A detailed overview and history of "ero-guro-nansense", an editorial, artistic and literary movement of iconoclastic and subversive magazines in Japan in the 1925-1930s, ancestor and precursor of the post-war Japanese underground.

A history of avant-garde photography in Japan in the 1950s-70s.

The first French translation of Vivian Sobchack's work, Le corps du film – Une phénoménologie de l'expérience filmique offers a new perspective to the phenomenological tradition through an interrogation of our cinematographic experience and, more generally, of our relationship to screens.

The history of NHK electronic music studio and the making of an international "center" for contemporary music: a wide-ranging, totally unprecedented study of the role and position of a Japanese avant-garde music institution founded in 1955 within international production until the late 1960s, based on first-hand documentation.

A critical history of VideoArt Festival Locarno.

What translation does to performance and what performance does to translation: a collective publication exploring the relationship between translation and performance, including the fields of theater, dance, sound and visual poetry, and film.

An essay on the birth of artistic manifestos in the 19th century, from Jacques Louis David to Gustave Courbet.

Writings, manuscripts, bibliography, index.

A selection of René Berger's lectures and the proceedings of a symposium he had organized around art, technology and communication.

A collective work examining fifty years of poetic activity by Bernard Heidsieck (1928-2014), a central figure in sound poetry and performance poetry, a major poet of the second half of the 20th century, along multiple axes.

A personal and intimate look behind the scenes of Meg Stuart's creative process over more than a decade.