural geography of the Central European avant-garde between the wars.

A project by the Peruvian artist Ximena Garrido-Lecca about the different gazes and discussions around the coca leaf, with the objective to reconsider it as a multidimensional and historical actor.

As part of a series of publications on singular architectural bodies of work, this volume focuses on three stone projects by Gilles Perraudin, an advocate of the renewed use of this material.

The Heideggerien deconstruction of metaphysics by Reiner Schürmann.

The Place of the Symbolic brings together Reiner Schürmann's essays on the nexus between art and politics.

A transdisciplinary reevaluation of the dialogical character of humanism.

Art, empathy and political solidarity.

Comprehensive monograph.

First monograph on Gina Proenza's suggestive and sculptural work.

First monograph on Gina Proenza's suggestive and sculptural work.

This intimate publication documents an iconic art space of the 20th century, the Warsaw apartment and studio of Polish artists Henryk Stazewski (1894–1988) and Edward Krasinski (1925–2004)—a lively artistic and social space shared by multiple artists.

Parker and Pollock's seminal volume of feminist art history.

First global exploration of contemporary forms of filmmaking from political and cultural self-determination movements of Autochthonous communities and peoples.

What gets counted within the category of heritage, and who gets to do the counting?

An innovative monograph of conceptual artist Agnieszka Kurant's work, focussed on the phenomenon of collective intelligence, alongside newly commissioned texts by renowned thinkers across science, philosophy, technology, anthropology, and economics.

Through Sinnokrot's agriculture research platform Sakiya, and other ongoing projects that span moving image, sculpture, and socially-engaged practice, Palestine Is Not a Garden examines the potential to develop counter-strategies that effectively decolonial the social, political, economic, and narrative structures that goven relationships to nature in the Occupied Palestinian Territories.

Centering on a notion of nomadic space, this publication offers the first in-depth overview of the projects, photo archives, and architectural investigations of Sámi architect and artist Joar Nango, and includes a series of essays and conversations with long-time collaborators and discussion partners.

Cosmos Cinema combines comprehensive visual documentation of the acclaimed 14th Shangai Biennale with newly commissionned essays reflecting on its themes.

On the advanced knowledge economy, which perpetuates patterns of discrimination and exclusion, and the threat of climate change devastation for both human and nonhuman entities.

How machine learning and computer vision generate images.

Multivocal and anonymous, A Strange Adventure is oral-history-as-theater—the theater of memory, trauma, and torture.

In this deeply personal volume, Simone Fattal's close friend and confidante Hans Ulrich Obrist delves into the artist's past to explore the remarkable breadth of her body of work.

In this first critical volume and biography of the Indian artist Lalitha Lajmi (1932–2023), author Skye Arundhati Thomas delves into Lajmi's archives, papers, letters, and sketchbooks in pursuit of clues about the artist's character and path.

Sonic manifesto by a post-anything quartet featuring multi-instrumentalists from the Mediterranean inland Sea / new folklore for a devastated planet, including members of Oiseaux-Tempête, H, Karkhana, Polyphème.

Sonic manifesto by a post-anything quartet featuring multi-instrumentalists from the Mediterranean inland Sea / new folklore for a devastated planet, including members of Oiseaux-Tempête, H, Karkhana, Polyphème.

A journey through the artist's work and life.

Lee "Scratch" Perry's photographic works and writings, inventoried in the Black Ark studio in Kingston, one of the cradles of reggae and dub.

A collection of photographs of couples, as evocative as they are mysterious.

A "minor" and alternative history of architecture.

MUdec United, the publication of the MUDEC – Museo delle Culture di Milano, one of the Italian leading institutions, is a book-zine dedicated to interdisciplinary research on world cultures. The second issue questions the quintessential symbolic device of the museum machine: the showcase—a tool of preservation, mummification, and desire, with many stories to tell.

The implications of the digitization of image production and distribution on the contemporary ecology of the moving image.

A call-to-arms for creatives to make their work widely accessible as a political and communal act.

An exploration of queerness in visual and material culture with regard to the specific conditions of the making and experience of art in different cultural, sociopolitical, and historical contexts.

Eyal and Ines Weizman explore the history of the before-and-after image, from its origins in 19th-century Paris to today's satellite surveillance.