Manoel de Oliveira

The a catalogue raisonné dedicated to Oliveira's extensive filmography: the most thorough and comprehensive book published on the filmmaker until now

Taking Manoel de Oliveira's posthumous film A Visita ou Memórias e Confissões as a point of departure, this publication offers a broader questioning of the concept of the house in the filmmaker's oeuvre. Lavishly illustrated with archive material and images of his films, it includes several especially commissioned texts, together with an unpublished conversation between Oliveira and architect Álvaro Siza.

This box gathers the three volumes of the publication the Serralves Museum of Contemporary Art began in 2008, in the framework of the major exhibition dedicated to the director, on the occasion of his 100th birthday.

The first original screenplay for The Strange Case of Angelica, a long term project started in the fifties and left unfinished until 2010.

The first original screenplay for The Strange Case of Angelica, a long term project started in the fifties and left unfinished until 2010.

A cultural vision of Lisbon, which also illuminates the work and personal obsessions of Manoel de Oliveira.

Inspired by a short story by Alvaro de Carvalhal, a Portuguese writer who died in 1861 at the age of 23, and who was the author of unusual tales which were published posthumously, this libretto, written by Oliveira, is a complete transcription of his filmed opera The Cannibals.

The first monograph to explore the entire work of the master of Portuguese film (interview with and visual lay-out by Manoel de Oliveira).