France

Sébastien Roux pushes Max Neuhaus' concept of succession of timbres to a new height in a drastically systematic composition.

A piece composed by Phill Niblock, performed live by Ensemble IRE trio: Kasper T. Toeplitz (ebass), Franck Vigroux (eguitar), Hélène Breschand (e harp) on side A / a piece composed and performed by Kasper T.Toeplitz (ebass) and Franck Vigroux (guitar, electronics) on side B.

Drawings and texts by Olivier Bringer (series of 30 drawings and 12 unpublished texts printed on Munken paper).

Denis Lavant reads/says the poem Vents by Saint-John Perse (1946), accompanied by Quentin Rollet (saxophones) and Patrick Müller (electrosonic). With the participation of Romain Perrot (guitar).

Stéphane Vigny's first monograph, conceived as an object with several levels of reading, as well as the sculptures of the artist.

This volume focuses on all of Emmanuel Hocquard's activities, in order to highlight his importance, and to situate him in a history of contemporary poetry in which he was one of the main protagonists.

This book gathers the texts (rare or unpublished) conceived as scores of Michèle Métail's oral publications since 1973.

This book gathers the texts (rare or unpublished) conceived as scores of Michèle Métail's oral publications since 1973. This limited edition, numbered from 1 to 20, contains a signed collage.

A survey of the history of temporary exhibitions in France, through a series of interviews with 38 curators.

Matali Crasset's drawings sketchbooks.

First monograph.

A village, its people, nine characters, some children, a forest. Three seasons : winter, lockdown an spring. Bruissons is the tale of a motionless journey, slightly disrupted. An exhibition – pictures, sounds. And a book.

The “chronicle of a sideration” written during the lockdown between March and June 2020, accompanied by a textual contribution by Julien Coupat et alii.

Six films around six exhibitions by Cécile Bart, closer to the aesthetics of an artist's film than a documentary, introducing the viewer to the proximity of the works.

Charles Pennequin is an unconventional poet who tells us here the sidereal aggression of a Martian who has not yet cut the cord. On the CD contained in the book, he interprets his text three times: twice in the company of the guitarist Jean-François Pauvros, and another time alone, but with a megaphone.

The catalogue of Stéphane Blanquet's evolving exhibition in the whole space of the Halle Saint-Pierre, Parisian temple of art brut and outsider art: a vast retrospective in 1.9 kg of images (drawings, photographs, tapestries, sculptures), with also the works of invited artists: Keiichi Tanaami, Bruno Richard, Samplerman, Jan Švankmajer, Dr. Karayom, etc.

Sans Grace is the book by two actresses, one from Geneva, the other based in Paris. It takes up the first improvisational exercises that they carried out before conceiving the stage diptych Sans Grace / Avec Grace, on tour in Switzerland and Belgium.

Architectural shape is the interface where form and meaning meet and communicate. In this perspective the research addresses the decoding of the shape of buildings, cities and landscapes.

A series of drawings by Pierre Budet produced daily in Rennes from March 17 to May 11, 2020 during the confinement period imposed on the French population due to the pandemic (covid-19).

A photographic alphabet.

Artist's book.

Quentin Rollet lays his mini tape synthesizer and saxophones on drum tracks recorded by Kim Giani in 2015, that is to say in the world before confinement. A humorous and energetic project, realized in a period of global boredom.

An artistic project carried out around Fordlândia—a town built from 1928 onwards by Henry Ford in Amazonia on the banks of the Tapajòs to intensively exploit the rubber tree needed to manufacture tyres, which, following the failure of the project, became a small village in the middle of an industrial heritage of uncertain statu. With twenty international artists and researchers, in collaboration with Fotoativa, a Brazilian collective from Belém.

Julien Blaine's new collection of poetic, visual and typographic experiments.

In 2020, Julien Blaine, born in 1942, inventories (and offers) what remains in an artist's studio at the end of a lifetime of creation. Le grand dépotoir brings together essays, letters and reflections on his vast poetic enterprise since its beginnings.

Marco Boubille makes speak the images of Photomaton that he picks up in the streets and collects, in a long serial poem.

Drawing book, with an introductory text by Liliane Giraudon and a feminist manifesto by the artist.

Fragments of the total poetry of the Franco-Chinese poet, performer and artist, an emblematic figure of the Chinese artistic and cultural resistance.

99 photo-poems by the Franco-Chinese poet, performer and artist, an emblematic figure of Chinese artistic and cultural resistance.

Fragments of the total poetry and photo-poems of the Franco-Chinese poet, performer and artist, an emblematic figure of the Chinese artistic and cultural resistance. The limted edition gathers the two volumes (Episode 1 and 2), numbered from 1 to 20, with an original signed artwork inserted in each of them, constituting a dyptic.

A journey through the life and way of thinking of the French intellectual, medical biologist, philosopher and writer.

This film by Gilles Coudert, narrated by Charles Berling, depicts the dialogue between contemporary art and heritage fostered by the Domaine de Chaumont-sur-Loire, Centre d'Arts et de Nature, which encompasses the château and its contemporary sculpture park.

Between an artist's book, an essay and a catalogue, this publication explores the notion of “installation” in the appropriation strategy developed by the now fictional artist Ludovic Chemarin©, through the conceptual figure of the Kentia palm.

An essay on the singular universe of the director, scenographer, choreographer, puppeteer and visual artist Gisèle Vienne.

Kassel Jaeger's first solo LP with Shelter Press—a remarkably intimate and forward-thinking aural balm, bristling with complex beauty.

First monograph dedicated to Pierre Leguillon's Museum of Mistakes: a traveling exhibition gathering a collection of mass culture artifacts and craft objects, questioning with humor and subversivity the mechanisms of today's visual culture.

Artist's book.

The new project of Hervé Zenouda (Stinky Toys): a sophisticated and rustling electronic music.

First monograph.

In her third poetic collection, Rosalie Bribes deepens the themes tackled in the two previous volumes: criticism of consumer society, illusions, pretences; search for a truth that can give meaning to human existence.

A collaboration between Christophe Brunnquell (Purple art director) and Grégoire Alexandre (photographer) who recompose fashion imagery by dressing their models with images taken from the archives of Vogue Paris, thus creating new ambiguous icons.

Michel Beretti, author, Jérôme Lamy, sociologist, and Élise Parré, artist, joined in a yearlong research project initiated by the Observatoire de l'Espace (the cultural laboratory of the French Space Agency) around the birth of the French space technology and its first spaceport in Hammaguir, Algeria.

The first published edition of Germaine Dulac's What is Cinema?, almost 75 years after its creation, illuminates the vital role of this pioneer of the 1920s French avant-garde, as an innovator of modern cinematic thought, who was reflecting, early on, in a sustained and analytical way about what cinema is.