Charles Fourier or utopia as reality.

Three perspectives (philosophical, sociological and artist's word) on the meaning of the avant-garde, and its relationship to the counter-culture.

Narrative essay developping the notion of abhumanism, a critical philosophy which questions the centrality of mankind in our relationship to the world. With illustrations by Camille Bryen and a foreword by Michel Giroud.

The militant essay by poet, theoretician, critic and translator Haroldo de Campos on one of the most radical members of the Brazilian avant-gardes of the 1920's: a key contribution to the critical rehabilitation of a work that has strongly influenced Concrete Poetry in Brazil, as well as many poetical adventures of Western modernity.

An in depth analysis of one of the most inventive (but also the most misunderstood) post-war avant-garde movements.

A panorama of Ben's conflicting ideas and various activities since 1959.

The work of an underestimated writer, a founder of the Ultraism, initiator of Dada in the 1920s Spain.

Accompanied with Fluxus pamphlets, manifestoes and newspapers of the artist, the unpublished manuscript of the mother of the founder of the avant-garde movement constitutes an invaluable entry to the private world of Maciunas, and the occasion of a revaluation of its artistic and strategic choices.

An essay on the reception of Jean-Pierre-Brisset's work among his contemporaries and successors, its relationship with futurism, pataphysics, surrealism, dada, etc., its sources and its offspring in the fields of literature, linguistics, psychoanalysis, science, philosophy and art.

An ironic, historic and personal assessment of the transformations of art in the years 1950-1960 by one member of the New realists: the story of collage, the return of dada, an evocation of Léo Malet, the work with Raymond Hains...

A critical counterpoint to the famous Tzara's cronic published in the Dada Almanach, by the founder of the Cabaret Voltaire.

Dick Higgins, one of the main figures of Fluxus, points out the particularity of poet-artists who, since German and English Romanticism, have refused to make distinctions between what is sonorous, visual and written.

Two studies on the link between language, art and reality in Marcel Duchamp's work.

Miss Marie le Masson Le Golft (1749-1826) is known as the lady who noted Nature.

A 19th century political activism classic.

A new approach of Duchamp's keywords.

Art as actions : a collection of Martel's essays and articles since the eighties.

The last document of the dadasopher of Berlin.

The funny though serious inventions of the thinker, poet, prophet and annagrammarian.

An unknown, rarely published writer who nevertheless sent shock waves into the 60s and 80s by constructing a text worthy of a great rhetoretician on the game of alliteration.

Hiérarchie du cocuage proposes a system of classification, worthy of Linné for botany, in which he organizes the indomitable differences of beings and their diverse characters.

The anti-romanesque, a-metaphysical and theoretical Einstein's dadaist autobiography.

Essays and interviews on 20th century avant-gardes in France (from Dada to sound poetry, avant-garde reviews, happenings and events, Fluxus, Raymond Hains, Jacques Villeglé, Gil J. Wolman, Camille Bryen...).

The first critical edition treating a fundamental text by one of the principle actors of Fluxus.

Richard Huelsenbeck's En avant dada is his first proclamation of Dada in Berlin.