Contemporary art

Monograph dedicated to Caroline Rennequin's flower paintings (gouaches on Indian paper), with texts by Yves Michaud and Émilie Ovaere-Corthay.

The implications of the digitization of image production and distribution on the contemporary ecology of the moving image.

A call-to-arms for creatives to make their work widely accessible as a political and communal act.

An exploration of queerness in visual and material culture with regard to the specific conditions of the making and experience of art in different cultural, sociopolitical, and historical contexts.

The social, historical and cultural dimensions of the skin in Brazilian art and literature.

A complete documentation of a site-specific project conceived by Francesco Arena, allowing to get more into the heart of the artist's creative process.

Across objects, writing, sound and choreography, British artist Cally Spooner addresses the manners in which specific technological and financial conditions shape and organize life. This volume surveys her artistic output of the last 10 years.

Art, empathy and political solidarity.

This comprehensive volume chronicles four decades of exhibitions held at the esteemed Antwerp-based art gallery, Galerie Micheline Szwajcer.

A project by the Peruvian artist Ximena Garrido-Lecca about the different gazes and discussions around the coca leaf, with the objective to reconsider it as a multidimensional and historical actor.

The 2025 Toilet Paper wall calendar.

Two monumental pieces for flutes and additional voices.

Ronan Bouroullec's first comprehensive monograph, bringing together his drawings, sculptures and ceramics, and design objects and projects.

A history of stupidity (deliberate and sometimes even claimed), regression and superficiality in the arts.

A collective exploration of the relationship between contemporary art and archeology.

A collection of texts and interviews, some previously unpublished, covering a period of 40 years, with rare illustrations.

A polyphonic approach to the emergence, since the 2000s, of new institutional forms dedicated to performative artistic practices.

A large survey of Marc Hurtado's cinematographic, musical, poetic and plastic work, with texts by some thirty authors, artists, critics, poets and musicians from all over the world (Lydia Lunch, Pascal Comelade, Nicolas Ballet, F.J. Ossang, Kris Needs, Nick Soulsby, Nicole Brenez, Vincent Deville, Romain Perrot, Alexandre Breton, Marie Möör...).

What art owes to birds.

The Uncanny House investigates the sense of unheimlich within the rooms of the Rome apartment where Goethe lived between 1786 and 1788, through the work of eighteen international artists.

Catalogue of the first edition of a project that turns Palazzo Esposizioni on an annual basis into a primary observatory for exploring the visions and the research go those foreign scholars and artists who spend a period of residency in Rome every year, a guests of the Academies and Cultural Institutes that have been part of a city's life since the seventeenth century.

Informal Inclusion poetically unveils the violence of a world, our own, that is the offspring of our forgotten colonial world, and is crossed each day by migratory processes that transform the social and geographic fabric thanks to the paradoxically "inclusive" power of the dynamics that are generated in the marginal spaces.

Survey: John Giorno, Erica Hunt, Riar Rizaldi, Ian Waelder, Crystal Z Campbell, Helena Uambembe, Valentin Noujaïm, Alexis Pauline Gumbs, Richard Birkett, TJ Shin, Ulises Carrión, Raven Chacon, Maryam Tafakory, Alice Bucknell, Aura & Quinn Latimer.

Ludovic Nkoth's exhibition at Fondation Le Corbusier – Maison La Roche, a masterpiece of twentieth-century modern architecture.

This volume collects six fables Lin May Saeed (1973–2023) wrote in the early 2000s—the only ones the artist ever shared—which explore fundamental issues of interspecies coexistence, combining scientific, ethical, and philosophical motivations.

A compelling narrative by Omar Kholeif through the life and work of one of the pioneering artists of our time.

The catalogue of Darja Bajagić's exhibition for the Pavilion of Montenegro at the 60th International Art Exhibition of La Biennale di Venezia, 2024.

London-based artist Faye Wei Wei’s debut monograph.

Soufiane Ababri's sketchbooks.

The BOM Magazine, the publication for the Ballet of the Masses project at Haus der Kulturen der Welt (HKW), focuses on rare perspectives on football as a field of both tension and relaxation.

What does it mean to be a curator who writes, and, more specifically, how can curators write about textiles? This publication steps outside the framework of the typical exhibition catalogue to occupy "the space between literature and criticism".

For its 24th volume, The Drawer brings together a selection of drawings by some thirty final-year students from French and international art schools.

Itinéraires Fantômes is an oracle deck created by Alexandra Grant with Hélène Cixous in celebration of H. Cixous' work.

Three years of research into glass by the Mexico-based French artist.

Through a rich selection of images, this artist's book, published in two editions—gold and silver—explores the birth, life and death of Francesco Gennari's work Vorrei perdermi e non trovarmi più, 2022, exhibited for the first time at the Ciaccia Levi Gallery in Paris.

La Belle Brute's fourth release dedicated to "Art Brut" French artist Jean-Marie Massou, which delves his "novels", a series of sound fictions, created over the last two decades of his life, intertwining striking narratives via spoken text accompanied by collages of sound effects, music, and ambient sounds.

The Significance and Relevance of Early Modern Indian Painters to the Contemporary Indian Art, written in 1971, reevaluates the legacies of painting inherited by the artist Nilima Sheikh.

Indian artist Kiran Subbaiah reevaluates the history of Modernism, through its ideals of growth and progress, as one steeped in contradictions around industrialisation and its effects on society.

A poetic conversation, in five acts, between Yvon Lambert (Paris), Marie-Charlotte Calafat (director of the Mucem collections), Stéphane Ibars (artistic director of the Lambert collection), and numerous artists, accompanies the exhibition, which brings together works from the Yvon Lambert collection and Mucem folk art objects.

What gets counted within the category of heritage, and who gets to do the counting?

How machine learning and computer vision generate images.

This artist's book, a catalogue of a museum without walls, reads like an account of a work under construction in response to a commission in a former coalfield.

Pierre Wat invites height artists from both sides of the Atlantic to share their views of Sam Francis (1923-1994).

Catalogue.

A comprehensive survey of acclaimed artist Ariane Loze's videographic oeuvre.

First monograph.

First monograph of German artist Esther Kläs, covering over 15 years of practice.

The third volume of a new series of publications by the collective Wages For Wages Against, acting for better work conditions in the visual arts and against all forms of discrimination.