Exhibition catalogue with an introduction by the curators and texts contributed by Gary Lachman and Ana Teixeira Pinto.

The new Cosmic Wonder issue is devoted to an ecological clothing line, photographed by artist Laetitia Benat.

A photo book in which Laetitia Benat, Mark Borthwick, Takashi Homma, and Henry Roy describe four scenes of everyday life.

An open-end art book project that, like a diary, expresses the present state of Cosmic Wonder in printed form, with a fold-out poster and 2 audio CDs.

A new unconventional periodical publication by the Japanese artist / designer Yukinori Maeda (b/w, gold and silver printed drawings and photographies).

A tale loosely inspired by both the contemporary astrophysicist Aurelien Barrau's work on multiverses and the turn-of-the-century author H.P. Lovecraft's mystical stories. The book entwines astrophysics and fantasy literature through fiction, deconstructing the frameworks of narration, logic, identity, space, and time. Illustrated by Andréa Marchal, after Barrau's works.

Three years of research into glass by the Mexico-based French artist.

The French producer's 9th album features two time-stretched, profound analog-textured pieces based on the physical and emotional swaying motion suggested by its title and recorded during some concerts played in the summer of 2019.

The catalogue of the Lithuanian Pavilion at the 60th International Art Exhibition of La Biennale di Venezia, 2024.

This book on the films of Anton Vidokle features essays and conversations by theorists, curators, and artists exploring the themes of technological immortality and resurrection informed by Cosmist philosophy.

"UFO Forest +" is the third and most alchemically satisfying archival anthology of unreleased material from the Argentinian composer, building on a growing recognition of her poetic, psychosonic investigations ongoing since her studies in the early 60's with Nadia Boulanger and Edgardo Canton, and at the renowned Parisian institute INA-GRM.

A live, raw, collective sound by Maurice Louca & his band Elephantine.

The third studio album from the Frenchmen Pointe du Lac offers a deep, catchy and classy dive into kosmische, electronica and jazz.

Weaving fruitful links between the worlds of science and design, this catalog unveils the work of designers who have, in conceptual, technical or poetic ways, questioned the architecture of the Universe and the hidden laws of physics that govern it, bringing to the fore the fundamental questions that drive artists and scientists alike (with a contribution of cosmologist Thomas Hertog).

A collective musical experiment based on the vast sound archives of the Museum of Ethnography in Geneva.

The second issue of the magazine Bagarres, made of constraints and rules of the game.

Vinyl reissue of Kazuki Tomokawa's second album (1976), having imposed him on the Japanese avant-garde/avant-folk scene.

The French musician, composer and instrument builder returns to Discrepant label and brings an astonishing array of instruments from different cartographies and legacies.

Contemporary poetry in Arabic: Sara Elkamel; Marc Ribot; Bill Nace interviewed by Michel Henritzi; David Grubbs by Laurent Nerzic; Werner Durand interviewed by Deborah Walker; Paulina Owczarek interviewed by Gérard Rouy ; focus Insub.Records; 80 album reviews...

CURA. 38 "The Generational Issue" is the magazine's first survey about artists' portraits that aims to investigate some of the most meaningful protagonists of the new generation who, stressing the urgencies of current times, are shaping the landscape of the present and the future in contemporary art.

A project conceived by Julie Crenn around the interactions and interdependencies inherent to life, with ecofeminist thoughts and texts by Julie Crenn, Emmanuelle Coccia, Gilles Clément and Marie Thiann-Bo Morel.

The first album of Viennese bass clarinetist Susanna Gartmayer and Düsseldorf-based musician and producer Stefan Schneider (Mapstation), partly recorded at the site of Kraftwerk's old Kling Klang studio, synthesizes aspects of industrial and avant-garde music with jazz.

This collective publication is a singular invitation to discover or deepen the universe of Tabita Rezaire, at the intersection of new technologies, decolonial healing, spirituality and the political history of science. Through numerous contributions from poets, theorists, artists and her friends and relatives, she invokes the wisdom of the womb: the mother womb, the earth womb, the cosmic womb, for us to receive its grace.

Thomas Crow on Billy Apple; Allen Ruppersberg on Margo Leavin; Amy Taubin on Apichatpong Weerasethakul; Anna Shechtman and D. A. Miller on Pedro Almodóvar; Michael Lobel on Romare Bearden in the 1930s; Patric Dicaprio shares his Top Ten; Daniel Marcus on Hannah Wilke; Mostafa Heddaya on art and comparison; Devan Díaz on Drake Carr; Four contributors take stock of "Jasper Johns: Mind/Mirror"...

Télescope intérieur narrates the creation of Inner telescope, an artwork by Eduardo Kac, realized aboard the International Space Station.

Part of Bodies of Water, the 13th Shanghai Biennale, and following its lines of research, this publication, a 354-pages book conceived as a unique and parallel platform to the exhibition, offers an ensemble of inspiring texts that reflect and extend the theme of the Biennale.

A poetic and scientific meditation on the artist's iconic cinematic installation exploring post-human mythologies, future archaeology, and the invisible structures that enfold us, from the cosmic and geologic to the ecological and political.

The first-time vinyl edition of CC Hennix's 2014 piece "Blues Alif Lam Mim in the Mode of Rag Infinity/Rag Cosmosis," intended to reveal the blues' origins in the eastern musical traditions of raga and makam.

169 fundamental free jazzrecords recommended in 180 pages by Maurizio & Roberto Opalio (My Cat Is An Alien) and Philippe Robert, from must-have classics to indispensable curiosities.

An anthology of the artists' zine.

First encounter of two essential figures of the French underground and alternative music scene.

A selection of artists and authors records within a multifaceted mosaic some of the most relevant, urgent and dystopian visions of today's changing world.

Jan Jelinek's album Tierbeoachtungen in a limited pressing on vinyl for the first time.

The 14th issue of Nakako Hayashi's graphic journal, on the theme of collage.

Exhibition catalogue of the sixth Triennal 50JPG – 50 Days for Photography in Geneva, exploring the relationships between eros and cosmos.

The meeting between the double bass player and singer Fantazio and the workers of a centre providing care through employment in Paris.

Catalogue.

The republication in print form of the poems of Art Ensemble of Chicago's founding member breathes new life into a forgotten document of the Black Arts Movement.

First monograph.

The French musician, poet, and visual artist blends cut-up poetry, ASMR, Satie, Ravel and Debussy, on her new album.

The French musician, poet, and visual artist blends cut-up poetry, ASMR, Satie, Ravel and Debussy, on her new album.

Art, destruction and creation.

London Drill rap; Romeo Castellucci; artist's assistants; Suzanne Ciani; Cameron Jamie; Théo Mercier; Barbara Probst...

On Elephantine, his new Northern Spy/Sub Rosa album, Cairo-based Maurice Louca guides a 12-piece ensemble through a panoramic 38-minute odyssey, which he describes as his most ambitious project yet. Elements of free improvisation, Sun Ra's cosmic jazz, gorgeous Arabic melody, trancelike African and Yemeni music and minimalism meet in his wholly unique compositional vision. Louca also makes vital contributions on guitar and piano, and inspires stirring performances from a global lineup.

The first (and the last) concert of mythic Kosmiche Belgian band Kosmose (1973-78): unreleased songs recorded and mixed in March 1975, something undoubtedly cosmic but with a DIY, home-made edge, dirtier than clean, noisier than technology-based.

The first (and the last) concert of mythic Kosmiche Belgian band Kosmose (1973-78): unreleased songs recorded and mixed in March 1975, something undoubtedly cosmic but with a DIY, home-made edge, dirtier than clean, noisier than technology-based.

60 black and white photos taken in Lebanon, accompanied by poems by the artist.

On the occasion of his carte blanche at the Palais de Tokyo (from 17 October 2018 to 6 January 2019), the artist Tomás Saraceno is the guest editor-in-chief of issue 28 of the magazine Palais.

Interdisciplinary study gathering critical essays and visual contributions attempting to rethink environmental aesthetics beyond the idea of landscape.

Space as a privileged place to think and question our place in the world.