The history of nonprofit and alternative exhibition spaces in Bologna from 1977 up to the present.

The multiple meanings and uses of textiles in art, culture and society.

The catalogue of the Malta Pavilion at the 60th International Art Exhibition of La Biennale di Venezia, 2024.

The catalogue of the Serbian Pavilion at the 60th International Art Exhibition of La Biennale di Venezia, 2024.

The catalogue of the Turkish Pavilion at the 60th International Art Exhibition of La Biennale di Venezia, 2024.

The outcome of two years of writing and documenting Joshua Leon's own research processes, the publication comprises original writing alongside archival imagery.

The catalogue of the Japanese Pavilion at the 60th International Art Exhibition of La Biennale di Venezia, 2024.

The catalogue of the Lithuanian Pavilion at the 60th International Art Exhibition of La Biennale di Venezia, 2024.

A series of preparatory drawings for exhibitions by Michael E. Smith, collected over fifteen years.

Proceeding from an iconic installation by artists Marissa Lee Benedict, Daniel de Paula, and David Rueter in the central atrium of Oscar Niemeyer's pavilion for the 34th Bienal de São Paulo, this volume traces the salvage, displacement, and exhibition of the last corn commodities futures trading pit from the Chicago Board of Trade.

An analysis of contemporary artistic practices among artists from Estonia, Latvia, and Lithuania in the context of evolving global networks and art production.

A considered examination of ability in our pseudo-post-pandemic era, Interdependencies: Perspectives on Care and Resilience approaches the intersection of artistic practice, accessibility, and activism with heightened cultural nuance and urgent self-examination, focusing on the mutual dependencies that exist between people, societies, and institutions.

New monograph, featuring a cohesive body of new work, with large-scale paintings and watercolours.

A strange hybrid of Teletubbies and Videodrome in the age of algorithms, Telebodies is a techno-somatic, multifaceted endeavor referring to the ever-growing entanglement of our bodies with epistemic, cybernetic, and kinetic materialities.

A book about active mythic thinking and scientific storytelling, about fright, trauma, and potentials for transformation.

The first comprehensive monograph devoted to artist Bea Schlingelhoff.

The catalogue of Lisa Tan's first institutional show in Sweden tenders its own spatial logic through the metaphor of neurological disorders.

Emblematic works by the Belgian-Polish sculptor and textile artist produced in the 1970s, revealing Tapta's attention to the tactility of her materials, the suppleness of structures, individual and collective practice, and the interaction between artwork, space, and viewer.

A kino-political theory of the 21st century.

Massa Confusa is a combinatorial codex cataloguing João Maria Gusmão's recent material transformations in the studio, featuring an accompanying text by the artist and faithful reproductions.

An anthology that gathers a selection of furniture and lamps designed over the years by the Italian architect Massimiliano Locatelli.

First monograph.

The publication Alexander Tovborg: The Church. Photographed by Mishael Fapohunda, edited and designed by Åbäke, follows the artist's eponymous exhibition at Kunsthal Charlottenborg, Copenhagen (2023), in which Tovborg investigated the mysteries and paradoxes of faith, as well as the power of images.

Sculpture is the first monograph dedicated to the work of New York-based British artist Jesse Wine, bringing together a substantial body of work produced between 2016 and 2023.

First monograph.

The first monograph of the artist Christa Joo Hyun D'Angelo, Fatal Attraction covers over a decade of work spanning collage, video, installation, and sculpture.

Grand Illusion is a photographic series of screenshots from Google Cultural Institute's "Museum View" of Baroque European palaces—objects of beauty and manifestations of power whose gold encrusted ornamentation points to the colonial activities abroad that made this kind of wealth possible.

Wall assemblages and totemic bronze and resin sculptures made during the pandemic by Houston-based sculptor Joseph Havel with the help of his pet parrot Hannah.

First monograph.

New monograph.

An overview of Studio Marconi's publishing activities since the 1960s, tracing the studio's history.

The most comprehensive publication to date on Korakrit Arunanondchai's practice.

The very first book of Swedish film director, artist, and artistic researcher Ester M. Bergsmark.

A project by artist Fatma Bucak that considers the relationships between political violence, environmental destruction, and climate change.

The first major book by the Lisbon-based French artist Mattia Denisse.

First monograph of the Spanish artist Eva Fàbregas.

The first-ever comprehensive overview of Maude Léonard-Contant's universe.

Seven tangible prototypes that respond to our current planetary moment, enabling new ways of envisioning and inhabiting the world (a scientific and artistic collaboration turned to a catalyst for experimentation, shaping sustainable, and collective futures that combine science, technology, and the arts in a transdisciplinary and collaborative approach).

An overview of photo and video works by Farah Al Qasimi between 2017 and 2021, with which the artist investigates how spaces and subjectivities inflect and influence each other.

New monograph.

New monograph.

This artist's book provides a comprehensive insight into the artistic cosmos of Klodin Erb, one of the most renowned contemporary artists in Switzerland.

Artist's book.

New monograph.

First monograph.

An exploration of emerging Italian design, revealing a great variety of approaches to the discipline.

On Patterns reflects the themes in Adelaide Cioni's research: nature, language, craft, performance and abstraction/spirituality.

First monograph, bringing together for the first time a large selection of artworks made by Anouk Kruithof over twenty years (2002–23).