Catalogue of the main contemporary exhibition at HOK in 2014.

How the diagrammatic forms affect the worlds of images in contemporary art.

The first edition of the triennial of contemporary art Bergen Assembly.

A comprehensive documentation on the Austrian art collective's exhibition and elaborate site-specific performance at the 21er Haus in Vienna.

A guidebook that maps the social, urban, and art discourses of Georgia's post-Soviet years as seen from its hilly capital of Tbilisi (the catalogue of the Georgian Pavilion at the 55th Venice Biennale).

Catalogue of the exhibition inspired by G. K. Chesterton's The Man Who Was Thursday (works by Robert Crumb, Jeremy Deller, James Ensor, Gilbert & George, Rodney Graham, Mike Kelley, Joachim Koester, Bruce Nauman, Tony Oursler, Félix Vallotton, Lawrence Weiner...).

An overview of the 2012 curatorial year at MINI/Goethe-Institut Curatorial Residencies Ludlow 38, focused on different concepts of translation.

Ten discussions based on the opening picnic scene of Charles and Ray Eames's film Powers of Ten used as score.

A series of interviews, between theory and practice.

Publication dedicated to Colin de Land and his legendary New York gallery American Fine Arts. Co. Ltd.

Exhibition catalogue with an introduction by the curators and texts contributed by Gary Lachman and Ana Teixeira Pinto.

A comprehensive documentation of some twenty-eight temporary site-specific works produced by Chinese and international artists at Arrow Factory since 2008.

A series of interviews with artists who exhibited at Objectif Exhibitions, Antwerp, over a two-year period.

A collaborative endeavor between three European contemporary art organizations, which acted as an informal think tank and a mutual support structure for the production and dissemination of artistic projects.

A manual of political instructions and recipes, delivered by more than forty international authors, rather than a traditional exhibition catalogue (publication accompanying the exhibiton for the Polish Pavilion at the 54th Venice Biennale.

This book centers around two exhibitions which took place at the Grazer Kunstverein, “Die Blaue Blume” (2007) and “Idealismusstudio” (2008).

Poor Man's Expression examines the relationship between film, video, technology, and art, with a particular focus on the reciprocal influences between conceptual art and experimental film.

Visible documents a research project by Cittadellarte-Fondazione Pistoletto in collaboration with Fondazione Zegna. The publication highlights nine curators, who showcase forty-one ways of making art.

The first overall presentation of Silberkuppe, one of Berlin's most outstanding independent spaces for contemporary art.

“Fare una scenata” was the first group show at Fondazione Morra Greco in Naples. It featured the work of nine international artists who are either commissioned new work, or asked to adapt existing work specifically to the picture-gallery and basement spaces of this newly established foundation located in an old palazzo in the heart of Naples.

Catalogue of an exhibition which assembles the recent work of 50 international artists who interrogate the artificiality of the current world and render up intensified visions of it.

Otra de vaqueros documents the eponymous residency and exhibition project that took place in Mexico City in 2007.

The artists Nomeda & Gediminas Urbonas are representing Lithuania at the 52nd International Art Exhibition La Biennale di Venezia. This book documents the artistic process of the Villa Lituania project, collecting the archival material associated with the challenge of building a pigeon loft in Rome, and a visual and textual artists' diary.

Exploring the boundaries of scientific practice and art.

The Populism Catalogue documents the namesake exhibition and features works of fiction as a literary approach to the theme of populism.

Catalogue of an exhibition at the JFK airport, closed by the authorities just after the opening night party (with Vanessa Beecroft, Douglas Coupland, Kendell Geers, Dan Graham, Fabrice Gygi, Mark Handforth, Ryoji Ikeda, Jonathan Monk, Tom Sachs...).

Non-Places questions the redefined relationship between public and private space as well as the phenomenon of modern “nonplaces,” which appear to be everywhere and nowhere at the same time: airports, shopping malls, anonymous new suburbs, or international franchise companies.

Neue Welt (New World) documents a group show which investigates the political and social restructuring of recent years. Going beyond one-dimensional statements, the texts discuss the redefinition of public space and the effects of a globalized economy.

Our Happy Life investigates the architectural implications of the new happiness emotional paradigm by dissecting and questioning the political, economic, and emotional conditions that generate space today.

Our Happy Life investigates the architectural implications of the new happiness emotional paradigm by dissecting and questioning the political, economic, and emotional conditions that generate space today.

Catalogue of the Ars viva Prize who has been awarded annually since 1953 to young artists living in Germany whose work stands out for its innovative potential and high artistic quality. The recipients of the 2017 prize are Jan Paul Evers, Leon Kahane, and Jumana Manna.

From 2012 to 2016, Foreign Affairs, the international performing arts festival of Berliner Festspiele, and the Berlin University of the Arts (UdK) have been investigating the relations between the performing and visual arts. The festival has continuously produced projects with international artists that experiment with various institutional frameworks. This book is both a question and a manual, collecting ideas, knowledge and experiences that stem from the theory and practices developed over the past few years.

This publication documents a collective project conceived by artist Rirkrit Tiravanija, architects Nikolaus Hirsch and Michel Müller, and chef Antto Melasniemi, which takes the form of an experimental platform, working as the extension of an artistic community based in Thailand. This large-scale installation explores urbanization in a post-rural condition, the act of building as a collaborative process, and land as a concept that can exist outside of ownership.

The publication brings together extensive material from Hamlet, mise-en-scène, an homage to Jack Smith presented at Portikus in 2012, along with recently restored and never-published stills, drawings, and writings by the American filmmaker related to his film Hamlet in the Rented World (A Fragment) (1970-73).

Cultural-historical materials and artistic positions that critically address the rise of the image of “One Earth” and the ecological paradigm associated with it.

Theoretical and artistic reflections on the history and contemporary relevance of animism.

Five artists' books and one general catalogue document the works of Eva Koch, Joachim Koester, Peter Land, Ann Lislegaard, and Gitte Villesen.

This publication documents new works by artists such as Olafur Eliasson, Isa Genzken, Sarah Lucas, Aleksandra Mir, Mathilde Rosier, Eva Rothschild or Gary Webb, invited to develop projects on the theme of nuclear war.