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To accompany the first publication on Isabelle Cornaro's works, this book brings together a comprehensive essay by art historian and critic Vivian Sky Rehberg, an interview with London-based Raven Row director Alice Motard, and an examination of her relationship with decorative arts by Glenn Adamson, Deputy Head of Research and Head of Graduate Studies at the Victoria and Albert Museum.
Active since the beginning of the 2000s, Isabelle Cornaro (born 1974 in Paris) investigates the relationship between objects—especially decorative objects—value, and art, through the issues of representation, perceptual experience, and reproduction. She is also exploring how to translate forms and languages, for example an old master painting into a 3D installation, a film into a graphic score, or the vocabulary of Minimalism into a more emotional language. She mines ambiguity by setting up a tension between the analytical, symbolic, lyrical, and anecdotal, addressing how our way of looking constructs the—colonial, bourgeois, modern—world and its uses. She works with various media such as installation, painting, sculpture, video, wall painting, and drawing. Informed by her studies of Renaissance and classical aesthetics, she has explored how French painter Nicolas Poussin gave form to constructed worlds in his detailed depictions of mythological scenes and to how baroque art empowered objects; she has often favored the genre of still life, be it carefully built or chaotically (dis)organized. In her two- and three-dimensional pieces Cornaro is always creating a stage for the objects to be seen and the viewer to position themselves in. Perspectives and the ways we look at things play a crucial role in her work.
