fermeture & interruption des expéditions du 23 décembre au 3 janvier (les commandes passées dans l'intervalle seront traitées en priorité dès notre retour) – merci pour votre patience et bonne fin d'année !
Mousse célèbre son 90e numéro avec un numéro de collection, avec un design graphique et un format spéciaux, entièrement consacré à la fiction.
Dear readers,
Why fiction? Because "the problematic implies a terrain to be shared under the aegis of perplexity," as philosopher Isabelle Stengers points out in her 2023 book Making Sense in Common—a title it would be tempting to steal for this occasion. And because stories help us "to make sense of the world and to act in it," writes Christina Sharpe in Ordinary Notes (2023).
When we claim that fiction is, quite literally, fiction, we might be wide of the mark. Working with an inventory of emotions, fiction weaves through the heart's geographies: storms of the century, crying stars, hummable moods that wash over us, highs so high and lows so low we renegotiate cans and cannots. Fiction itches us to get away, while its stoking fire lures us to stay a little longer. Is it about practicing character development? Playing our own shrink? Adding a spring to our step? Articulating the impossible in times of adversity? In the name of whatever it is, fiction has a distinctive way to kiss and tell.
Bringing together a cohort of writers and artists, Mousse #90 – The Fiction Issue stems from the eponymous Fiction column that has dwelled in our pages for five years, and expands its scope. It was developed together with Rosanna McLaughlin, Skye Arundhati Thomas, and Izabella Scott, who collectively coedited the art and literature quarterly The White Review between 2021 and 2023.
Here you'll find reprints from both Mousse and The White Review as well as new stories and translations we have jointly commissioned. Seven interludes, intended to open up other worlds through images, feature portfolios of drawings by Atelier dell'Errore, Michael E. Smith, Camille Henrot, Michael Landy, Simone Forti, Adelaide Cioni, and Evelyn Taocheng Wang.
What does it mean when we say that fiction has more than meets the eye? It might suggest that, as writer and artist Pierre Guyotat had it, we must "try in jolts, so awkward, to take heart."
Magazine international bilingue (anglais / italien) de quelque 300 pages au format tabloïd, Mousse rassemble tous les deux mois, depuis 2006, des interviews, des conversations, des articles et des essais avec et autour des principaux acteurs de la scène artistique et de la culture contemporaines (critiques, artistes, curateurs), fédérant des contributeurs basés dans les plus grandes capitales artistiques du monde.
Mousse (Mousse Publishing) est également une plate-forme éditoriale qui publie de nombreux catalogues, monographies et livres d'artistes
(voir la rubrique correspondante dans la section éditeurs).
