French Theory and
American Art: An Introduction
Anaël Lejeune, Olivier Mignon, and
Raphaël Pirenne
American Beginnings
Sylvère Lotringer
The Reasons of Art and the Lunacy of Theory
François Cusset
Structurism and Structuralism in New York's Artistic Field in the Mid-1960s
Katia Schneller
From the Death of the Author to the Birth of the Reader: A Conceptual Perspective
Erik Verhagen
Sartrean Phenomenology and Post-
Minimalism: On Some Works by
Mel Bochner and
Dan Graham
Larisa Dryansky
Minimalism and the Fate of “Theory”
Stephen Melville
October and the Problem of Formalism
Peter Osborne
The British Bridge
Laura Mulvey and
Victor Burgin interviewed by Hilde Van Gelder and Alexander Streitberger
How to Do the History of
French Theory in the Visual Arts: A New York Story
John Rajchman
Impossibilities: Painting Between Jean-François Lyotard and
Philippe Lacoue-Labarthe
Philip Armstrong
Laughing with the Medusa: Notes on Hélène Cixous and American
Feminist Artists
Jean-Michel Rabaté
Maurice Blanchot, Tel Quel, and the Formation of a Sadean Aesthetic in the Work of
Vito Acconci
Benjamin Greenman
“Women at Home”:
Martha Rosler and
Yvonne Rainer, Circa 1975
Rachel Haidu
“Simulationism” and Its Discontents:
Peter Halley Reading Jean Baudrillard
Kassandra Nakas